PL Level 1 Workflow and Post-Processing Announcement

We are very excited to announce the release of our second video course, Level 1: Workflow and Post-Processing. After months of hard work and many sleepless nights, we were finally able to wrap the course up and make it available for purchase. After receiving a lot of positive feedback on our first video, we decided to take it up a level and deliver something we are truly proud of. The result is a 14-hour educational course that will surely satisfy your hunger for photography knowledge for quite a while. In this course, we pick it up right where we left off last time; from the moment you insert your memory card into your computer, all the way to the image export process. We go over each step of the photography workflow process, provide detailed information on different post-processing tools available on the market today (along with the overview of the most popular ones), and give you in-depth coverage of Adobe Photoshop Lightroom. In addition to the above, you will also learn how to properly organize your images and your Lightroom catalogs, find out about computer hardware required for post-processing, and even learn how to properly backup and export your images. To make it easy for you to follow the course, we are providing all relevant raw images, so that you can try all the tools we teach you to use. Without a doubt, this is one of the most detailed and complete courses you will find on both workflow and post-processing!

While the course is aimed at beginners, there is plenty of content for intermediate-level and even more advanced photographers. At the end of the course, both John and I show our ways to edit images through case studies. John starts out with a sample image culling and editing process in Lightroom, while I perform detailed post-processing of a landscape image in Lightroom, then use another image to perform more complex editing involving such techniques as dodging and burning, selective sharpening, contrast and color adjustments in Photoshop. To get an idea of what to expect out of this course, please check out the trailer below:

Here is the outline of the video, along with the length and relative size of each chapter:

00) Course Introduction: 01:38 (51 MB)
01) Introduction to Workflow: 06:23 (198 MB)
02.1) Computer Hardware: 26:37 (827 MB)
02.2) Monitors: 25:10 (781 MB)
03) Importing Images: 14:25 (443 MB)
04) File Management: 01:18:33 (2,640 MB)
05) Image Culling: 29:02 (885 MB)
06) Introduction to Post-Processing: 17:49 (552 MB)
07) Software Overview: 09:47 (296 MB)
07.1) Capture One Pro Overview: 25:45 (762 MB)
07.2) DxO Optics Pro Overview: 10:43 (325 MB)
07.3) ACDSee Pro Overview: 12:56 (391 MB)
07.4.1) Lightroom In-Depth – Modules and Navigation: 45:05 (1,364 MB)
07.4.2) Lightroom In-Depth – Develop Module: 03:19:16 (6,443 MB)
07.4.3) Lightroom In-Depth – Catalogs: 31:27 (956 MB)
07.5) Photoshop Overview: 58:38 (1,810 MB)
08) Backup: 21:01 (652 MB)
09) Exporting Images: 37:07 (1,138 MB)
10) Printing and Publishing: 05:24 (168 MB)
11) Case Study – Wedding Workflow and Culling (John): 28:08 (798 MB)
12) Case Study – Portrait Editing in Lightroom (John): 15:12 (478 MB)
13) Case Study – Landscape Editing in Lightroom (Nasim): 01:06:07 (1,894 MB)
14) Case Study – Landscape Editing in Photoshop (Nasim): 01:17:12 (2,348 MB)

As you can see, the course is very detailed and extensive – we cover everything we know about proper workflow and we spent quite a bit of time covering both Lightroom and Photoshop.If you would like to find out more about what’s covered in the video, check out this Table of Contents document for details.

Each of the chapters is recorded in High Definition at 1080p, 23.9 fps in MPEG-4 format. The total size of the tutorial is roughly 26 GB. For those who have issues with Internet bandwidth, or those who are planning to watch the content on smaller devices, we decided to also provide lower resolution videos in 720p resolution – the total download size is roughly 15 GB (single ZIP file). Both downloads have the necessary material to follow the course (such as raw images, Lightroom catalogs, etc).

The entire course can be downloaded instantly (digital download versions) or if you choose the USB version, you will get both.

Who is this Course For?

