Life Magazine Cover September 16, 1966 Canvas Traditional 1 5/8″ Matte Black 22×28 Photo On Canvas

Life Magazine Cover September 16, 1966 Canvas Traditional 1 5/8″ Matte Black 22×28 Photo On Canvas


Life Magazine Cover September 16, 1966″ is an art print by Alfred Eisenstaedt from The Life Premium Collection. Get photo prints of “Life Magazine Cover September 16, 1966” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Premium Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
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Portrait Of Photographer Richard Avedon Canvas Traditional 1 5/8″ Natural Espresso Wood Grain 24×29 Photo On Canvas

Portrait Of Photographer Richard Avedon Canvas Traditional 1 5/8″ Natural Espresso Wood Grain 24×29 Photo On Canvas


Portrait of photographer Richard Avedon” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Portrait of photographer Richard Avedon” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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Be a better photographer: 5 ways to teach photography

A little while back, I encouraged you to share your photography skills, knowledge, and passion with the world.

Each of us, regardless of skill level, can derive tremendous benefits both personally and professionally from sharing our talents with the photographic community. I hope my article inspired you to take the leap and start sharing more.

Perhaps, however, you were inspired but are unsure of where to begin. Here are a few ideas to get you started.

1. Share with those around you

There are often many opportunities to share what you know that are literally right in front of you. I’d be willing to bet you have been asked questions about your camera or your photography. Being open to answering these questions and offering advice or help is not always easy because our insecurities can get in the way. But, like all things, with practice that can change.

As you go through your day, look for opportunities to talk about what you love. Answer questions when asked. Over the years, I have received Facebook messages and emails from other photographs, most just starting out, about everything from processing tips to lens preferences. I am always flattered and respond promptly with the best information I have to offer.

Your camera is a great conversation starter when you are out and about. If someone asks you about it, take the time not only to answer their questions, but to ask them about their photography experience. And don’t just wait for people to ask you questions. Offer your thoughts and ideas when you can. For example, when on sessions, I often give tips to parents on how to get their kids interested in photographs or where to find good light in their home (or garage!).

2. Share on social media

This one is easy. Everyone is on Facebook, Instagram, or Twitter. If you’re not, then your first step is easy. Pick one and set up an account. Most likely, however, you are already sharing your images on at least one of these formats. That’s great but consider taking it up a notch and posting a little information along with your photo.

What lens did you use? What was the location like? Do you have a pull-back to show your audience (I personally love to see others’ pull-backs), or perhaps a before and after of your processing or black and white conversion. Is there any special technique or composition choice you made that is demonstrated in the image? Do you have any tips that to share that the image would highlight? Talking about your process with a single image in mind is a quick and easy way to instruct and inspire others.

Keep in mind that we can share through others accounts, too. Don’t just like a photo, take the time to leave a note to talk about what it is that you like about a photo. Is someone seeking critique? Take a moment to offer thoughtful critique that highlights what they did well and what they might consider doing differently to improve upon their image. Your kind and thoughtful critique will always be appreciated as long as it was asked for.

3.  Organize a group of photographers

You can organize a group of photographers either locally or online. Early in my journey, I was privileged to be part of a small Facebook group of several women learning photography and I am forever thankful to the woman who organized the group. As a group, we worked our way through our first 365 project together and continue to support each others goals and share in each others success. I’m certain each of us would agree that our participating provided the perfect opportunity to both share of ourselves and benefit from the each others generosity. The Clickin Moms forum is a fantastic place to find like-minded women who would be interested in collaborating with you in an information sharing group.

In-person relationships are also incredibly valuable. Seek out other photographers in your area who would be interested in forming a supportive group, however formal or informal. I have formed a wonderful friendship with a local photographer who introduced herself to me at the gym. We now get together regularly for coffee to share our experiences and seek out or offer our advice. I have benefited both from her suggestions as well as thinking through my advice for situations she has encountered.

4.  Blog

This is an obvious but often overlooked opportunity to share your knowledge. Make a list of topics that might interest your audience and commit to regularly scheduled posts (i.e. “Tips Tuesday”). For many of us, these tips would appeal to clients who might want to learn a little more about how to take better photographs of their families, but they can truly be about anything that interests you.

If you’re not sure what to post, think about your last (photography related) Google search. Write about what you were curious about and what you learned. Remember, you don’t need to be revolutionary. There really is nothing new under the sun, so don’t fret about being novel. Just think about being you and include your personal style. Don’t forget to seek out opportunities to write for other blogs, including the Clickin Moms blog. And wherever you blog, remember to ask questions of your audience and solicit comments to start a conversation. Take the time to read and respond authentically.

