Alphonse Berge Canvas Gallery Wrap 18×24 Photo On

Alphonse Berge Canvas Gallery Wrap 18×24 Photo On


Alphonse Berge” is an art print by Gjon Mili from The Life Picture Collection. Get photo prints of “Alphonse Berge” in a variety of frames, styles, and materials. Photographer Bio Emigrating to the United States from Albania in 1923, Gjon Mili is regarded as the first photographer to use electronic flash and stroboscopic light to create photographs outside of a scientific context. A true pioneer of the artform, Mili’s photographs of dancers, athletes, and pictures or performances have shaped our understanding of how movement too rapid or too complex for the eye to discern is captured in the still image. Mili’s career as a photographer for Life Magazine spanned four decades and saw the publication of thousands of his photographs, taking him around the world; from collaborations with Pablo Picasso, to the incarceration of Adolph Eichmann, to original photos from Broadway plays. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

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India Wildlife Tour

India is an exotic and fascinating wildlife destination which summons scores of wildlife enthusiasts and nature lovers from several parts of the globe. The geographical location and topographical variance blessed India with 80 National Parks and 441 wildlife sanctuaries, which are known for their flora and fauna collections.

 

Experience the scattered charm of flora, fauna and scenic landscape of wildlife reserves with India Wildlife Tour Package. Enjoy the different wildlife safari options that include jeep safari in the Indian jungles and elephant safari during India Wildlife Tours. Some of the popular attractions of India Wildlife Tour are:

 

Ranthambore National Park

This is among the most popular wildlife reserve of India located in the Sawai Madhopur district of Rajasthan. It is one of the most visited destinations of India because of its scenic beauty, diverse flora and fauna collections. The park spread over an area of 392 sq. km. and crowned as national park in 1980. The park is renowned for several species of wild animals like Tiger, Leopards, Striped Hyenas Chital and over 300 species of birds.

 

Bandhavgarh National Park:

This national park is located in Madhya Pradesh and renowned for its scenic landscapes of small hills, rich valleys and lush meadows. The park is spread over an area of 448.84 sq.km. Because of its greatest diversities in flora and fauna it is also known as ‘Biodiversity hotspots’.

 

With the scenic charm it is also known for its high-density of tiger population which increases the chance of a tiger sighting during safari. Along with this the park also cradles good number of animals, 242 species of birds and several species of reptiles.

 

Gir Wildlife Sanctuary:

Also known as Sasan-Gir is the most famous wildlife reserve in Gujarat. This national park is only natural habitat of Asiatic lions outside Africa. The rich biodiversity of this wildlife reserve supports 310 bird species, 450 plant varieties, 24 types of reptiles and over 2,000 species of insects. Among all these the foremost attractions are the healthy number Asiatic Lion which can be easily seen here during Lion Safari.

 

Some of the other well national parks of India which are often visited are Keoladeo, Ghana, Periyar, Kanha, Corbett and Kaziranga.

 


India Wildlife Tour is the best way to feel the charm of nature diversities in the form of scenic landscapes and varied collections of flora and fauna. Nature lovers and wildlife enthusiasts from across the globe prefer Wildlife Tour Package so that they can feel the charm of vibrant nature.

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A Lesson in Customer Service from Buick!

Picture

When you communicate with a company who just doesn’t seem to hear you, it really does feel like you’re being flushed!

It’s Sarcastic Saturday and while you’ll identify my sarcasm, this week’s events, courtesy of Buick provide some solid lessons in how NOT to treat a customer. In fact, I’d have to say; they’re second only to Comcast on my list of companies I’d prefer not to do business with in the future.

Here’s the scenario: In January I made the decision to finally give up my eight year old Solara convertible. I loved that car, but Toyota decided to stop making it. I liked the look of the new Buicks and decided to go American for the first time in at least fifteen years.

On Monday I took the car in for an oil leak. It was small, but nonetheless, not something you’d expect out of a new car. The dealership gave me a loaner. On Friday morning I was told because it’s a new model, they didn’t have the part.  The part was on back-order with no confirmation of when it might be in.

The dealership is terrific, and this is NOT their fault. However, I called Buick’s 800 line, which was answered in the Philippines by a customer service rep who was no help. I wanted to know when the part would be available and wanted to hear there was somebody who could expedite its delivery. I also wanted to speak to somebody in Detroit not another country. He didn’t sound familiar with my Buick model either!

He kept me on hold an unusually long time, claiming to establish a case number for me, then he switched me to ‘Detroit” – only it was a customer service center in Texas. I asked one simple question – how can I speak with somebody in Detroit at headquarters? I was told there wasn’t a way.  I asked to speak to her supervisor. She told me all supervisors were on other calls, but somebody would call me back in 24-48 hours. I refused to give up and said I’d wait for the next one to get off the phone.

I finally got to a supervisor and was told there was no number for headquarters. I gave up on the phone and went after @Buick on Twitter. After two hours I got a response through a DM. I gave them my phone number and asked to please call me since the problem couldn’t be explained in 140 characters. I also sent an email to their Facebook page.

They took the rest of the day and evening to answer, but last night before going to bed I got the same message from both @Buick and Facebook:

From Twitter: As our team works primarily through GM’s social media channels, I kindly advise you to call 1-800-521-7300 if you would prefer to speak with someone. I hope this information proves to be helpful. Thanks again for reaching out, and for being a Buick customer.

From Facebook: If this is an urgent matter, please call us at 1-800-521-7300. Customer Relationship Specialists are available Monday through Saturday, 8 am to 9 pm Eastern Time.

