Red Giant Releases Plural Eyes 4.1 with New Music Video Workflow

Red Giant Plural Eyes is my personal favorite piece of software for syncing audio because it’s so accurate and much faster than anything in Premiere or Final Cut. Red Giant has released version 4.1 that comes with specific workflow for those of you who work specifically with music videos. It syncs all audio and video to one track, and arranges and stacks takes for an edit.

A popular way to shoot music videos is to have talent performing along with the same background audio (music track) in multiple takes or even in multiple locations. During the A/V sync, PluralEyes can automatically consolidate takes on their own track, muting all audio but the master track.

Below is the full list of new features in PluralEyes 4.1:

  • EDIUS Pro support. Start a project in PluralEyes 4.1 and export the synced project as an FCP 7 XML file into EDIUS Pro 7.5 and 8.
  • A new music video workflow. Music videos are often shot with the track playing in the background, over multiple takes and in multiple locations. Now, this tricky sync is no longer a challenge; PluralEyes 4.1 automatically consolidates all takes onto their own track, muting all background audio but the master track.
  • Support for GoPro spanning media. To support longer recording times, some cameras record on multiple files or even multiple camera cards. PluralEyes detects and consolidates spanned clips into one. New to version 4.1 is spanning support for GoPro cameras.
  • Delete multiple clips together. Cleaning up a synced project now takes almost no time at all, with the ability to select multiple clips and delete them all at once before exporting the project to an NLE.
  • The ability to turn off drift-correction. Users now have the option to turn off drift-correction when the audio drift in a project would be considered minimal, ideal for larger projects when this feature could cause a longer sync time.

And a few bug fixes:

  • Addressed connectivity issues with the PluralEyes panel for Adobe Premiere Pro
  • Resolved hangs when using PluralEyes panel for Adobe Premiere Pro during the “Sending media to PluralEyes” step

 

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Catherine Bach Portrait Session Paper Framed Print 1 5/8″ Natural Espresso Wood Grain 26×30 Photo On

Catherine Bach Portrait Session Paper Framed Print 1 5/8″ Natural Espresso Wood Grain 26×30 Photo On


Catherine Bach Portrait Session” is an art print by Harry Langdon from the Archive Photos collection. Get photo prints of “Catherine Bach Portrait Session” in a variety of frames, styles, and materials. Photographer Bio As a young kid Harry would visit his father, silent screen star Harry Langdon Senior, on the sound stages – watching intently as the crew built sets and prepared the cameras. Theatre and movies were in his blood, so his over 40-year (and counting) career as a highly sought-after portrait photographer to the stars comes as no surprise. But it’s his unique ability to keep his work fresh year after year that keeps him among the top commercial and glamour photographers in the world.

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Nikon 105mm f/1.4E ED Announcement

Nikon has been on the roll in the past few years, releasing one amazing lens after another. We have seen a refresh of the f/1.8 prime lens line with some amazing optics, but those craving for more have been patiently waiting for a modern replacement of such lenses as the Nikon 105mm f/2 DC and Nikon 135mm f/2 DC, absolutely amazing and beautiful lenses in every way, capable of rendering stunning bokeh for portraiture. Well, the waiting for the first lens replacement is finally over, because today Nikon gave us something truly groundbreaking – the Nikon AF-S NIKKOR 105mm f/1.4E ED. While the de-focus control feature on the previous 105mm f/2 lens allowed one to modify the bokeh rendering of the lens, it would end up changing the field of view and it was a bit hard to get used to utilizing that feature effectively for many photographers. Plus, the maximum aperture of f/2 put it in competition with the superb Nikon 85mm f/1.4G (review soon to be updated), as the latter is a faster lens and has superb rendering capabilities wide open. For these and other reasons, many photographers having been choosing the 85mm f/1.4G over the 105mm f/2 DC for portraiture, while the 135mm f/2 DC remained untouched. Now that the 105mm f/1.4E is out, let’s talk about what is so amazing about this gem and why we can mark today as an important milestone in the history of lens making.

Nikon 105mm f/1.4E ED

First of all, the Nikon 105mm f/1.4E ED is world’s first 105mm lens with such a wide aperture of f/1.4. We have seen a number of f/1.4 telephoto lenses, but typically very few above 100mm focal length. It is technically challenging to optically design f/1.4 telephoto lenses without making lenses outrageously big and expensive. And yet Nikon engineers somehow found a way to make it happen – at 94.5mm x 106mm size and 985 grams of total weight, it is surely quite a bit heavier and a bit bulkier than the 105mm DC, but not by an unacceptable and impractical margin. It will be perfectly hand-holdable to take those yummy portraits! From the technical standpoint, this lens is beefed up with all the latest and greatest Nikon has to offer. Finally, we are now getting Nikon to make lenses with electronic diaphragms – the “E” letter designation after f/1.4 means that the lens will no longer use the mechanical lever on the back of the lens to set the lens aperture, but instead will be driven by the internal aperture adjustment mechanism. This is great news, because it means that you can expect the lens to yield consistent brightness when taking pictures stopped down, as there won’t be any room for error, even when shooting in fast continuous bursts. Like all other modern Nikkor lenses, the 105mm f/1.4E ED comes with Nano Crystal Coating to reduce ghosting and flare and yield those beautiful colors. The front lens is protected with fluorine coating to resist dust and water particles, making the lens easy to clean.

