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Selecting photographs after a trip, or even after a simple shooting session, is an essential phase of photography that transforms a large collection of files into a refined selection of standout images. The first part of this article (which is divided into two parts) describes a fast culling method that, instead of going through all the photos to delete the less successful ones, focuses on the best images from the start, quickly bringing to light what truly expresses my vision.
Photography Life
Nikon has just posted a development announcement for the Z 120-300mm f/2.8 TC VR S with a built-in 1.4× teleconverter! They’ve also released an image of the lens, although most other details remain unknown for now. Here’s how it looks:
Photography Life
As a wildlife photographer, there’s nothing more exciting than going to places unknown and unexplored. Everything around you is a new composition, just waiting to be discovered. But I like to think that all concepts have a counterpart. In this case, I think the counterpart of endless exploration would be peacefully exploring a single, well-known subject that you’ve had in mind for a long time. Recently, I finished a project on one such single subject: the Prairie Crocus.
Photography Life
Last week, my big task was to work on our printer and make test prints on dozens of different paper types. Then I met up with Nasim over the weekend, and we narrowed it down to just a few of our favorites. What do you look for in a paper? The brightness of the highlights, the depth of the blacks, the surface texture, the warmth or coolness? I probably spent more time thinking about that last week than the rest of my life combined! I still need to make some more test prints, but things are progressing quickly. Meanwhile, as I tested different papers, a few things happened in the greater photography world that you might want to know about.
Photography Life
In nature, chaos sometimes reigns supreme, and building clean compositions as a wildlife photographer is difficult. High-key photography is, in a way, the opposite. By exposing near the point of overexposure, distractions have a way of vanishing, and your subject stands out against its more abstract surroundings.
Photography Life