Choosing an Entry-Level Canon DSLR Camera

If you are buying your first DSLR camera, the available options that are out there can be pretty overwhelming. In this article, I’d like to walk you through the important similarities and differences between a few of Canon’s entry level DSLR cameras, currently the Canon EOS Rebel SL1, Canon EOS Rebel T5, Canon EOS Rebel T5i and Canon EOS Rebel T6i. While this won’t be an in-depth technical review, it will be a practical, hands on review that should give you enough information to make an informed decision about which of these cameras will work the best for your current needs.

1) How I Reviewed The Cameras

The way that I reviewed these cameras is by actually taking them out and using them. I walked around and photographed scenes that caught my eye. When I needed to test particular aspects of the cameras, I found scenes that worked for what I needed to know. I almost primarily used aperture and shutter priority modes so that I could get a good feel for how capable the camera’s light metering system was (although there were a few occasions when I used manual mode). I only used the kit lens that came with the camera or the Canon 50mm f/1.8 lens. All images were shot in the RAW format and edited in Adobe Lightroom.

Canon Entry Level DSLR Review - T5i

Canon EOS REBEL T5i + EF-S18-55mm f/3.5-5.6 IS STM @ 55mm, ISO 100, 1/125, f/5.6

2) Technical Specifications

When it comes to comparing DSLRs, most significant differences can usually be spotted when comparing the technical specs. I’m not going to list all of the specs for these cameras here, as they’re almost identical and won’t really have any impact on your experience while using them. I will list the most important specs and any that differ between the models (with the better specs shaded darker blue).

Camera Feature Canon SL1 Canon T5 Canon T5i Canon T6i
Sensor Resolution 18 Million 18 Million 18 Million 24.2 Million
Max Image Resolution 5184×3456 5184×3456 5184×3456 6000×4000
Autofocus Points 9 9 9, 9 cross-type, center dual-cross 19, 19 cross-type
Viewfinder Magnification Approx 0.87x Approx 0.8x Approx 0.87x Approx 0.82x
Display Screen 3 inch Rear LCD, touch 3 inch Rear LCD 3 inch Rear LCD, touch/swivel 3 inch Rear LCD, touch/swivel
ISO Sensitivity 100-12,800 100-6400 100-12,800 100-12,800
Metering Modes Evaluative, Partial, Spot, Center-Weighted Evaluative, Partial, Center-Weighted Evaluative, Partial, Spot, Center-Weighted Evaluative, Partial, Spot, Center-Weighted
Continuous Shooting Rate 4 fps 3 fps 5 fps 5 fps
WiFi Capable No No No Yes
Weight (Body) 370 g 434 g 525 g 555 g

3) Real World Use

Let me start out by saying that for my professional photography I use a Nikon D810. I shoot in manual mode and only use prime (non-zoom) lenses. This matters because shooting with these cameras and a zoom lens was so much different than what I’m used to. Since I’m a Nikon guy, using a Canon took a bit of getting used to, so how intuitive and user-friendly these cameras are really made a big difference.

The only significant changes I made to the camera settings before I started using them was to set them to shoot in RAW (by default they are set to capture JPEG images). Everything else remained unchanged from the factory settings.

3.1) First Impressions

The biggest difference between these four cameras is found in the size of the SL1 compared to the others. It is by far the smallest camera. This makes it the lightest camera, but for my hands it felt way too small. I did find that I could easily stick it in my jacket pocket, which is something that I can’t say about any of the other cameras I reviewed, so if having a small, portable DSLR is important to you, you might consider the SL1.

All of the cameras have a similar menu system and information display. The T5i and T6i have a better button configuration and both have a dedicated ISO button on the top of the camera (the T5 has it on the back and the only way to change ISO on the SL1 is through a menu setting). The T5i and T6i also both have buttons that are more tactile, which makes a big difference when you want to change settings without having to look at the camera.

Both the T5i and T6i also have swiveling rear LCD screens. I have personally never owned a camera with this feature before, so I was excited to try it out. All of the cameras except for the T5 also have touch screens. To my surprise, I found myself occasionally using this feature to quickly make selections and change settings.
Canon-Entry-Level-DSLR-Review BH Photo

3.2.1) Hands On Use: Handling

Once I started using the cameras, I found it hard to tell the difference between the T5, T5i and T6i. Of course, the SL1 stuck out like a sore thumb because it is so much smaller than the other bodies and has more of it’s controls buried in menus versus having dedicated buttons on the camera body itself. The T5 is smaller than the T5i, especially in the grip. If you’re doing a lot of shooting and have larger hands, this is going to be a big deal. The T5i and T6i are roughly the same size (although the T6i is a bit larger).

