“Your Photographs Are Beautiful – You Must Have a GREAT Camera!”

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© 3355m

This isn’t a new topic for me to write about, but it’s so relevant, especially this year since there are hundreds of announcements about new products from Photokina going on right now.

There are few things a photographer can be asked that top the irritation scale like this question:

                                                             “Your work is beautiful. What do you shoot with?”  

Usually, the request is from a guest at a wedding who doesn’t care what camera you’re using. They either want to tell you what they have or want to pick your brain on what you think of something they’re getting ready to buy.  Or, they honestly think if they get the same camera, their images will match or even top yours!

But here’s an interesting sidebar to the issue. As much as we’re insulted by the public assuming great images are the result of great gear, photographers themselves are the worst offenders. New and veteran shooters alike latch on to the idea a new lens or camera body, for example, is going to change the look of their work. Sadly, the real challenge is often in their skill set.

So, here we are coming up to the fourth quarter of 2016. At all of the conventions and trade shows over the next six months, you’re going to see new products, many of them announced this week at Photokina.  And, somewhere walking down an aisle at PPE, IUSA, WPPI or ShutterFest it’s going to hit you – just like that craving for a good steak (apologies to my Vegan friends) you’re going to get hit with NGF, New Gear Fever. 

Technology is changing all the time, and I know there’s some gear out that really will make your images better, but not if you don’t pay attention to your skill set. For example, I’m totally absorbed in playing with mirror-less these days, especially anything in Panasonic’s LUMIX family. This new technology is amazing, and if I were a working pro, I’d be doing everything I could to also add hybrid to my bag of tricks as well. Another example is Profoto’s new Pro10 and their Off-Camera Flash Systems or as Bobbi Lane called them originally, “The game changer!” Then there are new lenses from Tamron, and the list goes on and on. 

I’m not suggesting you shouldn’t buy new gear. New gear is important, and just the three companies I mentioned above are helping artists raise the bar on their quality every day. However, let’s make sure you’re buying gear you need.  Here’s a short list of qualifiers before you screw up your cash flow and invest in new gear.

  • Do you know how to use everything you already own? 
  • Do you understand all the bells and whistles of your current camera? 
  • Do you vary your exposures, for example, taking full advantage of shooting wide open and playing around with a narrow depth of field? 
  • When you look at the last 100 images you captured, do they all look the same?
  • Is there gear that will help you expand the services you offer your client base?
  • Are you looking to add new products and techniques to your mix of skills, like hybrid technology?  

I know this sounds basic, but so often photographers convince themselves they need new gear when what they need are new classes/workshops first. They need creativity and inspiration to help them fine-tune and expand their skill set. 

Talk to any industry icon who’s been around a few years and they’ll each have a story to tell you about one piece of gear they were convinced they needed that wound up collecting dust and killing their cash flow when they needed it most.  Everyone has one piece of gear they bought that should have been rented first, and there’s one more point to this post. 

Before you make a serious investment in new gear, rent it first.  Most of you wouldn’t buy a car without a test drive. Well, then why would buy any new gear without trying it out first?  Most of the major camera stores have rental departments with everything from cameras to lenses to studio lights.  Plus, they’ve got the expertise behind the counter to help you better define your equipment needs versus the end-result of what you’re hoping to accomplish.

Remember, you can have the greatest equipment in the world, but if you’re not shooting from the heart, you can’t create images that tug at people’s heartstrings.  And, the next time somebody asks, “So what do you shoot with?”  Just smile and answer, “My heart and my eyes!”

SkipCohenUniversity – SCU Blog

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Martha’s Vineyard Paper Framed Print 1 5/8″ White 28×22 Photo On Paper

Martha’s Vineyard Paper Framed Print 1 5/8″ White 28×22 Photo On Paper


Martha’s Vineyard” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Martha’s Vineyard” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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Sailboats Competing On Race Day Long Island Sound Canvas Floater Frame 3/4″ Matte Black 26×20 Photo Canvas

Sailboats Competing On Race Day Long Island Sound Canvas Floater Frame 3/4″ Matte Black 26×20 Photo Canvas


Sailboats competing on Race Day on Long Island Sound” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Sailboats competing on Race Day on Long Island Sound” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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A Portrait Lesson: Posing Tall Women with Shorter Men

It’s the perfect image to share on Throwback Thursday, because there’s also a lesson in posing. The year is 1998 and Don Blair and I are working on what would become my first co-authored book. Don Blair’s Guide to Lighting and Posing Body Parts was an instant hit. We covered most of Mother Nature’s challenges in posing, then gave photographers Don’s solutions.