5. Teach a workshop

Consider offering a photography workshop focusing on what you would like to teach. You can offer a short program that teaches moms how to take a quick portrait with window light in their homes in less than an hour or teach a six week workshop on how to use a DSLR. Perhaps you have a particular passion for landscape photography or a more advanced skill. There are always other photographers looking to benefit from your expertise. If it’s too scary to go it alone, collaborate with another photographer. Finally, consider teaching children. There are many opportunities through scouting, school, and community organizations to pass this invaluable skill along to the next generation.

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What to Photograph in Colorado

Colorado has been my home for the past 20 years. Having had the chance to travel all over the USA for photography and other personal and professional needs, every time I would come back to Colorado, I would tell myself that there is simply not a better place to live and be. The Centennial State is remarkable in so many ways, that the more I explore it, the more I fall in love with it. Here in Colorado, we have everything from the stunning mountain views of the Rocky Mountains to canyons, plains and deserts – a truly rich and diverse land. Without a doubt, it is a photographer’s paradise. Having been photographing in Colorado for over 10 years now, I decided to show some of its beauty through pictures and hopefully give you an idea about what locations you should visit.

If you don’t know much about Colorado, I would recommend to check out this article, which gives quite a bit of information about the state. Colorado is one of the few square states on the map of the USA and it is part of the Four Corners region. That’s right, due to the way that the state borders were cut, Colorado represents the north-eastern part of the “quadripoint“. This means that if you travel to our extreme south-western part of the state, you could be standing on four states (Utah, Colorado, Arizona and New Mexico) at the same time! How cool is that? Well, that’s an interesting fact about Colorado and we have many other great ones like that. For example, did you know that we get more than 300 days of sun on average, making us a sunnier state than the state of Florida? Yes, contrary to what people think about Colorado, we actually have a lot of sunny days in a year, so we have very few people who suffer from depression and other weather-induced issues. With so much sun, we have quite a lot of days with rich or pale blue skies:

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Canon EOS 5D Mark IV + EF24-70mm f/4L IS USM @ 61mm, ISO 100, 1/10, f/8.0

But the beauty of it, is that those blue skies rarely stay that boring – moisture usually builds up pretty quickly at higher altitudes and we get some of the most stunning cloud formations. It is interesting how it all happens, because we have very little humidity; in fact, we are probably one of the driest states in the US. That’s why our clouds look so stunning, often taking beautiful, patchy forms. In fact, one could spend quite a bit of time photographing clouds, their ever-changing formations and colors. Although I like photographing beautiful clouds with a solid foreground subject, sometimes I cannot resist to grab a shot with whatever I have with me, even if it ends up being my cellphone:

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iPhone 6 Plus + iPhone 6 Plus back camera 4.15mm f/2.2 @ 4.15mm, ISO 32, 1/40, f/2.2

Abundance of sun surely makes us a very happy state! And if we have anyone who is unhappy, there is a cure for that too – we have legalized herbs now that take care of those in need of…extra happiness 🙂 So herbs and weeds are definitely in abundance nowadays!

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ILCE-7RM2 + FE 24-70mm F2.8 GM @ 49mm, ISO 800, 1/60, f/11.0

Wildlife can’t resist such abundance of weed, so they start stocking quite a bit of it up for those tough winter months:

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NIKON D3S + 800mm f/5.6 @ 800mm, ISO 3200, 1/500, f/11.0

Even pikas can’t resist the freshness of the high-altitude stuff:

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NIKON D3S + 300mm f/2.8 @ 500mm, ISO 1600, 1/800, f/8.0

Speaking of pikas, did you know that they are lagomorphs? Yup, this cute creature is basically a rabbit.

Late spring and mid summer can bring quite a bit of rain to some areas of Colorado, but we don’t get those nasty tropical downpours that last forever. If we get heavy rain, it usually happens because of a storm cloud. Once it passes, the rain is gone and the sun shows up right away. That makes us a wonderful place to catch those crazy double rainbows:

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NIKON D700 + 24-70mm f/2.8 @ 24mm, ISO 800, 1/1600, f/8.0

And local storms can be really cool to watch, because you can see all kinds of crazy patterns, especially when the sun breaks through and illuminates the foreground:

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NIKON D700 + 16-35mm f/4 @ 19mm, ISO 200, 1/100, f/14.0

Oh, and we do have canyons too, although they might not be as “grande” as the ones in Utah and Arizona. Colorado National Monument can be amazing to check out if you are in the Grand Junction area. Our deepest canyon known as the Black Canyon of the Gunnison is very impressive. If you do a bit of hiking, you can get to some areas that will make your head spin, with those crazy 2000 foot cliff drops!