As I mentioned, the menus in all of the cameras are very similar. Of course, the T6i has a lot more options than the SL1 (it’s a more advanced camera), but navigating the menus feels exactly the same. Navigating through images that I’d taken also felt very similar across all of the cameras. They are all responsive while zooming in on and scrolling through images.The T5 has a lower-resolution screen, so images don’t look nearly as clear or vibrant on it compared to the other three cameras.

Canon Entry Level DSLR Review - T6i

Canon EOS Rebel T6i + EF-S18-55mm f/3.5-5.6 IS STM @ 18mm, ISO 100, 1/800, f/5.6

3.2.2) Hands On Use: Shooting

A big difference between these cameras is the kit lens that comes with each camera. All of the lenses have the same focal length range (18-55mm) and have IS (image stabilization), which can help you to capture sharper images in low-light situations. The T5 has Canon’s older 18-55mm IS II kit lens, while the other three cameras have Canon’s newer 18-55mm IS STM kit lens. I found the newer lens to be both quieter and faster at acquiring focus than the older lens. The image quality did not seem to change between the different lens models.

If you want to get a different look in your images while using the same camera, you might consider buying a new lens as well. A lightweight, inexpensive lens like the Canon 50mm f/1.8 can completely change the look of your images. For example, take a look at this image. It would be impossible to create with the kit lens.

Canon Entry Level DSLR Review - T5

Canon EOS REBEL T5 + EF50mm f/1.8 II @ 50mm, ISO 100, 1/250, f/1.8

Not only does a lens like this give you the capability to create different looking images, but (much like IS) it also allows you to photograph in low-light situations without raising your ISO. How does it do that? It has a larger aperture than your kit lens, which lets more light into the camera (you can read more about what an aperture is here). So why do I even bother showing you images like this when they’re not something that the basic camera+kit lens can create? To show you that, by simply changing lenses, these cameras are capable of creating images like you’ve never created before!

Canon Entry Level DSLR Review - SL1

Canon EOS REBEL SL1 + EF50mm f/1.8 II @ 50mm, ISO 100, 1/640, f/2.8

If you tend to shoot bursts of RAW images (maybe of action or a once in a lifetime moment), you’ll appreciate the slightly faster frame rate of the T5i and T6i. Not only do they capture images faster, but they also write them to the memory card more quickly. I tested all four cameras and here’s how they stacked up:

– T5: The slowest all around. It has the slowest frame rate (3 fps), as well as the smallest buffer (6 RAW images before it filled up).
– SL1: Has a faster frame rate (4 fps) and can shoot 8 RAW images before the buffer fills up.
– T6i: Ties for the fastest frame rate (7 fps) and can shoot 7 RAW images before the buffer fills up.
– T5i: Ties for the fastest frame rate (7 fps) and can shoot 8 RAW images before the buffer fills up.

You’ll notice that the T6i’s buffer fills up faster than the T5i’s, which is no surprise since it has a higher resolution sensor than the other three cameras. To get the best performance out of this camera, you’ll want to be sure to use fast memory cards if you plan to shoot bursts of images.

What about focus with moving subjects? If you have children or pets you plan on photographing, this can be an important feature of any camera you plan to purchase. I tested them out at a parade and on my cat walking towards me and, surprisingly, all of the cameras did a decent job at tracking and photographing motion. Of course, your results may vary depending on the lighting conditions and how fast your subject is moving, but based on my experience you should be able to photograph slowly moving subjects with any of these cameras.

Canon Entry Level DSLR Review - T5i

Canon EOS REBEL T5i + EF-S18-55mm f/3.5-5.6 IS STM @ 55mm, ISO 100, 1/400, f/5.6

3.3) Other Features

As I mentioned earlier, the T5i and T6i have rear LCD screens that tilt and swivel. I took the T5i to a parade and found myself using the tilt function of the screen quite a bit while trying to photograph over the heads of people who were standing in front of me. Unfortunately, that also meant I was shooting with live view, which meant the focusing system was slower to acquire focus, especially on moving subjects. I did end up missing many shots, either because the image was out of focus or the camera simply never took a photo because it couldn’t acquire focus.

