Finding Good Light in Landscape Photography

Good light at sunrise

There’s a reason why landscape photographers like waking up at 4AM and hiking out to the middle of nowhere. (Or, at the very least, there’s a reason why we tolerate it.) Are you a morning person? I’m not. But – countless times – I’ve stood by my tripod as the sun rises, watching the morning light illuminate a beautiful landscape. And that’s the reason. It’s all about the light. If you can get this one right, your photos will be as good as possible. So, what are some of the things you can do to find good light?

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Photography Life

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When, why and how to flip a photo when editing

Over the years, I have discovered the power of flipping images.

So much so that I flip almost all of my images during editing just to investigate the possibilities (although only a rare few stay flipped).

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.

Create a scene that’s more compositionally pleasing

As photographers, we crop and tweak images to be compositionally pleasing. We consider balance and triangles, swirls and curves, lines and dissections to lead the viewer’s eye through the frame.

In some instances, simply flipping an image, or a part of an image, can help compositionally prioritize elements in the photograph to better express the intended story.

I love the energy in this summer image! I want the viewer to get to that joyful expression as quickly as possible. Flipping horizontally creates a more natural leading line from the bottom left corner up the image and into her laughter.

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
before

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
after

In this image, I want the viewer to circle from the little girl to the trees and back to her but her eye line leading out of the frame competes with that flow. Flipping just her figure creates a more natural flow through the image.

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
before

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
after

Use composition to support the intended story

With a simple image flip, you can rewrite an image’s plot.

Most visual theory implies that our eye enters the frame from the left, so flipping an image can help influence where the eye is drawn. If elements are moving left to right, the momentum is comfortable and easy. If they are moving right to left, there is tension or struggle introduced into the scene.

This can also be implied with the struggle of a vertical climb versus horizontal movement.

My intention with this image is to focus on the sibling relationship. I flipped the image so the viewer enters the frame from the left, where the bridge lines lead to the pair, to big brother holding onto his little sister’s hand, holding her back from the water.

The viewer’s eye circles from the pair to the bridge and back to the pair. In the left image, all of the lines (the bridge, the shore, the direction they are walking) pull the eye out of the frame and towards the water, away from the sibling interaction.

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
before

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
after

These webworms were overtaking our neighborhood trees and we were all disgusted by them. One afternoon, I decided to drag out the macro lens and see them in a different light, to try and find the wonder in their form.

The original photograph isolates the worm, but the upward climb creates a struggle that competes with my intended story. Rotating and flipping the image, giving the worm plenty of space to move, creates a more peaceful mood, allowing the viewer to take in the details of the worm without distraction or tension.

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
before

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
after

Create a surreal or dreamy scene (flipping the world upside down)

My favorite way to use the flip is to present scenes that aren’t possible in real life. I love to take a scene, turn it sideways or upside down and create a dreamlike or surreal story.

These flips can create an image where the viewer isn’t immediately certain what is happening, keeping them in the frame searching for clues. I tend to push the editing in these images to add to the fantasy of the scene.

In this image, I loved how he looked like a torpedo shooting through the water with the sun at his back. Flipping the image gives the image even more speed and almost makes it look like he’s caught in an ocean wave rather than swimming at the local pool.

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
before

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
after

In this image, I originally shot to have their silhouettes and reflections bathed in the golden light, but the composition wasn’t what I had envisioned. I almost threw this image away, but I flipped it and found an entirely new image, one where the viewer is drawn into a dreamy scene of sunny nostalgia.

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
before

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
after

Check your edges for distractions

A final and more practical way to use the power of the flip is to check your edges for distractions. It’s like playing a game of Boggle, where you don’t recognize an obvious word until you turn the board a few times.

Seeing a scene from a different angle reveals edge flicker that you don’t realize is there, allowing you to clean up your frame before returning to its original orientation.

In this image, I originally flipped it because I wanted the eye to enter from the left and lead towards her at the door. But flipping the image made me aware of distractions (the broom in the corner and the wall plaque) that weren’t as obvious in the original frame.

Watch out for words in flipped images – I needed to flip “MY PAL” after flipping this image. Even when I have no intention of keeping an image flipped, I use this trick to check for distractions.

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
before

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.
after

Flip before you click

The most powerful benefit of the flip is considering it while you shoot. I experiment with flipping almost every image I edit, even if I have no intention of keeping it flipped.

Seeing images on a computer screen from a different angle and/or flipping sections of an image helps prepare my eye for future shooting. It’s a training of sorts, a daily practice of seeing how an image would have looked in a different position, bringing awareness to different perspectives while in the moment of clicking the shutter.

Once I see how powerful those changes are on screen, it forces me to move my body and experiment with angles and perspective while my camera is in hand.

Combined with other editing decisions, flipping can reinforce storytelling. It can help lead the viewer’s eye to important elements in the frame, reinforce or develop themes in an image and create or intensify emotion.

I challenge you to do the same as you shoot – consider the power of the flip in an effort to get it right in camera. To shift compositional elements in the frame for balance, think about how you can shift your body left to right or up and down to alter positions of elements in the frame.

If you’re trying to create tension or flow, you can move yourself to the other side of a scene or wait for the action to shift (which often happens with running, swimming or biking).

For surreal or dreamy effects created with vertical flips, you will usually have to do some post processing, but considering the completed frame as you shoot will help you create a more intentional final product.

The post When, why and how to flip a photo when editing appeared first on Clickin Moms blog: Helping you take better pictures one day at a time.