As you can probably tell, we’ve designed the course in the same format as a photography workflow. Since both John and I use Lightroom heavily, we put a heavy emphasis on it in the course and shot over 7 hours of Lightroom content alone. In fact, if you are not interested in the workflow process, just the chapters on Lightroom should teach you quite a bit, as we literally go through each and every slider and option you will find in the Develop Module! And we don’t just show you how to edit images – we even go into more advanced Lightroom content, such as file and catalog management. The beauty of the course is that it is not just aimed towards beginners – there is solid content for even more advanced photographers, who want to explore post-processing and other related topics in more detail. In the case study section of the course, both John and I show you our day-to-day workflows and how we edit images. And we are planning to release more case studies in the future!

Consider our courses as solid investment in your photography education. Now that we have two full courses that cover all the basics, we will be taking education to the next level from here. We have huge plans for this project and the idea is to make a few foundation courses today, so that we can keep taking your photography training to higher levels in our future courses. From here, we will move on to more complex training material. The good news is that we won’t be repeating any of the basics in those higher tiers, so there won’t be any duplication of efforts. So the courses will follow a university-style program with a good amount of pre-requisite material that is recommended to master first before moving up to the next level.

Here is what we have in the plans today in terms of future courses:

PL Video Levels

Sample Images

Below are the three images we used for post-processing in our case studies – you can see how the images looked before and after the editing process. Here is an example of what can be done to a portrait in Lightroom with just a few minutes of editing (John’s case study):

I chose a rather difficult image to work with in Lightroom (captured while filming the Level 1 Photography Basics course) and I go into quite a bit of detail on how to fix lens problems and make subtle adjustments in Lightroom to convert bland-looking images into something much more pleasing to look at:

Before and After Yosemite

And lastly, here is another dramatic landscape, but this time after it got a few tweaks in Photoshop:

100% Satisfaction Guarantee

We are confident in the quality of the material presented in this course and we back it up with a 100% satisfaction guarantee. If you are unhappy about your purchase, we will gladly issue a full refund.

How to Buy

If you are interested in buying this course, we currently have a special launch discount, bringing the price down from $ 149 to $ 129. If you have previously purchased our first video, you should have already received an email from us with an additional discount to bring the price down to $ 99. And the best deal is for those who want to buy both Level 1 courses – for a limited time, the bundled price will be $ 198.

Below are the purchase links for all three:

  1. Level 1: Camera Basics – $ 129 ($ 149 regular)
  2. Level 1: Workflow and Post-Processing – $ 129 ($ 149 regular)
  3. Level 1 Bundle – get both for only $ 198 ($ 248 regular)

The above discounts will expire on August 1, 2016.

We would love hear your feedback! Please let us know if you have any questions or comments in the section below!

The post PL Level 1 Workflow and Post-Processing Announcement appeared first on Photography Life.

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Throwback Thursday – A Day in the Life – WPPI 2008

Oh, how I love Throwback Thursdays! The year is 2008, and this is just one page of a terrific album from Graphistudio!

I think we started in 2006 with a fun idea from Maureen Neises, president of Graphistudio. Together we’d pick four photographers to capture the essence of WPPI each year. From setup to the awards banquet, each artist had free reign to tell the WPPI story. They were then put together in a stunning album. 

The photographers featured in the 2008 book were Catherine Hall, Jim Garner, Victor Sizemore and Calvin Hayes. The images were printed on a beautiful heavy-weight metallic paper with the design showing multiple images per page, like the above, to full bleeds in single and double page spreads,

I got a kick out of Catherine’s page that year which features Cherrie Steinberg and Hedley Jones, Mike Colon and David Jay, David Beckstead and Gary Fong and Vicki and Jed Taufer. I’ll be sharing more images from this album along with other year’s conventions in future Throwbacks.

As always, Throwback Thursdays are about memories and nobody captures them better than all of you who are professional photographers.

​Remember to take the time today and look for a few old images. Share them on your blog as a way to remind your clients of the importance of capturing those memory-making moments in their lives. And don’t forget, women make 98% of the purchase decisions to hire a photographer in the portrait social categories. That means you need to remind Mom that time is her most valuable commodity and what the kids and family look like today will be different tomorrow!