One feature that the T6i has that the others do not is built in Wi-Fi capability. After downloading the Canon Camera Connect app to my iPhone, I was able to use my phone to view the images on the memory card, download them to my phone and even use my phone to remotely change the camera settings and take photos!

Canon Entry Level DSLR Review phone app

4) Image Quality

As for overall image quality, I couldn’t really tell any difference between cameras while editing properly exposed images. Surprisingly, they all seem to have similar light metering and dynamic range capabilities. I found I was able to recover comparable amounts of shadow and highlight information from similar images taken by each camera. I did notice that when photographing the exact same scene with all four cameras set to Program Mode, the SL1 tended to miss the correct exposure more often than the other three cameras did.

An important factor for cameras is their high ISO performance. While the SL1, T5i and T6i max out their normal ISO rage at ISO 12,800, the T5’s limit is ISO 6400. When shooting at ISO 6400, they all perform similarly. When I took the SL1, T5i and T6i up to ISO 12,800, it definitely increased the noise in the images, but it’s nice to know the reach is there if you ever need it, as the images definitely were not unusable. Personally, I’d try to keep the ISO at 3200 or below on any of these cameras, but in a pinch feel free to use the full ISO range on any of them.

Another important test of a camera’s sensor is how well you’re able to recover an underexposed image shot at high ISO. To test this, I underexposed the same scene by 2 stops with each camera while shooting at ISO 6400. After using Lightroom to adjust the exposure to the correct value, only the T6i produced acceptable results. The other three demonstrated color shifts and extreme noise.

5) Overall Thoughts

At the end of the day, the T5 is the only camera out of these four that I would not recommend. When comparing it to the other models, it’s obvious that it simply has older technology and is less capable than the other three. Those other three cameras (SL1, T5i and T6i) are all capable cameras and fill different needs. They’re easy to use, produce great images and are relatively inexpensive.

To get even more out of a camera like this, using a lens like the 50mm f/1.8 will give you the ability to photograph in even lower-light conditions than the kit lens’ built-in IS, while at the same time giving your images a completely different look due to the shallow depth of field made possible by shooting at an aperture of f/1.8. This combo (kit lens + 50mm lens) has gotten many photographers (myself included) started down the enjoyable path of photography.

That’s not to say that these cameras are perfect. Of course, being entry level cameras, they don’t have the more advanced features that more expensive cameras have. They also don’t have any of the ruggedness that more expensive, professional grade cameras have. That means you’ll have to be careful around bad weather and rugged conditions to protect them from getting wet or banged around.

6) Additional Images

Here’s a few additional images for you to look over before getting to the conclusion. As always, be sure to click on them for the best image quality.

Canon Entry Level DSLR Review - T5

Canon EOS REBEL T5 + EF-S18-55mm f/3.5-5.6 IS II @ 18mm, ISO 100, 1/100, f/3.5

Canon Entry Level DSLR Review - T5i

Canon EOS REBEL T5i + EF-S18-55mm f/3.5-5.6 IS STM @ 18mm, ISO 100, 1/250, f/5.6

Canon Entry Level DSLR Review - T5

Canon EOS REBEL T5 + EF-S18-55mm f/3.5-5.6 IS II @ 18mm, ISO 100, 1/320, f/5.6

Canon Entry Level DSLR Review - T5i

Canon EOS REBEL T5i + EF-S18-55mm f/3.5-5.6 IS STM @ 24mm, ISO 100, 1/320, f/5.6

Canon Entry Level DSLR Review - T5

Canon EOS REBEL T5 + EF-S18-55mm f/3.5-5.6 IS II @ 24mm, ISO 100, 1/250, f/5.6

Canon Entry Level DSLR Review - T5i

Canon EOS REBEL T5i + EF50mm f/1.8 II @ 50mm, ISO 100, 1/4000, f/2.8

Canon Entry Level DSLR Review - T5i

Canon EOS REBEL T5i + EF50mm f/1.8 II @ 50mm, ISO 100, 1/3200, f/2.8

Canon Entry Level DSLR Review - T5

Canon EOS REBEL T5 + EF50mm f/1.8 II @ 50mm, ISO 100, 1/2000, f/2.8

Canon Entry Level DSLR Review - T6i

Canon EOS Rebel T6i + EF50mm f/1.8 II @ 50mm, ISO 100, 1/1600, f/2.8

Canon Entry Level DSLR Review - T5i

Canon EOS REBEL T5i + EF-S18-55mm f/3.5-5.6 IS STM @ 27mm, ISO 200, 1/2500, f/4.0

