Flipping not Clicking…Books for Business

Pictures without any people in them?

Not the usual subject matter for me. A building, as pretty as it is…..without people in front of it…was a challenge. But a happy one. Versatility is just as important as any lens in your bag, especially when called upon to photograph an iconically beautiful structure in your hometown. The Fountain Inn was originally built in 1740, and has been lovingly restored and maintained throughout its history.

So, while this was a diversion from the usual run of assignments my studio encounters, it was a lovely one, indeed. I’ve partnered with Printique on a number of occasions, creating books stemming from trips or archival themes in my own library of photos. Books of personal memories, if you will. But this was an effort dedicated to creating a book which will become an asset for a wonderful local business. A book. As the title of the blog says, not something to click through on a screen. A leave behind–something you’d encounter, sitting on the coffee table by the breakfast room. Something to flip through and ruminate about.

Lots of photographers have been called upon to create an anthology of photos for clients. A library of imagery to be accessed, mostly for the purposes of digital marketing, websites, and email. But a book project, a tangible calling card, especially in your own town or network, is something to explore. Pre-internet, we all had some kind of leave behind promo piece. Or a physical, printed portfolio. (Remember those?) You actually had to send it to the agency, or even, amazingly, walk in there and present it yourself.

Throughout the annals of photographic promotional devices, we’ve gone through a varying range of nicely designed oversized portfolio cards. But now we live in the age of “go to my website” or my Instagram page – which is fine, and efficient.

But what about a book for the time when that someone, a guest or potential client, is standing around, waiting to speak to the manager, or scout a location, or wanders down on a sleepy Sunday morning in a beautiful B&B and flips through a book to then realize what a great location it “could be” for that thing coming up. I’ll always gravitate to flipping through a book. And a lovely book, filled with details and color that showcases a place in a very thoughtful, interpretative manner can make a small business stand-out. How can you help a business separate themselves?

The Fountain Inn, located in our hometown, became the perfect setting to create such a book.

The wonderful thing about accessing Printique’s prowess at producing on-demand books is the variety of paper and presentation you can access. I tend to like the 10×12.5 format, and for a book like this, which will be handled a lot, the luster paper is a good choice. Great saturation and sheen to the pages, and a measure of durability.

A book is a good idea. Wonderful, permanent vehicle for your pictures, and a client. And our very astute girl cat, Senna, does seem intrigued.

More tk….

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Lens vs Camera: What Should You Upgrade First?

When I started out in photography, I found myself frustrated with the kit lenses for my Nikon D5100 DSLR. I kept getting blurry pictures with both lenses, especially the 55-300mm DX telephoto. At the time, I desperately felt that I needed to upgrade the lens or else be doomed to take blurry photos forever.
Photography Life

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What is Purple Fringing in Photography?

Within the broader category of chromatic aberration in photography, purple fringing can be a particularly tricky problem. Purple fringing usually appears as unwanted purple outlines around high-contrast objects in your photo, like leaves against a blown-out sky. In this article, I’ll take a closer look at what causes purple fringing and how to reduce its effects in your photos.
Photography Life

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Photography News: Laowa 2x Macro Lens Announced, MacBook Pro Sale

For the next couple of weeks, I’ll be writing our weekly news in place of Libor as he travels to – you guessed it! – South America. I’ve heard rumors that he has some of the backordered Nikon Z telephotos with him, so keep an eye out for reports on those lenses when he returns. Now for the news.
Photography Life

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Ellis Island – Doorway to America

I always love going back to Ellis Island. Not only is this evocative, historical place an intrinsic part of our nation’s history, but a pertinent personal memory for me is that it is also the site of the first successful coverage I ever did for National Geographic in the late 80’s. I was a “New York” photog at point, a contractor for Sports Illustrated and other (mostly) Time, Inc. magazines. A big job for SI was maybe 5-8 days. Geographic called and gave me 30 days to shoot Ellis! 30 days! And this, for them, was a “small” story.

I started basically living on the island, visiting it in all manner of light. It was a wild, overgrown place at that time. History, emotions and ghosts commingled in the hallways.

We just finished two days of enriching, wonderful photo workshops on Ellis Island, out in the New York harbor. First time back on the island in four years. Working in conjunction with the Save Ellis Foundation, we toured areas of the island that are phenomenally interesting and off limits to the general public. The folks at Save Ellis do tremendous work to ensure the preservation of this historic place that was a gateway for so many.

Big thanks to our Save Ellis Island guides, who were amazing. Tom, Merlin, Jean and Karen were all terrific, guiding us, keeping us safe, and being fonts of wisdom and knowledge about Ellis.

And a thank you to all the hardy photographers who jumped on the island ferry in the very early morning to come to the island and catch the good light!

It’s a location worth getting up early for. Details, hauntingly beautiful, abound. Can’t say enough about the performance of the Nikkor 105 f2.8 micro, in tandem with the Nikon Z 9 in these types of situations. The AF is so sensitive and adaptable, and the 105 focuses super quick, and accurate. We’ve all grown up with micro lenses that searched for focus, and would grind back and forth, seeking, seeking. This combo is locked on, right off the bat. Put this gear into action with the pinpoint focus mode, and you have beautifully adaptable, super sharp micro performance.

And, we talk about light all day. How it graces and strikes objects, bringing out dimensional beauty. And, we teach flash in the morgue.

Caro posed for us, which was excellent. A model, actress, and wonderfully talented person, who works with Statement Arts, a nonprofit group orchestrated by Liza Politi, which works to empower young people from economically challenged backgrounds to excel and advance in the visual and theater arts.

Liza of course is already widely known, along with partner Ari Espay, for running Fancy Girl, Street Boy Productions which offers a series of terrific photo workshops all over the globe. (Another one coming up, close to home, where I team up again with Liza and Ari is in December. Christmas Lights in NYC!)

Back to the portrait shoot in the morgue. Caro was patient with me as I worked with Profoto A10 units and the very handy Pro Clic softboxes.

The demo got occasionally humorous.

Ellis always echoes in my head and my heart when I am able to return there. I made this picture yesterday. The doors are still there, and they are still open.

Thanks to all, especially the Save Ellis Foundation. Check out their website, it’s an excellent repository of history and information.

It was, as always, a wonderful day of discovery with cameras in hand.

More tk….

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Joe McNally Photography

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