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how to draw from photographs learn how to make your drawings picture perfec

how to draw from photographs learn how to make your drawings picture perfec


New 1600581714.

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Art Wolfe 2017 Wall Calendar

Art Wolfe 2017 Wall Calendar


Photography by Art Wolfe Contains many unique secular like Bike To Work Day and Mercury Retrograde times Calendar cover indicates Amber Lotus has planted 500,000 trees as an environmental offset Observes a large number of religious holidays from Christian, Jewish, Buddhist, Islam, Hindu and Pagan traditions

Price: $
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10 easy steps for better color in your pictures

Have you ever had a vision for a color image fall flat and you couldn’t figure out why?

Has it taken you hours, or even days, to figure out how to accomplish that vision?

I’ve had this happen to me so many times, and over the years I’ve collected a few tips on how to create beautiful color images that draw you in. These steps cover everything from shooting to corrective and creative post-processing.

Shooting

1. Look for color behind your subject
This is one of my favorite creative tools, because it’s so easy to get caught up in the colors of your main subject. Color behind your subject can change the mood of your image, adding a beautiful and intriguing background.

photo of a black cat in a tree by Ebony Logins

2. Use negative space
Not only can you isolate your subject visually, but you can also use color to stimulate the senses. In this image, the white of the jasmine plays on the purity and newness of the wedding day, represented by the rings. Since the viewer has less to process visually, the calming white of the jasmine lets them relax and imagine the fragrance of the flowers.

picture of wedding rings by a flower by Ebony Logins

3. Fill the frame
The opposite of negative space! A little bit of drama goes a long way when you use color to draw the subject’s eye into the image. Using one color can really define the intent of your image. Red, for example, can create a feeling of love, passion, and power in an image like this.

macro photo by Ebony Logins

4. Use complimentary tones
Colors can be the strongest form of communication in your images, due to our biological and psychological responses to them. While the subjects in this image have fallen, the deep earthy tones of this photograph give us a sense of nurturing and hope for regrowth.

dead nature by Ebony Logins

Corrective Post Processing

5. Remove distractions
Have you ever taken the best photo, pulled it into post processing, and suddenly noticed a red sign in the background? An orange car? A bystander’s blue shirt? Remove these distractions in post to keep the focus on your subject.

before photo of green leaves by Ebony Logins

picture of green leaves by Ebony Logins

6. Remove Chromatic Aberration (CA)
I really do love my Nikon 85mm f/1.8, but it does produce a lot of CA. This is an easy fix in Lightroom, by selecting “Remove Chromatic Aberration” under the Color tab in Lens Corrections. Play with the sliders to defringe – it really makes a difference!

Click Away photography conference in Seattle 2016

Creative Post Processing

7. Add pockets of color to create depth
I love using the color brush in Lightroom. There is so much you can do with a brush, and my favorite trick is to use triadic colors into the background of an image to make it pop. Choose 3 colors that are equally apart on the color wheel, like blue, magenta, and gold.

close up photo of spiky leaf by Ebony Logins

8. Add a pop of color!
Don’t be afraid of Vibrance, Luminance, and Saturation. They’re easy to play around with, and they can really make or break the vision you have for your color images. This image would have been pretty bland without it. The orange plays against the blues of the rocks and adds intrigue to the overall image.

engagement ring on a rock by Ebony Logins

9. Artificial Sunflare
Some say it’s tacky, but I love a little artificial sunflare! Sometimes you just have to bring a little imagination to an image, and this is a great way to do it. I added this sunflare in post because I love how the neon colors brighten up the overall mood of the image.

wide angle engagement picture by Ebony Logins

Printing and Sharing

10. Check your Gamut
Just as you would check if your blacks are clipped or your highlights are blown, checking your gamut ensures that you won’t lose any information in your colors.

macro of red rose by Ebony Logins

red rose macro pic by Ebony Logins

By Soft Proofing in Lightroom, you can see where the colors in this image are too saturated and color information will be lost. In just a few seconds, I dropped the saturation in the reds to fix the problem.

backlit fall leaves by Ebony Logins

Color is such a beautiful way to express yourself. Using some of these tools in your work will allow your vision to come to life!

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