35 striking photographs that showcase shadows

Winning photo above by Kat Cashman.

Who doesn’t love a contest?

Every month on the photography forum, we throw out a theme and leave it up to members to interpret it in their images. Last month, we chose the theme ‘Shadows’.

What resulted was an amazingly beautiful collection of pictures that allowed us to catch a glimpse inside the lives of the members. We’ve compiled a few of them here for you to enjoy and we want to congratulate Kat for winning a live Breakout seat from Click Photo School with her image above!

Aimee Glucina

Aimee Glucina

Alicia

Alicia

Allison Gipson

Allison Gipson

Amanda Barrick

Amanda Barrick

Amber Robertson

Amber Robertson

Anelise Tubinis

Anelise Tubinis

Anne Burgess

Anne Burgess

Anne Young

Anne Young

Annick Paradis

Annick Paradis

Beth Cagnoni

Beth Cagnoni

Dana

Dana

Ebony Logins

Ebony Logins

Elena

Elena

Elodie Brunel

Elodie Brunel

Eve Tuft

Eve Tuft

Hannah

Hannah

Jackleen Leed

Jackleen Leed

Jen Sebring

Jen Sebring

Jennifer Kielich

Jennifer Kielich

Jennifer Snavely

Jennifer Snavely

Jessi Trigg

Jessi Trigg

jyotsna

jyotsna

Kaela Elliott

Kaela Elliott

Katy Wehbeh

Katy Wehbeh

Marissa

Marissa

Mel Karlberg

Mel Karlberg

Michelle Stoddard

Michelle Stoddard

Miriam Hancock

Miriam Hancock

Nikkie Rainey

Nikkie Rainey

Niquita Cook

Niquita Cook

Ruth Ramos

Ruth Ramos

Sanja Krog

Sanja Krog

Shelby Zavala

Shelby Zavala

Stefanie Berry

Stefanie Berry

Would you like the opportunity to be featured in next month’s photo share here on the CMblog and possibly win a prize? For our next contest we’ve asked for your best ‘Emotion’ photos which you can submit here.

Not a member of the forum? Don’t forget that you can sign up today risk-free!

The post 35 striking photographs that showcase shadows appeared first on Clickin Moms.


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Sony FE 100mm f/2.8 STF GM and 85mm f/1.8 Announcements

This week is an exciting week for Sony mirrorless fans, because two more lenses have joined the native FE mount in the form of FE 100mm f/2.8 STF GM and 85mm f/1.8. While Sony has already brought out the stellar 85mm f/1.4 GM lens last year, it is an expensive pro-grade lens, so there was a gap to fill for an enthusiast-grade lens and that’s what the 85mm f/1.8 is all about. At $ 599, it is a third of the price of its big GM brother, so it will be an appealing choice for portrait photographers on a tight budget. The Sony FE 100mm f/2.8 STF GM joins the ranks of high-end GM lenses that are designed to deliver outstanding contrast, sharpness and other optical characteristics with the latest and greatest technology the company has to offer. Although it has a relatively slow aperture of f/2.8 (for a portrait lens), it is also designed specifically for portrait photography, since it is the first Sony FE lens to feature a sophisticated optical design that incorporates “Smooth Trans Focus” technology that uses apodization filter, similar to the Fuji’s 56mm f/1.2 APD lens. Sony promises very smooth and pleasing bokeh, so it will be interesting to see how the rendering of the lens would compare to its 85mm f/1.4 GM lens.

Sony FE 100mm f/2.8 STF GM OSS Lens

Sony FE 100mm f/2.8 STF GM

Sony is definitely making a big deal out of its new STF lens, saying that the lens will be a prime candidate to show off stunning bokeh. Let’s take a look at some of the image samples presented by Sony and see what to expect from the Sony FE 100mm f/2.8 STF GM:

Sony FE 100mm f/2.8 STF GM OSS Image Sample 1

As you can see, STF will certainly make a pretty drastic difference in the way that the background highlights will be rendered – it appears that the highlights will take a distinctly circular shape and there will be a certain “fill” character to them. I am not sure if I like this effect or not, as such shapes can look a bit distracting in my opinion. However, for those who favor the ability to yield this particular look, the 100mm f/2.8 STF GM should not disappoint. Take look at the next two examples of the possibilities:

Sony FE 100mm f/2.8 STF GM OSS Image Sample 2

Sony FE 100mm f2.8 STF GM OSS Image Sample 3

I personally like the bokeh rendering of the first flower image, but I am not sure that I like the round shapes in the second sample. To me personally, beautiful bokeh is represented by pleasing out of focus highlights that do not have a distinct border around them. However, I have to say, these look pretty interesting and unique though!

