Nikon’s 100 Year Anniversary – What I Hope to See in 2017

2017 is a huge year for Nikon, as it marks the 100th anniversary of the company. A century of innovation in creation of optical instruments, binoculars, telescopes, microscopes, engineering tools, medical tools, precision instruments, scanners, cameras, lenses and other accessories is something Nikon is planning to celebrate on July 25th, 2017. Our team at PL congratulates Nikon with this big achievement and we hope to see Nikon continue to innovate for many years to come! At the same time, we are hoping that the celebration of the 100 year anniversary of the company will come with great announcements – after-all, it is a perfect time to release something truly special for Nikon fans, isn’t it? What is it going to be? A Nikon Df II with anniversary edition versions of some prime lenses? The first full-frame Nikon mirrorless camera? Or perhaps a refresh of the existing camera models in the forms of the Nikon D620, D760 and D820? It is hard to say at this time, but we are hoping to see a bunch of releases in 2017!

Before I go into my personal projections in terms of what I hope and expect to see in 2017, please take 5 minutes of your time to watch the cool 100th anniversary video presented by Nikon:

For more details, I would also recommend to check out Nikon’s 100th Anniversary page, which details some of the biggest achievements of the company from 1917 to 2017.

Now on to projections – what should we expect to see in 2017, given that it is a big year for Nikon? Please note that all of the below are pure speculations – I do not have any insider information from Nikon and do not want to spread any rumors. The projects are purely based on the history of Nikon releases and what I believe is due for an update. Given how special 2017 is for Nikon, I really hope to see at least one “100th anniversary edition” camera from Nikon. I seriously doubt that it will be an existing camera with the new special logo that Nikon designed to celebrate the anniversary:

Nikon 100th Anniversary Logo

That would be a mistake, as it would bring nothing new to the table and most likely disappoint the Nikon fans. Instead, what I am hoping to see is either a brand new camera, or an update to an existing camera with the anniversary logo on it.

Nikon Df II Anniversary Edition

I personally would not mind seeing a Nikon Df II, with a similar sensor as the Nikon D5 and the same AF as what we have on the D5 / D500. If such a camera saw the light of day in 2017, I would be all over it! And I would not mind having no video recording capability on the Df II either, since I seriously doubt that Nikon will be able to put good-looking 4K video recording capabilities in it anyway. I don’t see much reason for introducing video to a stills camera, especially if it is going to be the same boring 1080p video recording capability. Obviously, all the previous advantages of the Df, including the ability to mount non-AI lenses should be there. Some tweaks to the camera body would be welcome, but if Nikon keeps ergonomics the same, I personally would not mind, as long as the sensor + AF system are updated.

It would also be nice to see a few anniversary edition primes for the Df II. And not just with a silver ring please, but rather something fresh and truly nice-looking. I would love to see beautiful iterations of 24mm f/1.8G, 35mm f/1.8G and 85mm f/1.8G lenses, for example. Having an all-metal barrel would be a bonus, although that is very unlikely to happen. Better yet, if Nikon updated the Nikkor 50mm f/1.4G with a new optical design that made it possible to capture sharp images wide open, I would love to see such a lens! That would truly be worth making into an anniversary edition lens for the Df II!

Nikon D820

The Nikon D810 is already due for an update, since the camera is already over two years old. The D810 has been a workhorse for many photographers, including myself, so the expectations for the D820 update are rather high. I compiled my Nikon D820 wishlist of features that I would like to see on the camera a while ago, and although I do not expect Nikon to address them all, I really hope that we will see some advanced features introduced in the D820 that we have previously not seen on Nikon’s DSLRs before. For example, the ability to see RAW histograms is something many of us really want to see, so that we do not have to guess whether we are really blowing out the highlights or not when shooting in the field. I know it is a lot to ask, but if Nikon were to do it first, it would be a game-changer. I would also like to see the menu banks system fixed on the D820, so that we can actually find use for it. The “Mode” button should have pre-set values to choose from and these should be the ones that keep the settings saved in them, even if they are changed from the camera menu. Another huge plus would be to see live view split-screen display fixed for both vertical and horizontal shooting scenarios, as explained in detail in my D820 wishlist post. And come on Nikon, give us a tilting LCD screen!

As for the main features, I hope to see a 42+ MP sensor with the same or better dynamic range as on the D820. The AF system should be inherited from the Nikon D5, with the Multi-CAM 20K (153 focus points). 4K video recording would be a bonus, but only if properly implemented. GPS and WiFi would be a huge plus. Also, please get rid of that CF memory card slot. The D820 should either be a dual SD camera or a dual XQD camera. CF is pretty much dead now, so there is no reason to put it into cameras anymore.

