Catherine Bach Portrait Session Aluminum Floated 1/2″ Black 22×27 Photo On

Catherine Bach Portrait Session Aluminum Floated 1/2″ Black 22×27 Photo On


Catherine Bach Portrait Session” is an art print by Harry Langdon from the Archive Photos collection. Get photo prints of “Catherine Bach Portrait Session” in a variety of frames, styles, and materials. Photographer Bio As a young kid Harry would visit his father, silent screen star Harry Langdon Senior, on the sound stages – watching intently as the crew built sets and prepared the cameras. Theatre and movies were in his blood, so his over 40-year (and counting) career as a highly sought-after portrait photographer to the stars comes as no surprise. But it’s his unique ability to keep his work fresh year after year that keeps him among the top commercial and glamour photographers in the world.

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Dorian Leigh In Nightgown Canvas Gallery Wrap 18×24 Photo On

Dorian Leigh In Nightgown Canvas Gallery Wrap 18×24 Photo On


Dorian Leigh In Nightgown” is an art print by Gjon Mili from The Life Picture Collection. Get photo prints of “Dorian Leigh In Nightgown” in a variety of frames, styles, and materials. Photographer Bio Emigrating to the United States from Albania in 1923, Gjon Mili is regarded as the first photographer to use electronic flash and stroboscopic light to create photographs outside of a scientific context. A true pioneer of the artform, Mili’s photographs of dancers, athletes, and pictures or performances have shaped our understanding of how movement too rapid or too complex for the eye to discern is captured in the still image. Mili’s career as a photographer for Life Magazine spanned four decades and saw the publication of thousands of his photographs, taking him around the world; from collaborations with Pablo Picasso, to the incarceration of Adolph Eichmann, to original photos from Broadway plays. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

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Sometimes Shorter is Better

For most folks who enjoy photographing wildlife in general, and birds-in-flight in particular, having additional ‘reach’ with their gear is always preferred. I was out yesterday morning attempting to capture some Purple Martin in flight and came to the realization that sometimes shorter is better.

I’ve visited the Purple Martin colony at Ruthven Park in Cayuga Ontario a number of times in the past with very little luck getting any usable images.

shorter is better 1

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 211.6mm, efov 571mm, ISO 800, 1/4000, f/5.6

Like many photographers I was typically too aggressive in terms of the focal length I was trying to use.  It is a good strategy to try to ‘fill the frame’ with a subject bird, but that’s of little use if one can’t keep the bird in the frame long enough to acquire focus on it. Suffice to say that my previous attempts to photograph Purple Martin in flight ended up producing next to nothing to show for my efforts.

shorter is better 2

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 183.3mm, efov 495mm, ISO 800, 1/4000, f/5.6

Like all swallows, Purple Martin are very fast and aerobatic flyers making it challenging to capture them in flight. While their flight patterns look quite erratic I decided to spend some time observing individual birds to see if there was any kind of consistency to their movements.

shorter is better 3

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 183.3mm, efov 495mm, ISO 800, 1/5000, f/5.6

I discovered that there were a few somewhat common approaches that the birds would use when returning to their nesting boxes. So, I moved to a different position than I had used in the past. The temptation was too great and I initially tried shooting with my CX 70-300 fully extended. After spending 15 minutes pointlessly trying to capture some BIF images at that focal length the light in my old brain finally went off, and I backed my zoom off and began shooting in the 140mm-220mm focal length range instead.

shorter is better 4

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 215.5mm, efov 582mm, ISO 800, 1/5000, f/5.6

Obviously I couldn’t get the birds as large as I wanted in the frame, but at least I could track with them in the frame long enough to acquire focus on them. The resulting images required some fairly aggressive cropping. For example, most photographs in this article represent approximately 45% to 65% of sensor surface area, with image subjects being smaller than that. On the positive side, at least I finally captured a few images of these little feathered rocket ships.

shorter is better 5

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 183.3mm, efov 495mm, ISO 800, 1/3200, f/5.6

After spending a couple of hours I came away with a couple of dozen decent images. Certainly not award winners…but great fun nonetheless.

shorter is better 6

NIKON 1 V2 + 1 Nikon CX 70-300mm f/4.5-5.6 @ 141.3mm, efov 382mm, ISO 800, 1/4000, f/5.6

The most important take-away from the morning for me was the reminder to use a focal length that was appropriate for the speed and size of the subjects being photographed, as well as for my skill level.

Article and all images are Copyright 2016 Thomas Stirr. All rights reserved. No use, adaptation or reproduction of any kind is allowed without written consent. Photography Life is the only approved user of this article. If you see it reproduced anywhere else it is an unauthorized and illegal use.

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Life Cover 12-28-1936 W. Members Of The Metropolit Paper Framed Print 1 5/8″ Matte Black 22×26 Photo On

Life Cover 12-28-1936 W. Members Of The Metropolit Paper Framed Print 1 5/8″ Matte Black 22×26 Photo On


life cover 12-28-1936 w. members of the Metropolit” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “life cover 12-28-1936 w. members of the Metropolit” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

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KeepSnap Third Place Winner

We are happy to announce the third place winner of our PL + KeepSnap contest/giveaway. Big thanks to everyone who voted! It looks like the majority of those who participated in the poll favored the following portrait of a biker in a forest:

KeepSnap Third Place Winner

NIKON D600 + 16-35mm f/4 @ 16mm, ISO 125, 1/800, f/4.0

And here is the final result from our poll:

KeepSnap Third Place Winner

Congratulations to Jason Minahan for taking such an awesome photo and winning the third place! Folks from KeepSnap will be contacting you directly soon regarding your prize!

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