Both of them sent me right back to the team in the Philippines. “CJ” on Twitter obviously doesn’t have the authority to actually talk to a customer.

So, I love finding lessons from companies we all know and using them as examples of how not to run a business.

  • Answer customer complaints as quickly as possible. When you get a “screamer” respond right away and simply say, “I can’t blame you for being upset. How can I help?” Then just kick back and listen.
  • Be a problem solver, not a parrot! An upset customer doesn’t want to hear excuses, just some ideas on solutions. Everybody I spoke to told me there was nothing they could do. Even telling me they’d connect me with a national services manager or office would have helped. Instead, I was told the buck stopped in the Philippines and eventually Texas.
  • Know your products. There’s not a lot of security in having somebody at the manufacturing level not know the product or not understand your concern. In all my years of owning a car, I’ve never had a car kept for service for more than one day! This will wind up being ten days at best!
  • Train your staff! Buick, like so many American companies we deal with today, has put Customer Service off shore. Often overseas staff don’t understand the issues from the perspective of an American consumer. In fact, it reminds me years ago of coming home from Photokina and the Lufthansa rep when I reacted badly to being routed by way of JFK vs. Newark, where my car was parked said, “I have been in the United States, and they’re very close!” For those of you outside NYC, they’re at least two hours away, maybe three in rush hour.
“Quality in a service or product is not what you put into it, but what the customer gets out of it!”
Peter Drucker
And to the team at Buick – there’s very little that matters if you can’t service the product!  You can farm out where the phone rings, but you can’t farm out your responsibility to empathize with customers and resolve issues – including allowing them to talk to the right staff!

Photo Credit: © BlueSkyImages

SkipCohenUniversity – SCU Blog

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An Interesting Hour

Like many folks after I’ve been working hard, either physically or mentally, I like to grab a camera and relax by capturing a few images. This afternoon I finished building a ‘honey-do’ project in the backyard and I had a little bit of available time. So, I grabbed one of my cameras and headed off to Hendrie Valley where I spent an interesting hour capturing some images of birds in flight.

interesting hour 1

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 234.5mm, ISO 220, 1/2500, f/5.6

I’ve visited Hendrie Valley quite a few times and very seldom see any osprey. And, when I have seen them they are just flecks in the sky and not worth even trying to photograph. For some reason today I was greeted by a pair of osprey both flying reasonably low, making good image subjects.

interesting hour 2

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 300mm, ISO 500, 1/2500, f/5.6

The osprey made a number of good passes overhead which allowed me to capture a few AF-C image runs at 15fps with my Nikon 1 V2.

interesting hour 3

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 234.5mm, ISO 200, 1/2500, f/5.6

I was feeling quite fortunate to capture some reasonable osprey images when I noticed a few terns fishing. Low and behold they had some success – which I was able to photograph.

interesting hour 4

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 300mm, ISO 400, 1/2500, f/5.6

Not only did I get a few decent images of terns flying with fish in their mouths, but I also got a nice AF-C run of a bird adjusting the hold it had on a fish, moving it from a horizontal position in its beak, to vertical in preparation to be swallowed.

interesting hour 5

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 300mm, ISO 360, 1/2500, f/5.6

Another AF-C run yielded some images of a tern actually swallowing a fish.

interesting hour 6

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 300mm, ISO 360, 1/2500, f/5.6

I was having a difficult time believing the luck I was having in such a short time…but it wasn’t over yet! I captured another AF-C run of a playful tern doing something I had never seen before – what appeared to be a barrel roll!

interesting hour 7

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 300mm, ISO 800, 1/2500, f/5.6

To cap off my hour long visit to Hendrie Valley a gull flew by carrying a fish it had caught in its beak.

interesting hour 8

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 300mm, ISO 160, 1/1600, f/5.6

Without question this was the most productive hour I had ever spent photographing birds in flight in terms of the number of species and the variety of behaviours captured. It was one of those hours that you’d like to seal up in a bottle for future use!

Article and all images Copyright 2016 Thomas Stirr. All rights reserved. No use, adaptation or reproduction of any kind is allowed without written consent. Photography Life is the only approved user of this article. If you see it reproduced anywhere else it is an unauthorized and illegal use.

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christopher wool

christopher wool


Fine in Fine jacket First edition, first printing. Flexibound, with photographically illustrated dust jacket. Paintings and photographs by Christopher Wool. Texts by Katherine Brinson, Suzanne Hudson, Melinda Lange, Richard Prince and James Rondeau. Includes a bibliography and exhibition history. 256 pp, with 170 four-color plates. 11 x 8-1/2 inches. Published on the occasion of a major exhibition at the Guggenheim Museum, which will travel to the Art Institute of Chicago. Fine in Fine dust jacket. From the publisher: “At the heart of Christopher Wool’s creative project, which spans three decades of highly focused practice, is the question of how a picture can be conceived, realized and experienced today. Engaging the complexities of painting as a medium, as well as the anxious rhythms of the urban environment and a wide range of cultural references, his agile, largely monochrome works propose an open-ended series of responses to this central problem. Published on the occasion of the artist’s retrospective at the Solomon R. Guggenheim Museum, New York, organized by Katherine Brinson, Associate Curator, and supported by the Andy Warhol Foundation for the Visual Arts, this exhibition catalogue presents a rich selection of paintings, photographs and works on paper, forming the most comprehensive examination of Wool’s career to date. This fully illustrated publication includes essays by Katherine Brinson, Suzanne Hudson, Richard Prince and James Rondeau, as well as a definitive bibliography and exhibition history.

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