Nikon D620

With the Nikon D610 not getting refreshed for over three years now, it is unclear if Nikon will ever provide an update to the entry-level full-frame DSLR. After the D600 fiasco, Nikon might have walked away from this camera line completely, which, if that’s the case, would be a mistake in my opinion. First of all, it does not provide a good upgrade path for the existing D610 users (and there are many) and second, it is supposed to be a low cost, lightweight and compact full-frame DSLR with features, so why not have such a camera to those who might be interested in one? Sure the D750 is a better camera with better features, but it is also more expensive. The D6xx line is something that Nikon could keep as a way to recycle and reuse existing components. It does not need new innovations. Slap on that same or updated 24 MP sensor, slightly faster processor for 6 FPS shooting, the older 51-point AF, 2x SD slots, the same build + ergonomics with a $ 1,500 MSRP price tag and you have a winner!

Nikon D760

Yes, that oddball D750 needs an update and it is already over two years old. None of us know exactly what happened to the D710-D740 cameras that never saw the light of the day, but if Nikon ever provides any updates to this line, it will most likely come in the form of the Nikon D760. What should we expect from the D760? It is hard to say exactly how Nikon is planning to update the D760, but I would expect to see some new features on the D760 that we currently don’t have on the D750. For a start, I would love to see integrated GPS – a feature that can be very useful for travel and landscape photography. WiFi should obviously stay, but improved with better app support for both remote capture and control. 24 MP is a sweet spot for the D7xx line and I hope Nikon updates the sensor to perform better in terms of both low-light and dynamic range performance. It would be hard to push the performance of the existing sensor technology, so perhaps Nikon can put a Sony-made BSI sensor on the D760 for better overall IQ. I really hope Nikon uses the new Multi-CAM 20K from the D5 on the D760, but it is not likely to happen, since it is not an action camera and the AF system will be used on only premium Nikon cameras for a few more years. In terms of speed and memory card slots, I expect to see no less than 7 FPS on the D760 with 2x SD card slots (UHS-II support would be nice), so it should be a wonderful camera for many types of photography. Nikon should definitely integrate 4K video shooting into the D760 – it would make a phenomenal camera for videographers!

I love my Nikon D750 cameras (I have two of them), so my hopes for the D760 refresh in 2017 are high. If Nikon can make the D760 appealing, it will sell a boatload of them, just like it has in the past few years.

Nikon D5X

Anyone remember the Nikon D3X? It was a phenomenal camera for its time. High megapixel sensor, same amazing build quality and ergonomics as the Dx line, tailored specifically for professionals who spend a lot of time in the field. Many professional landscape photographers dream of seeing the D5X, which would have a super high resolution sensor (42-50MP+), amazing dynamic range performance and a base ISO of 64, although lower would be even better. High megapixel count would probably limit its throughput to 4-5 FPS, but it is not an action camera, so it would be enough for those who would be using it. The same high-speed AF system from the D5, weather proofing, layout and illuminated buttons, and most importantly, the same superb battery life. It would be a highly specialized camera, probably in the $ 8K range, so it would only be appealing to a very specific group of photographers.

Entry-level and Mid-range DX Cameras – Time for a Change?

Aside from the specialized D500 and perhaps the D7xxx line, DX cameras have gotten very boring. Nikon has recently announced the D5600, which practically has not seen any major changes compared to its predecessor. And the D3xxx line of cameras have not looked exciting for many years now. Sure, Nikon might still be selling a ton of these, but their market share is quickly shrinking (as evidenced by Nikon financial results). Sony, Fuji, Olympus and Panasonic now all have very strong line of APS-C / Micro Four Thirds cameras and such mirrorless cameras as the Sony A6000 have been selling extremely well, even when compared to DSLRs. If Nikon wants to revive its DX line, it should put more resources towards bringing out a truly exciting camera line-up, followed by an even more exciting line of lenses. That’s right – lenses are going to be very important in the success of its DX offerings. So far, Nikon has been thinking that it is OK for its customers to shoot with full-frame lenses on DX cameras. Well, with companies like Fuji, Olympus and Panasonic putting so much effort and resources into making superb compact lenses for their APS-C and Micro Four Thirds cameras, the appeal of DX DSLRs is diminishing day by day. Why would I want to lug around an unnecessarily large lens on a crop body, if I don’t even get to use it fully? If Nikon put more effort into making amazing DX primes and zooms, and not just another boring 18-300mm superzoom, it could potentially make its DX system more appealing. As for the DX cameras themselves, perhaps it is time for Nikon to consider integrating some of its mirrorless technology from the dying CX camera line to DX? We know that Nikon won’t be putting a full-frame mirrorless camera out anytime soon, but why not start working on a hybrid APS-C camera that has an EVF and on-sensor phase detection pixels? Time to innovate Nikon!