In terms of optical construction, the Sony FE 100mm f/2.8 STF GM has a pretty interesting design that incorporates an aspherical lens – something we normally do not see on high-end portrait lenses, since aspherical lenses tend to produce onion-shaped bokeh:

Sony FE 100mm f/2.8 STF GM OSS Lens Construction

Keep in mind that the apodication filter steals quite a bit of light, so although it is an f/2.8 to f/20 lens, the actual amount of light that passes through the lens will be equivalent to T5.6 to T22. This could be good both and bad – definitely bad in low-light situations, but great for shooting portraits outdoors with off-camera flash.

And in terms of sharpness, you can already see that the lens should be superb by looking at the very first sample image – you can see all the skin details of the model. Let’s take a look at the MTF chart of the lens that is provided by Sony:

Sony FE 100mm f/2.8 STF GM OSS MTF Chart

Interestingly, Sony provided an MTF chart for both wide open and stopped down aperture of the lens. At f/2.8, we can see that the lens will have superb contrast and sharpness, which is exactly what one would want in such a lens. And as expected, the lens should do amazingly well when stopped down to f/8 as well, with both center and corners looking really sharp.

Given the “specialty” status of the lens, its price tag of $ 1,499 does not seem to be bad. You can read more about this lens by visiting the Sony FE 100mm f/2.8 STF GM OSS page of our lens database.

Sony FE 85mm f/1.8

The enthusiast-grade 85mm f/1.8 is going to be a great addition to the Sony family of FE-mount lenses. Not anything fancy in terms of optical construction and MTF performance, but that’s a given for this grade of a lens.

Sony FE 85mm f1.8

We can expect decent performance wide open, with most likely sharpness increasing significantly at f/2.0 – f/2.8 range and by f/8, it should provide very sharp results from the center all the way to the corners of the frame, as shown in the below MTF chart:

Sony FE 85mm f/1.8 MTF Chart

Without any aspherical lens elements, the lens should do quite well in terms of rendering bokeh as well.

You can read more about this lens by visiting the Sony FE 85mm f/1.8 page of our lens database.

Official Announcement

And here is the official announcement from the manufacturer:

LAS VEGAS, Feb. 7, 2017 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced two new lenses for their popular line of E-mount interchangeable lens cameras.

Sony’s new lenses include one of their flagship G Master Series – an FE 100mm F2.81 STF GM OSS mid- telephoto prime lens (model SEL100F28GM) built to deliver breathtaking bokeh with a unique STF™ (Smooth Trans Focus) design, and a new compact, lightweight FE 85mm F1.8 mid-telephoto prime lens (model SEL85F18) that is a welcome addition to the bag of any hobbyist or enthusiast photographer looking to create amazing portraits.

They have also introduced a new powerful, compact flash (model HVL-F45RM) with radio-controlled wireless communication that is ideal for professional shooting with Sony’s lineup of α7 full-frame cameras.

FE 100mm F2.8 STF GM OSS Telephoto Prime Lens

A specially designed mid-telephoto, full-frame prime lens, the new 100mm STF is built to produce truly unique, magnificent and beautiful bokeh while maintaining the exceptional standard of resolution that is showcased by Sony’s entire line of flagship G Master series lenses, making it a powerful photographic tool for any portrait, fashion, nature or wedding photographer.

These impressive defocus capabilities are made possible by the lens’ advanced optical structure, as it features a newly designed 11-bladed aperture and a unique optical apodization lens element. Similar to a neutral density filter that increases in density towards the edges, the apodization element creates beautiful transitions of in-focus to out-of-focus areas within an image, making for exceptionally soft, smooth bokeh that adds depth and dimensionality. This allows the subjects to stand out against beautifully defocused elements in both the foreground and background, producing an image that is naturally pleasing to the eye. The design of the lens also ensures that vignetting is kept to an absolute minimum, ensuring optimum image quality.

