Marcello Mastroianni Canvas Gallery Wrap 18×24 Photo On Canvas

Marcello Mastroianni Canvas Gallery Wrap 18×24 Photo On Canvas


Marcello Mastroianni” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Marcello Mastroianni” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
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Andre Eglevsky Paper Framed Print 1 5/8″ Matte Black 22×28 Photo On Paper

Andre Eglevsky Paper Framed Print 1 5/8″ Matte Black 22×28 Photo On Paper


Andre Eglevsky” is an art print by Gjon Mili from The Life Picture Collection. Get photo prints of “Andre Eglevsky” in a variety of frames, styles, and materials. Photographer Bio Emigrating to the United States from Albania in 1923, Gjon Mili is regarded as the first photographer to use electronic flash and stroboscopic light to create photographs outside of a scientific context. A true pioneer of the artform, Mili’s photographs of dancers, athletes, and pictures or performances have shaped our understanding of how movement too rapid or too complex for the eye to discern is captured in the still image. Mili’s career as a photographer for Life Magazine spanned four decades and saw the publication of thousands of his photographs, taking him around the world; from collaborations with Pablo Picasso, to the incarceration of Adolph Eichmann, to original photos from Broadway plays. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
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How to Creatively Light and Shoot Destination Wedding Photography

Amii and Andy (Sunshine & Reign Photography) are Arizona-based destination wedding photographers, whose images and articles have been featured in a variety of blogs and print magazines. In addition, they’re authors at SLR Lounge, love being married to each other, have five kids, and when they aren’t shooting weddings, they spend their time working out in their garage, practicing archery, or planning their next epic road trip (most likely to a beach to teach their kids how to surf). Oh, and of course, they absolutely love being wedding photographers. Their goal is always the same and pretty simple: to bust their asses to document love in the most epic way possible.

To learn more about their creative process, they gave us a behind the scenes look into their wedding photography in various locations, from the Grand Canyon to Tuscon, AZ.

Florence, Arizona Windmill Winery Bride  

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Nikon D750, Nikon AF-S Nikkor 24mm f/1.4G ED, ISO 50, f/2.5, 1/200 sec. © Sunshine & Reign Photography

For this shot, we used Tether Tools’ RapidMount PowrGrip Kit. The BTS shots show the use of two Nikon SB-910s, both gridded with MagMod MagGrids. One was mounted on a mirror, and the other was held by our assistant. Our goal was to capture our bride “spritzing” herself with her favorite lavender calming mist. And you can tell she was loving it!

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© Sunshine & Reign Photography

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© Sunshine & Reign Photography

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Nikon D750, Nikon AF-S Nikkor 24mm f/1.4G ED, ISO 250, f/4.0, 1/125 sec. © Sunshine & Reign Photography

Sedona, Arizona Wedding Reception  

We generally shoot receptions with a Nikon SB-910 attached to a Westcott Rapid Box (26” Octa Softbox) and mounted to an Impact QuickStik. And we generally have another Nikon SB-910 mounted on a light stand as well. But, depending upon logistics, a crowded dance floor or the lack of an assistant, for example, sometimes we have to get creative. Thankfully, Tether Tools’ RapidMount PowrGrip Kit mounts easily to a DJ’s speakers.

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© Sunshine & Reign Photography

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© Sunshine & Reign Photography

Sedona, Arizona Engagement

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Nikon D750, Nikon AF-S Nikkor 50mm f/1.4G, ISO 100, f/2.8, 1/200 sec. © Sunshine & Reign Photography

We were stoked when, on a recent engagement adventure, our bride-to-be took the time to get her hair and makeup done at a local shop, so we arrived early enough to get some shots of her getting ready. Here we used Tether Tools RapidMount Q20, due to our need to mount one of our Nikon SB-910s to a wall in a very small space (it’s gridded w/ a MagMod MagGrid). The final image is an in-camera double exposure that is also prismed with an A & M Film and Photo prism.

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© Sunshine & Reign Photography

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© Sunshine & Reign Photography

Tucson, Arizona Bride

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Nikon D750, Nikon AF-S Nikkor 50mm f/1.4G, ISO 125, f/4.5, 1/125 sec. © Sunshine & Reign Photography

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Nikon D750, Nikon AF-S Nikkor 50mm f/1.4G, ISO 100, f/3.5, 1/200 sec. © Sunshine & Reign Photography

We love capturing getting ready images of our brides, which often happens in very enclosed, small spaces. In this case? It was the bride’s parents’ home and the bathroom off the kitchen. These shots, in which we used a MagMod MagGrid on our Nikon SB-910, wouldn’t have happened without Tether Tools’ RapidMount SLX. The final images use an A & M Film and Photo prism plus an inexpensive set of LED string lights.