Lenses

Nikon has been doing a great job with releasing updates to some lenses, but there are a few lenses I would like to see updated in 2017:

  • Nikon 16mm f/2.8E fisheye – updated with all the latest technologies
  • Nikon 16-35mm f/2.8E VR – with better overall performance than the 16-35mm f/4G, designed for high-resolution cameras.
  • Nikon 24mm f/2.8 PC-E – a desperately needed update for serious tilt-shift work.
  • Nikon 50mm f/1.4E – time to update the optical formula and make a killer nifty fifty that is sharp at f/1.4.
  • Nikon 24-70mm f/4E VR – why not give us a slower lens that weighs half of what the f/2.8E version does, but is optically superior to the 24-120mm f/4G VR?
  • Nikon 135mm f/2E VR – the 105mm f/1.4 has been updated, but this one is next. Will need VR due to long focal length.
  • Nikon 400mm f/5.6E VR – for those of us who do not want to spend $ 11K+ on the 400mm f/2.8E VR
  • Nikon 400mm f/4E VR – why not, especially if it is priced right?
  • Nikon 200-400mm f/4E FL VR – this one is the next in line for pros. Need FL lens element to be lighter and more balanced, along with all the latest and greatest.
  • A slew of DX lenses – too many to list.

Let me know if I am missing anything!

While I do realize that we probably won’t see many of the above-mentioned cameras and lenses (the list is a bit too big for a year, don’t you think?), I really hope that Nikon will do something special in 2017. It is time to bring truly innovative products to the market Nikon – we hope to see you celebrate many more anniversaries in the future!

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Filmic Pro App to Soon Release Log Format, Here’s a Peek at How That Looks

Filmic Pro, my personal favorite app for shooting videos on the iPhone, is soon to release an upgrade that will allow filmmakers to shoot in log format. What is log? It’s also known as “flat” profile, and essentially it’s as close to raw as you can get in video without actually shooting raw. It widens the dynamic range in both directions to the max, which gives more options and latitude for adjusting in post. When you know you are going to be majorly color grading a film, shooting in log or raw is a must.

Having log on an iPhone would be a huge deal, since most Canon cameras don’t come with Canon’s log profile accessible.

Take a look at what YouTuber Matteo Bertoli did with the new profile, as he was kind enough to upload both a finished and un-graded version of the film for comparison purposes:

Original

Graded

Original

Graded

In looking at the highlights and shadow areas, it looks like, at least right now, the dynamic range is slightly increased. Just a hair. It’s not revolutionary by any means, but that’s at the mercy of the sensor. That, and creating a log profile is actually insanely hard. It took Panasonic quite a while to finally release vLog, if you might recall.

Original

Graded

Original

Graded

In this particular color grade, Matteo is absolutely crushing the blacks, and I can’t blame him. At 0:05 you’ll see a shot where the left side of the frame is devoid of any detail, the shadows totally run black. This is because in the original footage, the area is filled with noise. So while the profile does give access to the range of highlights to shadows, what you might find there isn’t always useful.

Nonetheless, this software is currently in Beta and looks promising. I have to say, given the option to shoot in log and not, I would nearly always rather, especially with the iPhone, even if that means some of the footage might not be perfect.

Resource Magazine

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See The Power Of Nature Happening Right Now in California’s Yuba River

The United States is currently in one of our most severe and unpredictable winters on record. So much so that currently, there is snow on the ground in 49 out of 50 states, with Florida being the exception.

The west coast has been getting pummeled, with drought-stricken California taking a large chunk of the damage. While the non-stop rain and snow is welcome to help refill the reservoirs, the water is coming at a drastic price, as the storms have caused millions of dollars of damage and loss of property.

Photographer Shawn Reeder has been documenting the Sierra Nevadas and Yosemite region for years. He even showed us the Yosemite Firefall like we had never seen before. Yesterday, warmer temperatures melted snow and mixed with heavy rains to cause remarkable scenes across the state. Reeder decided to head to the Yuma river to see how the river was responding to the storm, and was shocked at the power it held.