Black Canyon Panorama

NIKON D700 + 24-70mm f/2.8 @ 50mm, ISO 200, 1/160, f/5.6

The nice thing is, you don’t have to travel far in Colorado to see its beauty. You might live right next to mountains and if you stay in larger towns, the drive to the nearest mountain or a state park could be less than an hour away.

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NIKON D3S + 24-70mm f/2.8 @ 38mm, ISO 3200, 1/50, f/8.0

We have plenty of state parks to enjoy the scenery and you will find a lot of people enjoying the great outdoors every weekend, even in winter. If you don’t feel like driving far, you can visit local state parks, which offer beautiful views and plenty of wildlife. For example, I captured the below shot at Cherry Creek State Park, which is very close to Denver Tech Center area, where I used to live a few years back:

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NIKON D90 + 35mm f/1.8 @ 35mm, ISO 200, 1/100, f/8.0

Speaking of wildlife, birds and animals are equally attracted to the state. Throughout the year we have resident animals and birds and during spring and fall, we get plenty of migrating birds from all over the world. Large birds such as hawks, eagles and herons can be found pretty much everywhere:

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NIKON D810 + 150-600mm f/5-6.3 @ 600mm, ISO 1100, 1/1250, f/8.0

While local parks can be a great place to visit during fall color to photograph birds against stunning backgrounds:

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NIKON D750 + 400mm f/2.8 @ 550mm, ISO 2200, 1/2500, f/8.0

Driving around and hiking will get you to see all kinds of large animals. Moose, goats, bears, mountain lions and other large animals can be spotted outside towns and cities, while deer and elk are very common even within town and city limits. Sadly, we don’t have a big number of predators to tackle the growing population of deer and elk, although hunting definitely keeps some of the growth under control. If you are after smaller mammals, you will find coyotes and foxes pretty much everywhere and if you start scouting with your camera in spring, you can come across fox and coyote kits, who are always curious about the sound of the camera:

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NIKON D700 + 300mm f/4 @ 420mm, ISO 800, 1/1250, f/6.3

Although this year has been unusually warm (we are yet to see a snowstorm in the Denver region!), we definitely have four seasons! In winter it can get cold, but we never get the crazy winds of the coastal areas, so even when temperatures drop low below freezing, it is still quite tolerable. Snow does bring the magic out of our landscape though! Here, we are always happy to see a lot of snow, especially when it buries some of the higher altitude roads completely:

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NIKON D3S + 24-70mm f/2.8 @ 50mm, ISO 400, 1/40, f/5.6

Our snow provides water to many surrounding states and if we don’t get the snow, we all suffer. So each year, we patiently wait for the weather to deliver us lots of snow, so that we can enjoy it to its fullest.

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NIKON D600 + 58mm f/1.4 @ 58mm, ISO 100, 1/4000, f/2.5

Snow makes our landscapes look dramatic, even in winter:

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NIKON D600 + 58mm f/1.4 @ 58mm, ISO 200, 1/400, f/11.0

And early snow in the fall brings the real magic of our grand vistas, which look like a surreal painting with those stunning fall colors:

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NIKON D3S + 24-70mm f/2.8 @ 42mm, ISO 200, 1/160, f/8.0

When it snows in the fall, people rush out with their cars to see the beauty, which does not last very long, since the sun quickly melts the snow within a matter of hours:

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NIKON D7000 + 10.5mm f/2.8 @ 10.5mm, ISO 100, 1/160, f/8.0

Fall brings stunning beauty to our state. Once aspen, cottonwood and other vegetation feel the first breeze of the winter, they immediately start their magical transformation. Aspen leaves go from dark green to light green, then to yellow, then to gold, then to red and finally to brown, that’s if the wind or the snow do not bring the leaves down. And the various shrubs and bushes can also turn into bright red colors, bringing out amazing beauty of the landscape. Couple fall colors with an amazing sunrise and sunset, and you will have a stunning combination:

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Canon EOS 5D Mark IV + EF24-70mm f/4L IS USM @ 53mm, ISO 100, 2/1, f/8.0

Fall is a magical time of the year – it brings people from all over the world to enjoy the visual spectacle.

