Still Life Photography Tips And Techniques Part 5, The Still Life Photography Setup

Article by Dan Eitreim

Continuing with our series on still life photography tips and techniques today’s tip (Part 5) gets deeper into the still life photography setup. We’ll talk about composition, but first, a couple basic thoughts.

When you are creating a still life photography setup, there are a couple things to keep in mind – the first thing to consider is time.

When you are shooting landscapes, you have to worry about the fleeting light or the cloud zooming across the sky. You have to shoot fast.

When you are doing a portrait, if you take too long your subject will get up and walk away! I once read that the ability to keep producing a natural smile and looking fresh – for a long time – is one of the most valuable traits of a supermodel!

But, the still life photography setup is totally different and in a world of its own! Time is completely irrelevant (unless you are on assignment and have a deadline. In that case, you are too advanced for this article). You not only CAN take a long time, but you SHOULD!

The more time you spend with your still life setup, the better it will be and the more you will learn.

Second, you will need a good, sturdy tripod. Without one, your efforts are bound to be amateurish and unsatisfactory.

When you are composing your still life photography setup, consider all the various rules of composition. Actually step back and think about them!

I’m sure there is a natural born still life genius out there that can just “wing it” and get a good finished shot – but there aren’t many.

When building the composition, start with the main object and add additional ones – one at a time. Consider composition right from the start. Should your main object be in the center? Should it be on one of the power points in a rule of thirds composition? Should it be the base in a diagonal setup?

Don’t get locked in to any one preconceived idea. Try them ALL! (You have time!) You will be amazed at how rarely your first attempts will be the one you like best.

After each item is added, check it out through the viewfinder. Play with it, tweak and fiddle with it until you have tried everything and are convinced you’ve got the best placement.

Go for harmony and balance. Make the eye flow from one thing to another. Have a reason for each additional object. How can you direct the eye? Try using a dark object to anchor the setup and focus the viewer’s attention. Then find visual ways to lead the viewer’s eyes to the other areas. It’s fun!

Take today’s still life photography tips and techniques and get started building your first still life photography setup. Use a tripod; allow plenty of time and the compositional techniques you learn will soon start to show in your other photos!

About the Author

To learn more and enroll in a FREE “photo tips” course, go to: http://OnTargetPhotoTraining.com/PhotoTips

Bonus… You will also get YOUR free copy of “7 Secrets To Stunning Photos!” AND you’ll get a FREE daily photo tips newsletter! Check it out right now while you are thinking about it!

Dan Eitreim has been a professional photographer in Southern California for over 20 years – his data base exceeds 6000 past clients, and he says that learning photography is easy, if you know a few tried and true strategies.

Use and distribution of this article is subject to our Publisher Guidelines
whereby the original author’s information and copyright must be included.

To learn more and enroll in a FREE “photo tips” course, go to: http://OnTargetPhotoTraining.com/PhotoTips

Bonus… You will also get YOUR free copy of “7 Secrets To Stunning Photos!” AND you’ll get a FREE daily photo tips newsletter! Check it out right now while you are thinking about it!

Dan Eitreim has been a professional photographer in Southern California for over 20 years – his data base exceeds 6000 past clients, and he says that learning photography is easy, if you know a few tried and true strategies.
Use and distribution of this article is subject to our Publisher Guidelines
whereby the original author’s information and copyright must be included.

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