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© Sunshine & Reign Photography

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© Sunshine & Reign Photography

Phoenix, Arizona Bride

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Nikon D750, Nikon AF-S Nikkor 24mm f/1.4G ED, ISO 250, f/4.5, 1/125 sec. © Sunshine & Reign Photography

When hanging out with our brides while they get ready for their “best day ever,” we like to be ready for anything. In this case we had three of our Nikon SB-910s ready for action. One was held by our assistant, attached to a Westcott Rapid Box (26” Octa Softbox) and mounted to an Impact QuickSti. Another was mounted opposite our bride with Tether Tools’ RapidMount Q20 with a MagMod MagGrid. And a third was mounted in the bathroom, on the mirror, with Tether Tools’ RapidMount PowrGrip Kit.

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© Sunshine & Reign Photography

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© Sunshine & Reign Photography

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© Sunshine & Reign Photography

Grand Canyon Engagement 

Nikon D750, Nikon AF-S Nikkor 24mm f/1.4G ED, ISO 200, f/8.0, 1/125 sec. © Sunshine & Reign Photography

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Nikon D750, Nikon AF-S Nikkor 24mm f/1.4G ED, ISO 200, f/2.5, 1/120 sec. © Sunshine & Reign Photography

After getting some epic “Grand Canyon cliff shots” with our engaged couple, we wanted to get in closer, and since they wanted plenty of shots with the American flag as the soon-to-be-groom is active military, we stood them just off the path (somewhere on the South Rim). We needed a kicker light so we mounted a Nikon SB-910 in a nearby tree. Thankfully, we had Tether Tools’ Rock Solid EasyGrip XL in our camera bag. The final two images show a bit of progression…because, again, we wanted to get in closer.

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© Sunshine & Reign Photography

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© Sunshine & Reign Photography

See more of Amii and Andy’s rad work on their website and IG @sunshineandreign. Click here for more on Tether Tools’ mounting solutions! 

 

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Nikon 24-120mm f/4G VR Review

This is an in-depth review of the Nikon 24-120mm f/4G ED VR lens that was released in August of 2010. The constant maximum aperture, mid-range Nikon 24-120mm f/4 VR zoom lens was a major update to the Nikon 24-120mm f/3.5-5.6G VR, which had been known at the time for being a sub-par lens optically. Shortly after the 24-120mm f/4G VR was announced, Nikon discontinued its variable-aperture predecessor and made the 24-120mm f/4G VR into a premium kit lens to be bundled with higher-end full-frame cameras. I have been using the Nikon 24-120mm f/4G VR for a number of years now and I decided to update the existing review with more image samples, additional information and up-to-date lab measurements.

Nikon 24-120mm f/4 ED VR

The Nikon 24-120mm f/4G ED VR is a constant maximum aperture lens with a 5x zoom range that is designed for professional and advanced amateur photographers that need a mid-range lens with image stabilization to be used for many types of photography, including street, nature, travel and wedding photography. Unlike variable-aperture lenses that typically have an aperture of f/5.6 when zoomed all the way in, the Nikon 24-120mm stays at f/4 throughout the focal range, giving a one-stop advantage to the 24-120mm f/4 over variable-aperture lenses on the long end (for example, the older Nikon 24-120mm f/3.5-5.6G lens had a maximum aperture of f/5.6 beyond 85mm and the current 28-300mm f/3.5-5.6G VR superzoom is at f/5.6 beyond 105mm).

Nikon 24-120mm f4G VR Sample Image (55)

NIKON D810 + 24-120mm f/4 @ 78mm, ISO 64, 6/10, f/8.0

In addition, the lens comes with plenty of updated optical features from Nikon, including second generation VR II (vibration reduction) technology, which offers camera shake compensation equivalent to a shutter speed increase of approximately four stops. Thanks to the AF-S silent-wave focus motor, the lens focuses quietly and accurately in various lighting conditions, and the 77mm filter thread makes it easy to use specialized screw-on filters. The advanced optical formula consisting of 17 elements in 13 groups with two ED, three aspherical elements and Nano Crystal Coat all contribute to great performance throughout the zoom range.