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Canon EOS 5D Mark IV + EF24-70mm f/4L IS USM @ 39mm, ISO 200, 1/4, f/8.0

Colorado’s southwest is my favorite place to go each fall. After going there for a number of years, I decided to run workshops there and I have been doing it ever since, with this year marking my sixth year conducting workshops. Check out my page for Colorado Fall Photography Workshops. I will most likely be hosting two workshops in that region next year as well.

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ILCE-7RM2 + FE 70-200mm F4 G OSS @ 70mm, ISO 100, 1/1, f/8.0

The region around San Juan Mountains is full of grand beauty, thanks to the high peaks that make them stand out as beautiful background elements:

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NIKON D600 + 14-24mm f/2.8 @ 24mm, ISO 400, 1/30, f/8.0

And if you are willing to explore, you will find all kinds of scenic views in the region:

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NIKON D810 + 105mm f/1.4 @ 105mm, ISO 64, 1/8, f/8.0

The experience of immersing yourself in aspen mini-forests is simply unforgettable!

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NIKON D810 + 105mm f/1.4 @ 105mm, ISO 100, 1/10, f/16.0

Late September is usually the best time to visit the region. Cloudless days can be a lot of fun, because they also typically translate to cloudless nights. Due to lack of air and light pollution, you can do some astrophotography as well:

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Canon EOS 5DS R + EF24-70mm f/2.8L II USM @ 24mm, ISO 3200, 20/1, f/2.8

If you get greeted by a full moon on such occasion, you never know what kind of possibilities it might create. Perhaps you could shoot an amazing landscape at night using just moonlight, as if it was a day:

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NIKON D3S + 24-70mm f/2.8 @ 29mm, ISO 800, 30/1, f/3.2

If you drive south, don’t forget to check out Mesa Verde National Park. It is a very historic park that allows you to see how the Ancestral Pueblo people used to live from 600 to 1300 AD. You will have a chance to see their ancient buildings and their rooms known as “kivas“:

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NIKON D700 + 24-70mm f/2.8 @ 24mm, ISO 800, 1/25, f/5.6

It is definitely a fun place to explore, especially with your family.

If you drive north, you could come up to much higher altitudes and enjoy the scenery from there. At Rocky Mountain National Park, for example, you can experience very high altitudes by driving through the Trail Ridge Road.

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X-Pro1 + Touit 2.8/12 @ 12mm, ISO 200, 1/3, f/11.0

But be careful when you do it – at 12 thousand feet, your body might not be able to take it. My son Ozzy cannot handle such high altitudes – he literally starts passing out at around 11 thousand feet. Be especially careful when hiking at such altitudes!

On your way back from the mountains, you might find even more beauty:

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NIKON D750 + 24-70mm f/2.8 @ 60mm, ISO 100, 1/3, f/5.6

Such regions are usually very busy in winter, when the ski season opens. And by the way, Colorado’s economy is hugely dependent on snow, since we have so many world-class snow resorts that draw people from all over the USA and the world.

If you think Colorado is all about mountains and grand vistas, you would be wrong. Drive south towards New Mexico from Denver and you will encounter desert-like conditions. The Great Sand Dunes National Park is a real spectacle, any time of the year! I visit the Grand Sand Dunes almost every year, since there is always something new to see and enjoy there:

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NIKON D700 + 24-70mm f/2.8 @ 45mm, ISO 200, 1/100, f/10.0

And if you catch it at the right time, you might come across gorgeous clouds that will paint your scene with color:

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NIKON D700 + 24-70mm f/2.8 @ 35mm, ISO 800, 1/200, f/5.0

Unlike Death Valley’s Mesquite Dunes, the Great Sand Dunes NP has massive dune formations. I always like hiking up to see other dune peaks, especially in contrast with vegetation and mountains in the background:

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PENTAX K-1 + HD PENTAX D FA* 70-200mm F2.8 ED DC AW @ 83mm, ISO 100, 1/100, f/8.0

Great Sand Dunes NP is also a very unique location, because it is probably one of the few dunes in the world where you can experience both snow and sand at the same time:

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NIKON D700 + 24-70mm f/2.8 @ 50mm, ISO 200, 1/200, f/13.0

Speaking of which, make sure to be prepared to visit the park in winter, since the park is located in one of the coldest regions of Colorado. When I drove down there a few years back, the temperature at night reached -15 F. With wind chill, it was probably -20-25 F!