The Nikon 105mm f/1.4E ED has a total of 3 Extra-low Dispersion (ED) lens elements to correct lens aberrations, which means that the lens should be very sharp at all apertures, even wide open. Take a look at the below MTF chart of the 105mm f/1.4E (left), compared to the MTF chart of the 105mm f/2 DC (right):

Nikon AF-S NIKKOR 105mm f/1.4E ED MTF Chart AF DC-NIKKOR 105mm f2D MTF Curve

Keep in mind that the MTF charts for the two lenses are for their wide open performance, so you are looking at the 105mm f/1.4E ED at f/1.4, versus 105mm f/2 DC at f/2. If you had a chance to read out article on reading MTF charts, you can probably tell how impressive the MTF chart on the 105mm f/1.4E ED looks. The lens has superb contrast – even better than on the 105mm f/2 DC, with superb center to mid-frame performance and slightly weaker performance towards the edges of the frame. Sharpness-wise, it has amazing resolving power wide open and only slightly worse performance in the extreme edges of the frame, which are not important for a portrait lens anyway.

What about comparing the 105mm f/1.4E optically to the legendary 85mm f/1.4G? Let’s take a look (Left: 105mm f/1.4E, Right: 85mm f/1.4G):

Nikon AF-S NIKKOR 105mm f/1.4E ED MTF Chart AF-S NIKKOR 85mm f/1.4G MTF chart

Personally, I have never met a person who was displeased with the sharpness of the Nikon 85mm f/1.4G, as it shines at every aperture. Even if it is a tiny bit softer wide open, the sharpness does not really matter, as the creamy bokeh it yields makes up for the difference. Still, you can see that the new 105mm f/1.4G will be better than the 85mm f/1.4G both in terms of contrast and sharpness, which is not something I expected to see. And considering how relatively close and similar in shape the straight and dotted lines are (sagittal vs meridional), we can expect absolutely amazing bokeh!

Speaking of bokeh, take a look at the below sample images provided by Nikon:

Nikon 105mm f/1.4E ED Lens Image Sample (1)

Nikon 105mm f/1.4E ED Lens Image Sample (2) Nikon 105mm f/1.4E ED Lens Image Sample (3) Nikon 105mm f/1.4E ED Lens Image Sample (4)

As you can see, the lens will be a visual stunner in every way. An instant classic, a dream of a lens. Despite its high price tag of $ 2199, I have already placed a pre-order for it, as it will be worth the investment. I sold off many of my Nikkor lenses that I have not been using, but the two lenses I will never sell are the 85mm f/1.4G and 85mm f/1.8G, as both are the workhorse lenses for both myself and my wife. John and I have been using these lenses for filming our video tutorials as well and they never disappoint – whether we film in low-light indoor or outdoor conditions. After I sold my 70-200mm f/2.8G VR II (it was way too heavy for me), which I absolutely loved for its amazing sharpness and versatility, I have been missing the longer focal lengths and the ability to further isolate subjects from the background.

The only downside is lack of image stabilization / VR. Considering that VR takes a bit more space within the lens and can potentially affect bokeh, I can see why Nikon decided to exclude it from the lens. However, it would have been nice to have a stabilized 105mm f/1.4! I still hope that Nikon will someday announce in-body image stabilization (IBIS) in its DSLRs…

Pre-Order Options

Despite its high cost, this lens will be in demand as soon as it becomes available. I know that most of my pro peers will be pre-ordering this lens, so I expect to see some wait time while Nikon tries to fulfill all the pre-orders. If you want yours as soon as possible, I would place a pre-order now. Better yet, if you are an NPS member, make sure to notify NPS as soon as you place your pre-order. Nikon has already sent out emails to NPS members, where they detail the process. First, you need to place a pre-order (hopefully using the below links to support us), then you submit the request to NPS via the link provided in the email. You can also sign in to NikonPro.com and submit the request from there.

Here are the pre-order options for our affiliate partners, B&H Photo Video, Adorama and Amazon:

  1. Pre-Order Nikon 105mm f/1.4E ED via B&H Photo Video for $ 2.199.95
  2. Pre-Order Nikon 105mm f/1.4E ED via Adorama for $ 2.199.95
  3. Pre-Order Nikon 105mm f/1.4E ED via Amazon for $ 2,199.95

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Man Fishing Off Montauk Point Canvas Gallery Wrap 20×25 Photo On

Man Fishing Off Montauk Point Canvas Gallery Wrap 20×25 Photo On


Man fishing off Montauk Point” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Man fishing off Montauk Point” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

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Janet Jackson Portrait Session Birchwood 24×24 Photo On

Janet Jackson Portrait Session Birchwood 24×24 Photo On


Janet Jackson Portrait Session” is an art print by Harry Langdon from the Archive Photos collection. Get photo prints of “Janet Jackson Portrait Session” in a variety of frames, styles, and materials. Photographer Bio As a young kid Harry would visit his father, silent screen star Harry Langdon Senior, on the sound stages – watching intently as the crew built sets and prepared the cameras. Theatre and movies were in his blood, so his over 40-year (and counting) career as a highly sought-after portrait photographer to the stars comes as no surprise. But it’s his unique ability to keep his work fresh year after year that keeps him among the top commercial and glamour photographers in the world.

Price: $
Sold by Photos.com by Getty Images

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