Lucia Chase Canvas Gallery Wrap 18×24 Photo On

Lucia Chase Canvas Gallery Wrap 18×24 Photo On


Lucia Chase” is an art print by Gjon Mili from The Life Picture Collection. Get photo prints of “Lucia Chase” in a variety of frames, styles, and materials. Photographer Bio Emigrating to the United States from Albania in 1923, Gjon Mili is regarded as the first photographer to use electronic flash and stroboscopic light to create photographs outside of a scientific context. A true pioneer of the artform, Mili’s photographs of dancers, athletes, and pictures or performances have shaped our understanding of how movement too rapid or too complex for the eye to discern is captured in the still image. Mili’s career as a photographer for Life Magazine spanned four decades and saw the publication of thousands of his photographs, taking him around the world; from collaborations with Pablo Picasso, to the incarceration of Adolph Eichmann, to original photos from Broadway plays. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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The Purpose Hotel

I’ve written a lot about the importance of giving back. Well here’s a project with a Kickstarter campaign that leaves me struggling to find the right words. It could well be the most amazing idea I’ve ever heard, and all under the topic of giving back. It’s the Purpose Hotel and Jeremy Cowart explains it all in the 3 1/2 minute video below. It’s an amazing idea and a chance to give back in a very special way…all over the world!

Imagine a hotel where everything has a purpose and focuses on a different need. The tagline just about says it all –
 
                                                                          “Change the world while you sleep.”

Watch the video and then join me in a donation to the Kickstarter campaign. Just click on the image above to find out the many ways you can help.

SkipCohenUniversity – SCU Blog

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Dancers (ballerinas) At George Balanchin Paper Framed Print 1 5/8″ Matte Black 26×22 Photo On

Dancers (ballerinas) At George Balanchin Paper Framed Print 1 5/8″ Matte Black 26×22 Photo On


Dancers (ballerinas) at George Balanchin” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Dancers (ballerinas) at George Balanchin” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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5 macro photography mistakes you’re making

Macro photography is a unique genre with its own learning curve.

Many people get frustrated when they first try to learn macro but the reality is that it takes practice and you just have to stick with it, like all types of photography. Let’s chat about some of the biggest mistakes you could make in your macro journey.

1. Always using a tripod

I never ever use a tripod for macro photography. I’m not saying you shouldn’t either, but you should at least TRY without the tripod. It’s incredibly freeing and allows you to be more creative and play with your angles. Don’t get bogged down by the idea that you need a tripod for macro work. Instead, try hand-holding and make sure your shutter speed is high enough to prevent motion blur. Many macro lenses, like the Canon 100mm or Nikon 105mm, are pretty heavy so I suggest staying at 1/200 of a second or faster.

macro photo of a purple flower by Tiffany Kelly

2. Never converting to black and white

Many photographers shy away from black and white conversions for macro work, but the reality is that you can create gorgeous, stunning monochromatic macro images. For nature macro images, color is often the selling point of the subject, so it may be hard to strip that beautiful color. But, black and white can lend a timeless or moody feeling to your images. It’s a good technique to at least try! I find that my favorite black and white macro images have nice tonal variation between the subject and the background. I also look for strong light when thinking about which images to convert to black and white.

black and white macro picture by Tiffany Kelly

3. Not adapting to the weather

Harsh sun, wind, and rain can all put a damper on your macro session. When shooting macro outdoors, you have to either take the weather into consideration or move your subject and your shooting inside or under a covering. Wind is the biggest reason I will move inside – it is really tricky to work with and can ruin a macro session. If it’s just a light wind, you can try shielding the wind with your body to keep it off your subject. For full sun, you can certainly still shoot, just expose for your highlights. You can also try to block the direct sun with your body or a diffuser. Shooting in the rain can actually make for really unique and lovely images, but make sure to protect your gear!

outdoor macro of rose by Tiffany Kelly

Click Away photography conference in Seattle 2016

4. Using auto-focus

I never rely on auto-focus for macro photography. It’s just not reliable enough when you are working with very narrow depth-of-field. Thus, I always stick with manual focus if possible!

macro photo of water drops on a red flower by Tiffany Kelly

5. Thinking you have to follow the rules

Don’t be afraid to take risks! I realize I just gave you a bunch of rules and now I’m telling you to not follow rules, but bear with me. I think the biggest mistake we can make in any genre of photography is being afraid to try new things, to break the rules, to break out of the ruts we create for ourselves. I know I sometimes get stuck in a method of doing the same things the same way over and over. I have to break free from that to try new things.

Sometimes my experiment is a failure and I don’t get any images I love but more often than not, I get something new and creative that I really adore. I hope you feel the freedom that macro photography has to offer. When shooting nature, for example, you don’t need the compliance of your subject or anyone else. You can feel free to take your time and try all sorts of different things. Try shooting wide open and stopped-down, at all different angles, in full sun and shade. Experiment and have fun!

macro picture of purple and white flower by Tiffany Kelly

Want to learn more about macro photography? My photography workshop, The Art of Macro, starts on August 8th and registration is open now! I would love to see you there!

The post 5 macro photography mistakes you’re making appeared first on Clickin Moms.


Clickin Moms

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Santa Elena Canyon At Rio Grande On Us-m Canvas Gallery Wrap 20×25 Photo

Santa Elena Canyon At Rio Grande On Us-m Canvas Gallery Wrap 20×25 Photo


Santa Elena Canyon at Rio Grande on Us-M” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Santa Elena Canyon at Rio Grande on Us-M” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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