Norman Norell [misc.];mr. John [misc.] Canvas Floater Frame 3/4″ Matte Black 20×26 Photo On Canvas

Norman Norell [misc.];mr. John [misc.] Canvas Floater Frame 3/4″ Matte Black 20×26 Photo On Canvas


Norman Norell [Misc.];Mr. John [Misc.]” is an art print by Gjon Mili from The Life Picture Collection. Get photo prints of “Norman Norell [Misc.];Mr. John [Misc.]” in a variety of frames, styles, and materials. Photographer Bio Emigrating to the United States from Albania in 1923, Gjon Mili is regarded as the first photographer to use electronic flash and stroboscopic light to create photographs outside of a scientific context. A true pioneer of the artform, Mili’s photographs of dancers, athletes, and pictures or performances have shaped our understanding of how movement too rapid or too complex for the eye to discern is captured in the still image. Mili’s career as a photographer for Life Magazine spanned four decades and saw the publication of thousands of his photographs, taking him around the world; from collaborations with Pablo Picasso, to the incarceration of Adolph Eichmann, to original photos from Broadway plays. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
Sold by Photos.com by Getty Images

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43 important tips for new photographers

*image by Jamie Rubeis

The Click Pros in our community are wildly talented with varied experience.

Some are in business while others are hobbyists. Some photograph families, others shoot weddings and some document their everyday life or beautiful nature they come across. Even when it comes to editing, their tastes and software vary.

Within this group of hundreds with varied experience there comes loads of knowledge. Knowledge they are happy to share with others, especially those new to the wonderful world of photography. We asked them just one question and boy did they deliver! That question was…

What advice would you give to new photographers?

Alessandra Manzotti:
“Practice makes better….”…I mean “GOOD” practice makes better!!! So learn your camera and do not rush. There is nothing worse than practicing the wrong things for hours at end!!!..and most of all HAVE FUN!!

Katherine Durham:
Your journey is not a race. Stop comparing your journey to others and continue at your own pace, as comparing will only trip you up.

Amy Lucy Lockheart:
Celebrate the small and simple successes along the way. Learning photography and building a business is a marathon, not a sprint.

Kate Luber:
My #1 piece of advice is always to seek out helpful critique. It can be scary and it can even sting sometime, but you cannot grow if you don’t know what you’re doing wrong. Put yourself out there and ask for critique and then apply the advice you get on future shoots. Over time, you’ll gather bits and pieces of great advice to help you on your journey. I also think new photographers only want to hear from experienced photographers when they look for critique, and that’s a mistake. Newer photographers as well as people with no photography experience can offer you a “real world” view and insight into how your photos are received by an audience. When I can’t decide between two photos when culling, I often ask my husband which he prefers; he can give me the perspective of someone similar to a client and that feedback is just as important as technical feedback from the most seasoned professional.

Gina Yeo:
My piece of advice would be to take it slow! Break off learning in to small easy to manage pieces. Learn about the technical side of photography bit by bit. Once you are comfortable in one area move onto learning something new. There will always be something to learn and someway in which to grow and develop your skills. Enjoy the journey of learning.

Jenna Stoller:
Notice the world around you. When you are going out and about in the evening and something looks pretty to your eyes, try and notice what direction the sun is coming from. Or when you are perusing your favorite blogs look at a great image and see judging by the shadows, figure out where the light is coming from. There are a lot of elements that make up a great picture, and lighting is a biggie!

Katie Woodard:
I took a business class here on CM at it was the best thing for me. Because of that class, I and other people have respected my business. And try everything that sparks your interest! The more types of photography you try, the more likely you will find what you love and be able to hone in your style and passion for certain types photography. I also really believe in 365 projects to help with that last piece of advice. Shooting everyday will not only help you practice, but also help you try a lot of things, since you are shooting everyday!

Lisa Tichané:
Learn your camera inside and out. Practice practice practice. When the technical side if photography becomes a second nature, your creativity is free to fly high!!!

Christal Houghtelling:
Find a mentor. They can see things that you don’t notice. As artists sometimes we become so attached to our work that we miss seeing things. Once they are pointed out they are obvious.

photo of a couple sitting by the water by Rachel Nielsen

image by Rachel Nielsen

Kendar Swalls:
My top piece of advice would be to practice practice practice. Shoot anything and everything you can. Ask lots of questions and ask for feedback on what you are shooting. While workshops and tutorials are great, there is no better teacher than experience!

Eileen Critchley:
Learn to shoot in manual mode. Practice every day until you can do it in your sleep. Learn to use your camera to its capacity before upgrading, as the camera does not make the photographer. Learn to use an editing program. Learn the basics first, and then move on to the next thing. Realize there will always be a next thing; that photography and art requires continual learning and practicing. Understand that there will be steps forward and steps back, but that you will see growth and it will be so rewarding when you do.

Renata Plaice:
Leave learning editing skills until later, much later. Instead of wasting hours trying to fix problems in Photoshop, spend that time shooting and practising technical aspects, learning about composition and observing light. Once you have a collection of good photos, editing to enhance them will be quick and enjoyable.

Desiree Hayes:
Technicality is not everything. Learn it just to learn it but you don’t always have to follow the rules.

Jenny Swanson:
Just breath. Slow down and breath. There’s so many things to learn and know in photography and it can be very overwhelming, particularly when you’re just starting out. Pick one or two things at a time to build your skills in and then step back and look at all the progress you’ve made!

