Old African American Sharecropper Dave A Canvas Gallery Wrap 20×25 Photo On

Old African American Sharecropper Dave A Canvas Gallery Wrap 20×25 Photo On


Old African American sharecropper Dave A” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Old African American sharecropper Dave A” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

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College Students Brooks Conrad And Merrilyn Olson Kissing Canvas Gallery Wrap 20×25 Photo On

College Students Brooks Conrad And Merrilyn Olson Kissing Canvas Gallery Wrap 20×25 Photo On


College students Brooks Conrad and Merrilyn Olson kissing” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “College students Brooks Conrad and Merrilyn Olson kissing” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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Bernadette Peters Portrait Session Birchwood 20×25 Photo On

Bernadette Peters Portrait Session Birchwood 20×25 Photo On


Bernadette Peters Portrait Session” is an art print by Harry Langdon from the Archive Photos collection. Get photo prints of “Bernadette Peters Portrait Session” in a variety of frames, styles, and materials. Photographer Bio As a young kid Harry would visit his father, silent screen star Harry Langdon Senior, on the sound stages – watching intently as the crew built sets and prepared the cameras. Theatre and movies were in his blood, so his over 40-year (and counting) career as a highly sought-after portrait photographer to the stars comes as no surprise. But it’s his unique ability to keep his work fresh year after year that keeps him among the top commercial and glamour photographers in the world.

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Sunday Morning Reflections – Time for the Simple Life?

Picture

From Awesome11.com

It’s a pretty typical Sunday morning. As usual, I’m stepping away from the business of photography, but only a little bit. I knew what I wanted to write about, just couldn’t find the way to get the post started. I typed “quotes about life” into Google, and the little gem up top came up.

Between last week’s trip to Nebraska for Marathon’s MAP Getaway and my regular online connections with so many photographers, I was with one person after another who have yet to understand the simplicity of life – telling people what we need.   

So many of us have been brought up on the principles of DIY when it comes to anything with even a glimmer of emotion attached. My Dad used to talk about doing your own laundry.  Over and over again if something bothered me, it just stayed locked up inside. Even things that had a solid positive foundation were often not shared. 

Then Sheila came into my life and shared pretty much everything. She’d say, “Ask for what you want. Ask for what you need!” It was a new concept. 

I’m suggesting everyone needs to do a better job of stepping out from behind the curtain. We need to tell friends we miss them; make a stronger effort to spend time together, ask questions when we don’t understand something and take the time to explain when we think we’ve been misunderstood. We need to stop apologizing before we ask for something as if it’s wrong to need something just for ourselves. 

The last two points above, for me, go together – I’m still work in progress, but when I start to feel stressed I let it go. I refuse to let things I have no control over eat away at me. And, most important of all, when we love someone we need to say it – at all levels. Your spouse and your kids are easy – it’s friends and associates who watch our backs. They need to hear about the important role they play in our lives.

So, on this gorgeous Sunday morning in Sarasota, I’m wishing everybody a “Simple Life” and a day filled with close friends, family and most important of all, the people you love the most. Remember those eleven-second hugs. Take the time to think about how you express yourself on those nine points above.

Happy Sunday everybody!

Life is short. Break the rules, forgive quickly,
kiss slowly, love truly, laugh uncrontrollably,
and never regret anything that made you smile.
Anon

SkipCohenUniversity – SCU Blog

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Dangerous Photographers at the Cliffs of Moher

I arrived in Ireland a couple days ago, and I have been taking plenty of photos along the way. I’ll post them in future articles, but there is something more important to discuss for now: the dangerous, idiotic behavior I saw at the Cliffs of Moher.

The Cliffs of Moher are one of Ireland’s most iconic sights. At upwards of 700 feet (210 meters) tall, and dropping directly into the sea, it is no wonder that they are such a well-visited place. Unfortunately, as in Yellowstone National Park, this popularity comes at a price. Not everyone follows the established trails rules, and several people die each year falling off the cliffs; in fact, to warn visitors of the danger, a memorial statue was placed at the path’s trailhead.

Cliffs of Moher Sign

A memorial statue at the start of the trail — and an additional warning sign in the background.

I spent a couple days photographing this area, and I had a couple takeaways from the experience. First, if sunset is nice, the light on the cliffs is truly beautiful. It isn’t a particularly easy landscape to shoot, and the best vantage point is somewhat over-photographed, but it is still an incredible sight. The more important thing I noticed, though, is the horrifying behavior of photographers and tourists approaching as close as possible to the edge.

These photographers were nearly walking over a cliff. Consciously. Some were posing for their friends, others were photographing the landscape, and many were taking selfies. It was dangerous and careless, especially considering the weather; there was a light rain, and gusts of wind were upwards of 30 mph, or 48 km/h.

And then a woman slipped. She was sitting with her legs over the edge of the cliff, and her friend was taking a photo with the ocean in the background. As she stood up, her foot caught a path of grass, and she landed on her knees at the edge. Luckily, somehow, she caught herself and did not fall over. She laughed it off quickly and walked back to the path. I felt sick to watch — as, I know, did a dozen other people who saw.

In the next thirty minutes, I spotted six more people walking within arm’s length of a 700-foot drop, enduring strong winds and wet, slippery grass. Tourists were so engrossed in taking pictures that they seemed to ignore the deadly drop-off entirely. One woman even did yoga poses on the edge while her friend took pictures.

What is it about our culture that we are willing to pose on the edge of a cliff in order to take a photo? Is it a desire to seem daring and adventurous, or is it simply a misunderstanding of the dangers that a place like this can pose? Certainly, the reason is not to take better pictures; whether or not you are on the path, the view is exactly the same.

Cliffs of Moher

While most tourists stick to the path, which is a safe distance from the edge, some will walk within inches of the drop-off. I took this photograph during a light rain and strong gusts of wind.

I am not trying to excuse myself from the idiocy that affects obsessed photographers. I have climbed a few sharp and slippery hills that were beyond my comfort zone, and I’ve taken photos farther into the ocean than what seems smart in hindsight. In recent years, though, I have worked to take more care to avoid these situations — and I have never walked so close to the edge of a cliff. No shot is worth this type of risk.

If you ever take pictures at the edge of a large drop like the Cliffs of Moher, realize the dangers that you are facing. Risks are a natural part of life, and they can be important to taking successful photographs; I don’t dispute that at all. But when dozens of people walk to the farthest edge of a 700-foot drop on a windy, rainy day, something is very wrong. As photographers, we have a collective responsibility to reject — and avoid taking part in — this type of behavior, not encourage it. Until then, people will continue making these tragic decisions.

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