Canon Entry Level DSLR Review - T5

Canon EOS REBEL T5 + EF50mm f/1.8 II @ 50mm, ISO 100, 1/60, f/1.8

Canon Entry Level DSLR Review - T5

Canon EOS REBEL T5 + EF50mm f/1.8 II @ 50mm, ISO 100, 1/320, f/1.8

Canon Entry Level DSLR Review - T6i

Canon EOS Rebel T6i + EF50mm f/1.8 II @ 50mm, ISO 100, 1/1600, f/2.8

Canon Entry Level DSLR Review - T6i

Canon EOS Rebel T6i + EF50mm f/1.8 II @ 50mm, ISO 100, 1/1250, f/2.8

Canon Entry Level DSLR Review - T6i

Canon EOS Rebel T6i + EF50mm f/1.8 II @ 50mm, ISO 100, 1/250, f/2.8

Canon Entry Level DSLR Review - T6i

Canon EOS Rebel T6i + EF50mm f/1.8 II @ 50mm, ISO 100, 1/2000, f/2.8

Canon Entry Level DSLR Review - SL1

Canon EOS REBEL SL1 + EF-S18-55mm f/3.5-5.6 IS STM @ 18mm, ISO 400, 1/13, f/5.6

Canon Entry Level DSLR Review - SL1

Canon EOS REBEL SL1 + EF-S18-55mm f/3.5-5.6 IS STM @ 18mm, ISO 100, 1/1000, f/5.6

Canon Entry Level DSLR Review - SL1

Canon EOS REBEL SL1 + EF-S18-55mm f/3.5-5.6 IS STM @ 18mm, ISO 100, 1/500, f/5.6

7) Conclusion

If you’re buying your first DSLR, one of these cameras is going to work great for you. While all of them have similar image quality, they do have their differences as well.

If you want something small, lightweight and inexpensive, you can’t go wrong with the SL1. It is a very capable camera, but still very user friendly. Although the T5 does cost less, it’s not as capable of a camera simply due to it being older.

If you want a larger, more advanced camera than the SL1, but don’t want to spend extra money for features like Wi-Fi and a higher resolution sensor, the T5i might be a great choice for you. Of course, if you want the latest technology and a high resolution sensor, the T6i would be the camera for you.

I can’t recommend purchasing the T5. Although it is currently the least expensive of these four cameras, it is also the least capable. On paper it is more advanced than the SL1, but it will ultimately limit your photography more than even the basic yet newer, more capable SL1 will.

For full camera specifications, current pricing or to purchase a camera, please visit the B&H website:
Canon EOS Rebel SL1
Canon EOS Rebel T5
Canon EOS Rebel T5i
Canon EOS Rebel T6i
Canon 50mm f/1.8 STM lens

If you have enjoyed this article, please check out our in-depth Level 1 Photography Basics Course, where we explore all the basics of photography in much more detail. It is an intensive, 5+ hour course with enough material to not only get you started today, but also to serve as a reference material in the future.

The post Choosing an Entry-Level Canon DSLR Camera appeared first on Photography Life.

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Choose Perfect Camera Lens For Night Photography

Night Photography can be very intriguing. You cannot just think of clicking photographs in the night under normal circumstances. A lot of factors come into play and influence the photographs. During nights the most important aspects of photography are focus, weight, image quality and the price of the lens. The lens that offers all these qualities automatically qualifies as the ideal choice for night photography. The Nikon Telephoto Lens and the Canon Wide Angle Lens do the needful to qualify.

The reason why both the Nikon Telephoto Lens and the Canon Wide Angle Lens qualify is because of the variety available. The AF-SDX 35mm f/1.8G, AF Nikkor 50mm f/1.8D Autofocus and the 2180 AF-S NIKKOR 50mm f/1.4G are three fine examples from Nikon. All these have been categorized under the Nikon Telephoto Lens and have shown their capacity to produce visually appealing images during the nights. The ambience might be dark and the light dim, but these lenses get to work quickly and show why they are top preference. They have a good focal length, curvature, and aperture and produce good snaps.