Lastly, keep in mind that there is a lot to photograph in Denver and other surrounding towns. Aside from local parks, you will find plenty of museums, zoos and other attractions worth checking out:

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NIKON D750 + 0mm f/0 @ 50mm, ISO 100, 1/250, f/8.0

Denver downtown is beautiful as well, with plenty of great views all over the place:

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ILCE-7S + E 35mm F2 @ 35mm, ISO 640, 1/60, f/8.0

Keep in mind that I only scratched the surface when it comes to the photographic potential of Colorado. There are so many more amazing places to check out and visit in the state, which I never even mentioned. But I will leave the rest of the discovery to you – it is a lot more fun to explore the state on your own and take your car off the beaten path, with so many great treasures to find and discover.

Hope you’ve enjoyed the article and the images. If you haven’t visited Colorado yet, definitely put it in your bucket list of places you must see in your lifetime! And if you have other great locations to share with our readers, please do so in the comments section below!

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Photographing the Supermoon

If you have not heard yet, tonight, we will experience something truly magical – the supermoon of a lifetime! That’s right, the moon will be unusually close to our planet at 356,500 km, so close that we will not see another approach like that all the way until 2034! The size of the moon will be 14% larger than typical full moon. The so called “perigee moon” will coincide will the full moon, making it appear not only unusually large, but also unusually bright (up to 30% brighter than usual). Make sure to be prepared to capture this event, since it is such a unique, potentially once-in-a-lifetime moment! In this article, we have gathered all the important bits of information you will need to capture the supermoon, so read on and let us know if you are planning to do it.

The Supermoon

NIKON D800E @ 1000mm, ISO 200, 1/125, f/11.0

First of all, let’s go over some of the articles that we have already posted on this site to capture the moon:

  • How to photograph the moon – you will need to read this basic guide to understand the requirements and the exact techniques to capture the moon.
  • How to photograph the supermoon – after you read the above, check out this specific article on photographing the supermoon. A few extra tips and techniques were added into the second article.

Keep in mind that photographing a full moon is nothing like photographing a lunar eclipse. You will not have to worry about increasing your camera’s ISO, since the moon is going to be very bright. This means that if you read the above two articles, you should be able to capture a crisp image of the moon without any noise in it.

Last time we had the supermoon on 06/23/2013, I went out and captured the above photograph of the moon in its full glory. Using a super telephoto lens with a focal length of 500mm, I was able to stack a 2x teleconverter to it to make it a 1000mm setup on a full-frame camera. Obviously, such a setup is very expensive – I actually had to borrow my friend Tom Redd’s 500mm lens to capture this shot. However, you don’t need a $ 10K lens to capture the amazing details of the moon tonight! With moon being so close, you could use a handy super telephoto zoom lens such as the 70-300mm, or if you have a 300mm f/4 lens, you can stack a 2x teleconverter to get you a shot of the moon at 600mm. Couple the setup with a high-resolution DX camera such as the Nikon D7200 or the D500 and you will be able to capture the moon with a lot of details. Those who are into astrophotography will probably be shooting with a dedicated telescope and a solid camera mount, although if the setup is too long, it would be pretty tough to keep track of the moon. Keep in mind that the closer you get to the moon in terms of framing, the harder it will be to readjust your setup – the moon moves crazy fast! In fact, you should check out the below video, where I captured the moon moving across the frame:

And that’s with a 300mm lens + a 1.4x teleconverter! I once tried to do the same thing with an 800mm lens and boy, I had a hard time readjusting my ballhead to keep everything stable. And that brings us to potential stability issues. If you shoot with a very long lens, you should totally read my advanced article on how to stabilize your tripod. Trust me, you will need every tool in your arsenal to make a blur-free image of the moon at focal lengths above 300mm, especially if you have a shaky tripod or unstable tripod head.

If you don’t have a super telephoto lens, should you skip the process of capturing the moon completely? Absolutely not! In fact, I would encourage you to still get out and photograph the moon. However, make it a challenge for yourself not just to photograph the moon by itself – try using your longest lens to photograph the moon together with a foreground subject. That’s going to be a real challenge and if you succeed, trust me, your photo will look much nicer than the moon against the dark sky.

And if you have previously photographed the moon by itself with a long lens, why not make this event more challenging by thinking about a nice foreground subject? Perhaps you could drive around your downtown area to compose the moon against the tall buildings. Perhaps you could head out to the mountains tonight to photograph the moon with beautiful mountain peaks. Just make sure to plan ahead of time. My PhotoPills app is telling me that the moon will be closest at 4:24 AM and it will set at 6:33 AM. If I wanted to capture the moon with a nice background, I would have to plan closer to moonset time.

Are you planning to get out tonight and photograph the moon? Let us know in the comments section below!
P.S. Don’t forget to share some pics of the moon after you capture it – we have a forum for that.

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