The below photos show us the same angle before the storms and what it looked like yesterday. Keep in mind, even the before photo is pretty high, especially compared to how the river looked during the years long drought.

 

I’ve never seen the river like this, and I hear it hasn’t been this big in 10 or 15 years. I can understand how people might find the raw fierce power of the raging river to be scary, but it doesn’t bring fear to me at all. I just feel pure gratitude at being able to witness nature in all its power and glory. It’s not every day we get to experience such awe-inspiring natural power, so I am beyond grateful for being able to experience it. There’s no question such power can and does bring destruction, but that’s part of the natural cycles of life:
Life -> Death -> Rebirth

In addition to the video, Reeder provided Resource Travel with some photographs of the dramatic scene.

See more from Reeder on his websiteInstagram and Facebook
Film Music by Kirsi Ranto


 

Resource Magazine

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How I Learned to Separate Details

A few weeks ago, I visited Casa Mila, also known as La Pedrera in Barcelona Spain, which in 1984 was declared a World Heritage site by UNESCO. It was the last civil work designed by renowned architect Antoni Gaudi, who was the best-known practitioner of Catalan Modernism. When visiting La Pedrera, I walked onto the stepped roof called “the garden of warriors”; called so because of the chimneys which appear to protect the sky lights, and discovered to my disappointment that due to the size of the crowd and the presence of a fence, I wouldn’t be able to photograph the entire architecture of the roof in a single shot.

PL-5

Canon EOS 70D + 17-50mm @ 40mm, ISO 100, 1/400, f/8.0

As seen above; the people, the fence and the buildings behind ruin the organic and looping arches of Gaudi’s beautiful architecture piece. While I realized that photographing Gaudi’s work in its full content will be impossible, I decided to start separating the intricate and exclusive aspects of his work in such a manner that one would appreciate the separate pieces, just as much as the whole.

PL-1

Canon EOS 70D + 17-50mm @ 30mm, ISO 100, 1/640, f/5.6

The first photo I took was from a low angle and I tried to position the structure in the top left part of the image following the rule of thirds and it was great that the curved lines of the structure lead one’s eyes directly to the top.

PL-3

Canon EOS 70D + 17-50mm @ 50mm, ISO 100, 1/250, f/8.0

For my second image, I noticed this chimney which was facing in the direction of the sun. I had to zoom in at 50mm and have my hand covering the top part of my lens to minimize any lens flare, since I didn’t have a lens hood that day. I really loved the intricate mosaic and the perfect spirals around the structure. It reminded me about the Fibonacci spiral and the picture of the bicycle riding man by Henry Cartier-Bresson. I later found out that the reason why it is twisted is so that the smoke would come out better.

PL-2

Canon EOS 70D + 17-50mm @ 30mm, ISO 100, 1/800, f/5.6

PL-4

Canon EOS 70D + 17-50mm @ 28mm, ISO 100, 1/400, f/8.0

My favorite photograph is one that I took of the ventilation shaft. It is quite simple in composition and it reminded me of “The Scream” by Edward Munch, because the top holes looked like eyes and the bottom one like the mouth.

PL-6

Canon EOS 70D + 17-50mm @ 17mm, ISO 100, 1/320, f/8.0

In conclusion, it is quite hard to photograph places that are renowned for their architecture without having people in your frame or any other distractions such as a modern fence. However, my own takeaway was that if you can’t be the first one to arrive at the desired photographic location, then concentrating on the details is just as important and can be just as creative and satisfying.


This guest post was contributed by Marc Belciug. You can check out more of his work on his website.

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Happy Sailor Kissing Nurse In Times Square During Impromptu Vj Day Celebration Following Announcement Of The Japanese Surrender And End Wwii. Paper Fr

Happy Sailor Kissing Nurse In Times Square During Impromptu Vj Day Celebration Following Announcement Of The Japanese Surrender And End Wwii. Paper Fr


Happy sailor kissing nurse in Times Square during impromptu VJ Day celebration following announcement of the Japanese surrender and the end of Wwii.” is an art print by Alfred Eisenstaedt from the Masters collection. Get photo prints of “Happy sailor kissing nurse in Times Square during impromptu VJ Day celebration following announcement of the Japanese surrender and the end of Wwii.” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints.

Price: $
Sold by Photos.com by Getty Images

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