If Nikon has these to boast of, then Canon too is not far behind. The 24-105mm f/4L IS USM EF, EF-S 15-85mm f/3.5-5.6 IS USM UD Wide Angle Zoom and the EF 28-135mm f/3.5-5.6 IS USM are Canon masterpieces that have been made for night photography. During nights, whether artificial light is available or not, these lenses show competence in taking clear photographs. They are the finest Canon Wide Angle Lenses that have been produced so far with a proven track record of doing well during nights.

These are the perfect examples of the lenses used during nights for photography. The photographs taken through these are neither blurred nor distorted. They are as apparent as they can ever be. Once the photographer puts them inside his camera and starts using them, issues such as picture quality and image stability which are otherwise very important seem very petty.

The nights do not have the good fortune of broad daylight. Hence, the lenses in the camera have to be so strong that absence of light gets compensated for. Distorted lenses lack clarity. The images come blurred, and the darkness sets it up for a double whammy. This can really become frustrating for the photographer, for he has to put in twice the effort during nights. These lenses do not let that happen, and give the photographer a reason to cheer for.

Laying focus during nights is not that easy. Same goes for establishing stability and ensuring texture. All these things only fall into place when the lens itself has something special to offer. The features that have been talked about above have to be there in the lenses to get good pictures. Their absence is bad news and will leave the photographer in dismay. These are the most ideal lenses that fit the bill for good night photography. There are plenty of artists vouching for their efficiency, reason enough for usage.

The LensPal offers a wide range of Camera Lens Rental, Nikon Wide Angle Lens and Nikon Telephoto Lens in Florida. For more information Please visit http://www.thelenspal.com/

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Tips to Choose Perfect Diamond Settings

A diamond is forever, and its brilliance is incomparable. It’s always been a woman’s favorite and has invariably been associated as her best friend. Though it’s a known fact that the resale value of diamond is zero, it’s still highly demanded. People often associate it to be a symbol of status, the bigger and better the stone you have, the higher the class you belong to. Simply having a diamond is not enough; it should be a part of a diamond settings, and to make it a part of a setting, there ought to be certain things that you need to keep in mind

Points to kept in mind to to make it a part of a diamond setting

•Prong Material – The material of the prong that you wish to go with, is absolutely your own personal choice, it could be platinum, white, yellow or two tone gold. In today’s world, people often tend to go with Platinum, provided they have the budget to afford it, because platinum is much heavier than gold and is resistant to any wear and tear, however in the case of gold, over the time one might see some wear and tear.

•Number of Prongs used: Well, the number prongs used in a diamond setting decides how highly secure, your diamond is held, now here is the catch, if there are more than say 6 prongs, then that would crowd up the ring, thereby making the stone lose its grace, however if the number of prongs used is somewhere around two or three, then that would create a slight concern on how securely the diamond is held, since it is very likely to fall. The preferred number of prongs is around 4 to 5, which would not let the stone lose its grace and would also securely hold it.

•When it comes to choosing a jeweler – be sure you find out someone who best understands you and your designs. You could also go for online jewelry stores, but then be certain of what design you choose for the ring and what diamond you prefer to embed.

•Material of the Ring: Choosing the material of a diamond ring setting is again a personal choice, which could vary from platinum to white, yellow or two tone gold. White gold and platinum are highly growing in demand, since the class and style that it brings to the wearer is simply unmatchable. This is the best way out to get the best piece of diamond jewelry

 

The author is an expert in writing articles on diamond jewelry. View more information on diamond studs. This expertise of author has really been appreciated by viewers.

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Pedestrians Walking On Fifth Avenue In Midtown Canvas Gallery Wrap 20×25 Photo

Pedestrians Walking On Fifth Avenue In Midtown Canvas Gallery Wrap 20×25 Photo


Pedestrians walking on Fifth Avenue in midtown” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Pedestrians walking on Fifth Avenue in midtown” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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Tips For Taking Pictures Of Flowers

Flower Photography Tips

– What type of Camera is best?
– What kind of Lens should be used?
– Is a tripod necessary?
– Where can I take pictures of flowers?

Should you use an SLR or a Point and Shoot Camera for Flower Photography?

With budget constraints considered, one must choose the best camera for their flower photography project or hobby while staying within practical limits of cost and expense. An SLR camera will certainly provide exceptional results. This is not due in part that SLR bodies are always a better camera body than a point and shoot body, because I have used some really good point and shoot cameras. But an SLR has the capability to allow the lens to be changed and this fosters the concept of utilizing the perfect lens for the specific subject. In other words you can use the right lens for the job. Whereas with a point and shoot camera you are stuck with using one specific lens.