Nikon 24-120mm f4G VR Sample Image (53)

NIKON D810 + 24-120mm f/4 @ 40mm, ISO 64, 1/1, f/11.0

1) Lens Specifications

Main Features:

  1. Compact and versatile 5X standard zoom lens with f/4 maximum aperture is perfect for landscapes, portraits, weddings and distant subjects offering a constant maximum aperture to maintain exposure settings throughout the entire zoom range and VR II Image Stabilization.
  2. Nikon VR II (Vibration Reduction), engineered specifically for each VR NIKKOR lens, enables handheld shooting at up to 4 shutter speeds slower than would otherwise be possible, assuring dramatically sharper still images and video capture.
  3. 2 Extra-low Dispersion (ED) elements offers superior sharpness and color correction by effectively minimizing chromatic aberration, even at the widest aperture setting.
  4. M/A Focus Mode Switch enables quick changes between manual and autofocus operation.
  5. Exclusive Nikon Silent Wave Motor (SWM) enables fast, accurate and quiet autofocus.
  6. Rounded 9-blade diaphragm renders more natural appearance of out-of-focus image areas.
  7. Nano Crystal Coat further reduces ghosting and interior flare across a wide range of wavelengths for even greater image clarity.
  8. 3 Aspherical Lens Elements virtually eliminate coma and other types of aberration, even when shooting at the widest available aperture.
  9. Internal Focus (IF) provides fast and quiet autofocus without changing the length of the lens, retaining working distance throughout the focus range.
  10. Nikon Super Integrated Coating (SIC) enhances light transmission efficiency and offers superior color consistency and reduced flare.
Nikon 24-120mm f4G VR Sample Image (1)

NIKON D3S + 24-120mm f/4 @ 50mm, ISO 200, 1/250, f/5.6

Technical Specifications:

  1. Mount Type: Nikon F-Bayonet
  2. Focal Length Range: 24-120mm
  3. Zoom Ratio: 5.0x
  4. Maximum Aperture: f/4
  5. Minimum Aperture: f/22
  6. Format: FX/35mm
  7. Maximum Angle of View (DX-format): 61°
  8. Minimum Angle of View (DX-format): 13°20′
  9. Maximum Angle of View (FX-format): 84°
  10. Minimum Angle of View (FX-format): 20°30′
  11. Maximum Reproduction Ratio: 0.24x
  12. Lens Elements: 17
  13. Lens Groups: 13
  14. Compatible Format(s): FX, DX, FX in DX Crop Mode, 35mm Film
  15. VR (Vibration Reduction) Image Stabilization: Yes
  16. Diaphragm Blades: 9
  17. Distance Information: Yes
  18. Nano Crystal Coat: Yes
  19. ED Glass Elements: 2
  20. Super Integrated Coating: Yes
  21. Autofocus: Yes
  22. AF-S (Silent Wave Motor): Yes
  23. Internal Focusing: Yes
  24. Minimum Focus Distance: 1.5ft. (0.45m)
  25. Focus Mode: Auto, Manual
  26. Filter Size: 77mm
  27. Accepts Filter Type: Screw-on
  28. Dimensions (Approx.): 3.3×4.1 in. (Diameter x Length), 84x103mm (Diameter x Length)
  29. Weight (Approx.): 23.6 oz. (670g)
  30. Supplied Accessories: HB-53 Bayonet Lens Hood, LC-77 Snap-on Front Lens Cap, LF-1 Rear Lens Cap, CL-1218 Soft Lens Case

Detailed specifications for the lens, along with MTF charts and other useful data can be found in our NIKKOR 24-120mm f/4G ED VR page of our lens database.

Nikon 24-120mm f4G VR Sample Image (18)

NIKON D3S + 24-120mm f/4 @ 120mm, ISO 200, 1/1250, f/5.6

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Exclusive MIOPS Cyber Monday Sale!

Our friends at MIOPS have just informed us that they are giving our readers an exclusive discount of 25% for buying the MIOPS Smart Trigger, today only! That’s a killer deal and a very heavy discount on the best camera and flash trigger on the market, so we are excited to share this deal with our readers. If you have not heard of this device, please check out our introduction to MIOPS Smart Trigger, along with the detailed review, which we posted earlier this year. This unique sale will end at the end of today, 11/28/2016, so hurry up and get yours before the time runs out!

MIOPS Smart Trigger

To get the 25% discount on the MIOPS Smart Trigger, please visit MIOPS.com and use the coupon code MIOPSPL during checkout. We have been told that the 25% coupon will work on all products over $ 100, so you can get everything available discounted, including additional cables.

If you have any questions about the product or its features, please feel free to ask in the comments section below.

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