Additionally, the new 100mm lens supports both contrast AF and focal-plane phase detection AF, and has a high-precision, quiet direct drive SSM (Super Sonic Motor) system that ensures exceptionally fast and accurate AF performance. The SEL100F28GM also offers up to 0.25x close-up capabilities with a built-in macro switching ring, built-in Optical SteadyShot™ image stabilization, a customizable focus hold button, AF/MF switch, aperture ring and more. It is dust and moisture resistant as well.

FE 85mm F1.8 Telephoto Prime Lens

The new 85mm F1.8 mid-telephoto prime lens offers an extremely versatile, lightweight and compact telephoto prime lens solution for a variety of Sony camera owners ranging from working professionals to emerging enthusiasts that have stepped up to full-frame or APS-C cameras for the first time. With its wide F1.8 aperture, it can produce impressive, exceptionally sharp portraits with soft background defocus that take advantage of its 85mm focal length and wide F1.8 maximum aperture.

The new prime lens features a 9-bladed circular aperture mechanism that ensures smooth, natural looking bokeh, and a double linear motor system to allow for fast, precise and quiet focusing. It also has a focus hold button that can be customized and assigned together with functions in the camera body like the popular Eye AF feature. There is a smooth, responsive focus ring and AF/MF switch as well, and the lens is also dust and moisture resistant.

Pricing and Availability
Both of the new lenses will ship to authorized dealers throughout North America. The new FE 100mm F2.8 STF OSS GM Telephoto Prime Lens will ship this March for about $ 1,500 US and $ 2,050 CA. The new FE 85mm F1.8 Mid-Telephoto Prime Lens will ship this March for about $ 600 US and $ 800 CA. Replacement lens hoods for each of the new models will also be available for purchase as well.

Pre-Order Information

You can pre-order the two lenses below using our trusted partner, B&H Photo Video:

  1. Pre-Order Sony FE 100mm f/2.8 STF GM OSS from B&H Photo Video for $ 1,499
  2. Pre-Order Sony FE 85 f/1.8 from B&H Photo Video for $ 599

The post Sony FE 100mm f/2.8 STF GM and 85mm f/1.8 Announcements appeared first on Photography Life.

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Sergei Prokofiev [misc.] Canvas Floater Frame 3/4″ Matte Black 22×27 Photo On Canvas

Sergei Prokofiev [misc.] Canvas Floater Frame 3/4″ Matte Black 22×27 Photo On Canvas


Sergei Prokofiev [Misc.]” is an art print by Gjon Mili from The Life Picture Collection. Get photo prints of “Sergei Prokofiev [Misc.]” in a variety of frames, styles, and materials. Photographer Bio Emigrating to the United States from Albania in 1923, Gjon Mili is regarded as the first photographer to use electronic flash and stroboscopic light to create photographs outside of a scientific context. A true pioneer of the artform, Mili’s photographs of dancers, athletes, and pictures or performances have shaped our understanding of how movement too rapid or too complex for the eye to discern is captured in the still image. Mili’s career as a photographer for Life Magazine spanned four decades and saw the publication of thousands of his photographs, taking him around the world; from collaborations with Pablo Picasso, to the incarceration of Adolph Eichmann, to original photos from Broadway plays. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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GoPro’s Re-Released Karma Drone Was Field-Tested and the Results Are Remarkable

GoPro’s much-awaited Karma drone didn’t really launch with great success. Moments after introducing what should have been one of the company’s new flagships, it had to be universally recalled over issues that would cause the drone to fall out of the sky without warning. But just three months of looking into the issue seemed enough to solve the issue. It’s now listed as a product on GoPro.com again, and will be available at the end of March on B&H. But Krispyshorts already got his hands on one, and he dedicated his latest vlog to some extensive field-testing.

Turns out, the re-released Karma drone might just become GoPro’s new flagship after all. First of all, it’s small, light and very easy to assemble. It also comes with a very convenient remote control. No more attaching your phone to a cable to a controller—it’s all there already! You’ll also find a handheld gimbal in your drone case, for when you feel like doing some ground shooting.