What is the best lens for your SLR CAMERA?

I have found that macro lenses are great for flower photography. The ability to zoom into the details of a flower bloom provides a surreal effect of another world that is often overlooked by the naked eye. Some of the most intricate parts of a flower seem like an ephemeral experience that would only happen in a dream. But attempting to capture these details with a normal lens does not always work best. Also a lens that offers fast aperture speeds will certainly make it easier to get these types of pictures in low light conditions. Often the wind is your biggest enemy when you are taking macro flower pictures so the faster the shutter speed the better off you are.

A fast lens does not refer to how fast a shutter can open and close on a camera body; but specifically refers to the aperture capability of the lens itself. The aperture is typically measured by the F factor. One such example would be a lens that has a 28mm fixed focal length and a f/1.8 aperture speed. This is a pretty good lens for landscape and wide angle flower photography and with a aperture number this low can offer fast shutter speeds in low light conditions. A slower lens would be a 70-300mm macro zoom lens that offers a f/4.5-6.3 aperture. Because the lens has many more elements to provide the zoom capability and has a much longer focal length without increasing the diameter of the lens then it must compensate for low light levels by increasing the shutter time to allow enough light to reach the cameras sensor.

Have you ever looked into the tube of a roll of paper towels or a roll from wrapping paper? Well, if you notice it is dark in there; but the shorter you make the roll the brighter it is inside the tube, also the larger in diameter the tube is the more light there is in the tube. For this cause lenses that have fast apertures and offer long telephoto focal lengths (i.e. 500mm) are generally pretty big and heavy, because they have a lot of glass. These types of lenses are not only large and heavy but are very expensive, some can reach up to 6, 7, 8 or $ 10,000. So it is important to balance your lens cost with practicality. Generally you can get a good SLR macro flower lens for around $ 300 – $ 500.

Should you use a tripod for flower photography?

Well, there could be two answers to this question and the ultimate outcome is how sharp do you want your flower pictures to be? Handholding a camera and attempting to take flower pictures is well and good if you are in a field and you are focusing on general landscape flower photography. But if you are taking close up pictures of fine details (macro) the shutter speed and aperture become to play a big part in the quality of your images.

Image Stabilization or Optical Stabilization does help some to compensate for camera shake. But many are often mislead by advertisements and the manufactures stating that this will allow for 1 or 2 stops faster speeds. Yes, this feature will compensate in that manner for camera shake, but it does not compensate for low light conditions combined with a slow lens. Image stabilization can help some but the image quality does suffer from this feature. Typically the image will suffer somewhat from slight softness when using image stabilization. This slight reduction in sharpness is not very noticeable and can be ignored by the average novice or amateur photographer. But if you are a stickler for detail then you had better make certain that you have a tripod handy for that perfect shot that you wish you had brought your tripod.

Where can you take Pictures of Flowers?

Park Trails

Spring and Summer time are the best seasons to find wild flowers growing in the forest and along park trails. Make certain that you plan ahead and get a good map of the local parks and recreation areas. Some local parks have entire rose gardens just waiting to be photographed.

Mountain Forests

It is best to wait until late summer to visit the mountains, if you are hunting for pictures of mountain laurel, rhododendrons or wild azaleas. Mountain flowers often do not bloom until it is warmer in the mountainous areas. This may be as late as July in some regions. Make sure you know the best times for blooms in your region or else you may be disappointed.
Local Green House

A local green house is a great place to take pictures of flowers, but I highly recommend that you get permissions first; a little respect will go a long way. Also, while visiting a greenhouse make sure that you stay out of any customers way. Remember that they are doing you a favor letting you photograph in their place of business.

Your Neighborhood

Many local neighborhoods have wonderful flower displays. If you simply ask your neighbors if you can take pictures of their flowers many will welcome you into their yard and often they are very proud of their work and will tell you all that you want to know about their flowers. And who knows you may make new friends.

Flower Photography is a very rewarding hobby, and one of the best things about it is you never run out of subjects to photograph. So get your batteries charged and your flash memory cards ready and take a walk through your local park, forest or even the local greenhouse and you will be amazed at the results you find. Framed pictures of flowers are a wonderful reward to any flower photographer, amateur or professional alike.

Free Pictures of Flowers from ForestWander Nature Photography. Flowery Forest Flower Photography from the Mountains and Forests. ForestWander Nature Photography Fine Art Photography Gallery.

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