The image above is one of my favorites. Every photographer has ideas about how to pose a tall groom with a short bride, but what happens when it’s the reverse and she’s taller than he is? Well, once again, “Big Daddy” had some fun with this one. He sat the male subject down and brought her in behind him. The image is contemporary and you’d never know she was close to a foot taller than he was!

There’s more to this backstory though. 

We photographed all the poses in the book using models from Las Vegas. Why? Because we wanted to launch it in Las Vegas at WPPI in 1999. We wanted to do a program with demonstrations right from the book. Plus, anyone ordering the book could actually pick it up at the convention the day after our program. 

I wish I remembered the names of our two subjects above. I think he was in real estate and she was a waitress at one of the strip’s hottest bars. Our male subject wanted to go on the road with us and be our professional model and spokesman for a whole series of him posing with tall beautiful women! LOL

So, it’s Throwback Thursday and an opportunity for you to have some fun with images from your past. Find a few and share them on your blog. They can help to make the point about the importance of photographs, and the fact that time never slows down.

Happy Throwback Thursday!

NOTE: We recently reprinted the book and it’s available through Marathon Press. The content is still 100% valid in helping to create flattering portraits. In fact, for many years PPA has had it on their suggested reading list for artists studying for their certification. Just call Marathon to place your order, 1-800/228.0629. 

SkipCohenUniversity – SCU Blog

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Sunday Morning Reflections – 9/11

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© misu

For the husband who told his wife, “I love you” one last time before his plane went down.
For the wife who stopped in the stairs to call her husband and say, “I will love you forever.”
For the mothers and fathers who kissed their kids goodbye the morning they died.
For the policemen who rushed in with the firemen to help others only to die themselves.
Today, tomorrow, ten years from now, we will never forget 9/11.
Anon
I woke up wanting to write something different from what every other American blogger would be writing about today. But, the truth is, there’s no way to do that.

We all have at least one event in our lives where we can remember every detail of that day – for most of us Americans; it’s 9/11. In a previous life, we had arrived in Cancun on September 10. Walking on the beach that morning, a couple we met the day before, said, “Didn’t you guys say you were from the New York area? You need to check out the TV in the hotel!”

We turned on the TV just as the second plane hit the tower. For the next week, we were glued to the television in what became the toughest vacation I’ve ever had. We couldn’t get home. We made call after call checking on family members and friends, to make sure they were okay. In fact, we ran up a $ 400 phone bill with ATT, which they later were kind enough to waive.  A week later, flying home, we were on one of the very first flights allowed back into the US.

What many of you living outside the NYC area don’t realize is that for the next year or two, on the news every night there was another human interest story about somebody locally who lost family or friends in the disaster. I know for many it helped the healing process if there is any such thing, but for me, it just seemed wrong. With each story, I felt like I was an intruder in another family’s pain.

I remember hearing if you were within a fifty-mile radius of NYC  there were no more than two degrees of separation between you and knowing somebody who had lost a family member or friend.

One other thing that very much relates to professional photography, and I know I’ve written about this before. Because the victims of 9/11 were so young, many of the images being shared as people searched for loved ones, were professional portraits – often wedding or graduation. It was a constant reminder of the potential role every photographer plays in the life of each client.

Well, here we are fifteen years later, and the world is certainly not a safer place, but it is a world where we’re more aware. It’s also a time when for me, I’m more appreciative of life.

So, on this somber anniversary of 9/11, I wish you a day of peace. A day to cherish your family, friends and the life you have now. It’s a day for multiple eleven-second hugs. (If this is a new concept to you – I read an article awhile back about hugs being therapeutic when they were eleven seconds or longer.)

It’s a day to thank those who have served in the military and those who are currently serving, and especially their families for the sacrifices they make every day.

SkipCohenUniversity – SCU Blog

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