But when you get a drone, you obviously want to take it flying first. In Krispy’s case, that meant taking it to New York City’s West Side Highway.

First conclusion: the Karma drone is surprisingly maneuverable. Krispy calls it “probably one of the easiest drones I’ve ever flown.” But maybe even more important, is the surprisingly superior image quality. It shoots photos up to 12MP with 30fps burst mode, time lapses, and has a RAW file option and Wide Dynamic Range mode. When it comes to video, you can shoot up to 30fps in 4K, up to 80fps in 1,440p and up to 120fps in 1,080p—ideal for slow motion stuff.

Then, it was time for some intense handheld gimbal field-testing.

We once again see some impressive footage quality and equally impressive stability. Whether it’s jumping off banisters or Vespa’ing on some of New York’s shakiest cobblestone roads, the GoPro never disappoints.

Both in the sky and on the ground, GoPro’s re-released Karma could very well be a game changer. Everything in this drone case will make you look like you know what you’re doing, even if you’re not an expert. And all you need is $ 1,099. Check out Krispyshorts’ full vlog to find out why it’s really worth considering.

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Peak Design Everyday Backpack Breaks the Mold

Peak Design has done it again with the Everyday Backpack — designed a streamlined bag that fulfills all of my needs while handling a sizable load of gear with grace. After a few months of practical use in lots of different shooting situations, I can honestly say that the Everyday Backpack hits that rare sweet spot of carrying everything necessary without being cumbersome or complicated.

Coming off the successful introduction of the Everyday Messenger and Everyday Messenger 13, the Everyday Backpack is Peak Design’s first backpack model and comes in two sizes — 20L and 30L. With so many options available for camera backpacks on the market these days, you might brush off a new offering as white noise — something that has been tweaked and tinkered with so much that nothing could possibly come out that hadn’t been thought of before. Yet there it is, a really smart backpack that ditches a lot of common practice and embraces a lot of smart simplicity.

Design

Overall, the Everyday Backpack is a cleanly designed shell with three access points into a large main compartment. There’s also a laptop compartment with a “hammock” style pouch to hold small items, along with two compartments on the side access panels for organizing accessories. As with all of Peak Design’s gear, the outer shell is an ultralight waxed Kodra synthetic canvas with DWR coating for weatherproof performance.

Access to the main compartment can happen through the top or either of the sides, and which one you’ll use really depends on how you’ve organized everything inside. The side access points are very easy to get to when swinging the backpack in front of you, while the top access point is more for when you’ve set the bag down. Being right handed, I typically organize my gear so that the essentials are inside the left side panel, since this is what sits upright to me when I swing the bag off my right shoulder. Secondary gear sits on the other side of the bag, and things that are least likely to be accessed are towards the top.

The main compartment can be divided into smaller sections using the velcro dividers, which have built in flaps that can be flipped up or down to introduce padding between items. The flexibility of dividing up your gear is really handy to put things exactly where you need them based on how you will interact with the bag.

Gear Capacity and Comfort

The 20L version of the Everyday Backpack, while the smaller of the two sizes, ended up being the perfect size for me and the assortment of gear that I carry while shooting weddings and intimate weddings. While I could definitely find more things to throw in my camera bag as “just in case” items, the smaller size of the 20L ensures that I only carry my essential gear out the door. The top portion of the backpack is expandable with the familiar MagLatch, which is great when you need to throw a few extra items or even a light jacket in with all of your other stuff. The 20L version can fit a laptop up to 15″ and the 30L can squeeze in 16″ laptops with ease.

The wide, comfortable straps of the Everyday Backpack are attached at the top via swivel points, so the straps are always lined up to an optimal angle regardless of your body type or how long you have the straps let out. The backpack also sits against your back with a slight channel for your spine to run down, which reduces some of the “flat back” syndrome you can get with some backpacks carrying a laptop. There’s also a full-width top handle and two comfortable side handles to grab the backpack by when shifting it around or taking it on or off.

The only downside I’ve been able to find with this backpack is when you get towards its fullest capacity, the MagLatch becomes a little hard to connect on. But because I try not to overstuff my bag to begin with, it’s a very very minor complaint in a sea of positives.

You can find more information on the Peak Design Everyday Backpack on their website.

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