Clickin Moms blog: Helping you take better pictures one day at a time

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Genaray Escort Daylight LED Interview 3-Light Kit Review

Genaray Escort LED Light Kit-20

Today I am going to review the Genaray Escort Daylight LED Interview 3-Light Kit. As the name implies, this kit contains three LED light panels. Two of the panels are flood lights, while one panel is a spot light. While I feel that these lights are mainly intended for use with video, I tested the lights for both photo and video.

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Photography Life

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How to easily brighten your backlit subjects in Lightroom

Sometimes it can be hard to brighten your subject in post without leaving that tell-tale halo that looks unnatural and overly edited. I’d like to share a simple way to brighten your subject quickly and precisely in Lightroom (this also works in Adobe Camera Raw).
before

Sometimes it can be hard to brighten your subject in post without leaving that tell-tale halo that looks unnatural and overly edited. I’d like to share a simple way to brighten your subject quickly and precisely in Lightroom (this also works in Adobe Camera Raw).
after

If you’re like me, you love a beautifully backlit photo!

There’s just something about that dreamy, golden hour light that makes a picture sing.

You probably also know that backlit photos can be tricky! You have to slightly underexpose your subject so that you don’t blow out your background.

Sometimes it can be hard to brighten your subject in post without leaving that tell-tale halo that looks unnatural and overly edited. I’d like to share a simple way to brighten your subject quickly and precisely using Lightroom CC Classic’s new color and luminance range masking tool (this also works in Adobe Camera Raw.)

Don’t let that techy sounding name frighten you! The tool is incredibly easy to use and makes editing in Lightroom faster and more precise.

The tool can be found in the Adjustment Brush (keyboard shortcut “K”) which I’ll be showing you below. It can also be found in the Graduated filter, as well as the Radial filter because let’s face it… editing tends to be a bit more complicated than a straight line or a circle.

This tool gives you the precision that you never had in Lightroom. To explain it simply, you can quickly brush on an adjustment (like exposure) and then using the range color selector, tighten up the selection to more accurately choose what you want to adjust. It is actually quite simple. Let me show you…

Here’s my original photo exported straight from RAW. The sun was setting quickly behind the tree line just as we saw this really cool old car sitting in the parking lot as we were wrapping up our senior portrait shoot. You can see the sky is slightly blown out and my subject is quite dark.

Sometimes it can be hard to brighten your subject in post without leaving that tell-tale halo that looks unnatural and overly edited. I’d like to share a simple way to brighten your subject quickly and precisely in Lightroom (this also works in Adobe Camera Raw).

First, I made a few global adjustments. I increased the exposure slightly, decreased the highlights to get rid of the clipping in the sky, and I added a little warmth to the white balance.

It was a good start but it wasn’t enough to get my subject exposed correctly.

Sometimes it can be hard to brighten your subject in post without leaving that tell-tale halo that looks unnatural and overly edited. I’d like to share a simple way to brighten your subject quickly and precisely in Lightroom (this also works in Adobe Camera Raw).

Next, I used my adjustment brush and painted over her face, arms and hair very quickly and not very precisely.

I scrolled to the bottom of the adjustment brush tool to “Range Mask” and chose “color” from the dropdown menu. I clicked on the eye dropper tool which activates the range color selector. Then I just click and drag a small portion of her skin under her chin to tell Lightroom which colors to zero in on.

If you don’t like what it chooses you can click another spot and it will make a different selection. You can see in this case, it very accurately highlights only what I want to brighten up.

Sometimes it can be hard to brighten your subject in post without leaving that tell-tale halo that looks unnatural and overly edited. I’d like to share a simple way to brighten your subject quickly and precisely in Lightroom (this also works in Adobe Camera Raw).

I then make exposure and warmth adjustments to her skin. Because I have only highlighted her skin and hair, it doesn’t add yellow to her teeth, eyes, and shirt. I can go back and do the same thing on her shirt if I want to brighten it up as well.

Additionally, if I wanted to pop the blue of the car without taking away from the overall warmth of the scene I can easily highlight the blue, use the color range mask tool to pinpoint only those colors you wish to enhance and then increase my blue saturation.

It really is as easy as that! You can see below I’ve brightened my backlit subject in just 3 easy steps:

  1. quick global adjustments
  2. painted on exposure and warmth adjustments to her hair and skin
  3. brightened her white top without adding additional yellow.

She’s gone from dull to wow in less than a minute’s time.

Sometimes it can be hard to brighten your subject in post without leaving that tell-tale halo that looks unnatural and overly edited. I’d like to share a simple way to brighten your subject quickly and precisely in Lightroom (this also works in Adobe Camera Raw).
before

Sometimes it can be hard to brighten your subject in post without leaving that tell-tale halo that looks unnatural and overly edited. I’d like to share a simple way to brighten your subject quickly and precisely in Lightroom (this also works in Adobe Camera Raw).
after

If you’d like to see me edit this from start to finish you can watch the video below.

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The post How to easily brighten your backlit subjects in Lightroom appeared first on Clickin Moms blog: Helping you take better pictures one day at a time.


Clickin Moms blog: Helping you take better pictures one day at a time

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Understanding Exposure – A Beginner’s Guide

Landscape photo with small aperture setting

One of the most important topics that any photographer should learn is exposure. Especially if you are just starting out in photography, the technical side of things will not always be intuitive. Your camera has dozens of buttons and hundreds of menu options — how do you even begin to set everything correctly? But it is not as bad as you might think. There are only two camera settings that affect exposure: shutter speed and aperture. These are also the two most important camera settings in all of photography. In this article, we will introduce shutter speed and aperture (as well as a third variable, ISO) and explain in depth how to use them properly. Once you fully understand exposure, you will see your photos will skyrocket in quality.

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Photography Life

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