Melanie:
Engage in positive self talk. Learning photography can be overwhelming. There is so much to learn about your camera and it’s functioning, composition and art, and editing. It is easy to think you aren’t smart enough, aren’t talented enough, don’t have what it takes to see like a photographer. Don’t fall for this. Continually tell yourself, verbally if necessary, “I can do this. I am capable of learning this. Many others have learned it, and I am equally capable. If I break it down into small chunks, I can tackle them one by one and do this. I can learn at my own pace, but I will get to the point where the vision I see in my mind matures and matches what I am able to create.”

Robin Long:
Don’t compare yourself to everyone else. Your style will define itself if you stay true to yourself and shoot what you love.

Amber Scruggs:
Don’t start a business unless you like running a business. If you aren’t going to charge real prices and treat it like a business, keep it as a hobby.

Ebony Logins:
My advice is to be yourself. Don’t worry about being as good as those around you! Be the photographer you want to be in that moment. It’s so easy to get caught up in comparisons, but the only photographer you should compare yourself with is your past self.

freelensed picture of a dog by Jessica Nelson

image by Jessica Nelson

Erin Wagnild:
It’s not the camera. It’s not the lenses. Or the post-processing, the poses, or the props. While all of those things might contribute to your vision, what makes a great photograph is YOU. Your knowledge, your heart, your skills. Learn about your camera, shoot in manual, and learn how to see and harness the available light (or make your own). This will get you closer to your vision than any new camera body ever would.

Lacey Meyers:
Study, practice, study some more, and practice what you’ve studied … and the best subjects to practice on, don’t ALWAYS have to be your kids …

Lisa Weingardt:
Get to really know your camera and the equipment that you already own inside and out by shooting regularly whether that be daily or as part of a project. Joining a project helps you put your work out there among your peers and really helps you see the growth and your voice emerge. Don’t compare yourself to others, it is so hard to do when we are surrounded my so many amazing artists and can’t help but wonder what camera, lens, or secrets they have. They too began somewhere and everyone’s journey is much different, you want your art to reflect you and not mirror those around you. And, most importantly be patient with yourself and be willing to listen to critique from photographers who’s opinion you value whether they be a pro or not!

Allison Gipson:
Turn off the outside noise. Find your voice. What kind of photographer do YOU want to be? Not what your clients want, what others want or what you might think others want, but what do YOU want? Once you figure that out…don’t stop at anything to be exactly who you want. Don’t remain stagnant. Keep learning, striving and growing. Oh. And shoot daily. Not kidding, pick up that camera every single day. You won’t regret it.

Faye Sevel:
My piece of advice that I have actually given to new photographers is to invest in education and critque. I cannot stress it enough… be open to learning, always. Seek out other photographers who will give you honest, objective critique. Put away the tendency to be defensive and open yourself up to learning from others who really want to see you succeed. Because, truthfully, even when you feel like you’ve learned all there is to know, there is a mountain of more things to learn just around the corner!

Amy McMaster:
Embrace the grain. Don’t be afraid to push your ISO to get that sweet shot. Better to have some grit, than to have out of focus images. Better to have some grain, then have nothing at all.

Sarah Wilkerson:
Don’t let anyone tell you that you can’t be a “real” photographer until you go into business; artistic vision and technical mastery, not a business license, make someone a great photographer.

Clickin Moms photography forum

Bonnie Cornelius:
Invest in yourself before investing in equipment or other things that you think will make your work better. Invest in workshops, classes, breakouts before investing in lenses, actions/presets, props, etc. Give yourself lots of time to practice and learn. Become involved in the forum and make friends to learn and grow with!

Andrea Murphy
My advice to new photographers would be to not buy every great new camera that comes on the market! Invest in good glass that will last you for years!

Kathy Roberts:
Slow down….way down. The excitement of beginning photography may have you wanting to do it all. You are probably scouring social media and websites of experienced photographers and yearn to shoot images like what you see on their pages. You’ll get there! But first be patient and kind with yourself because everyone of those photographers started at the beginning too. So slowly work your way through the technical, practicing every chance you get, letting the basics sink in first. Enjoy the learning process. Patience will never look so good!

Helen Whittle:
My advice would be to pick up your camera everyday. Doing a 365 was a game changer for me. It made me really think about what it was i wanted to shoot, as well as how to shoot it and how not to shoot it. Also, never think you have learnt everything you can learn. Just as you arrive at a place where you love what you take and you are consistent, it is easy to sit back and I would say keep challenging yourself because there is always more to learn.

Amy Ames:
Read your manual.

Kasey McCoy:
Always stay true to yourself and your vision. If you are in a setting and your heart is telling you it’s the perfect opportunity or moment to take the photo but your head is telling you no because (insert reason here), listen to your heart and take the photo. Over time you will begin to grow and your hearts vision will expand. Keep listening. It won’t let you down!

Lindsey Mix:
Find yourself a small group to interact with regularly. For me, that came via two different facebook groups.This will help you share your experience, ask questions, and share your work in a safe environment where you grow to nurture and love each other’s work on a much more personal level. The comradery offered is often different and more reassuring that that which we receive in our personal lives. For me, my friends didn’t always understand how much work I was putting into photography and didn’t really get the frustrations or victories that came along with it. Finding a group of people I can now call my friends is the best thing I did for myself – that and taking classes!

Erica Williams:
My advice is don’t go into business before you are ready. Take it slow and make sure that you have a plan, set goals and have everything together before you start charging for a session. Practice on friends and family before you take on any clients to build a good portfolio.

Carrie Small:
Find your style and stay true. Don’t edit a session with 15 different styles. Be different to set yourself apart.

Sonia Bourdon:
If you are hoping to earn money from photograhy one day, my advice to you is start to learn the business side of things right away! Even if you are the best photographer out there, if you don’t know how to brand and market yourself, how to put a price on your services, it will be much more difficult for you to make a living out of this Art. Photography is really competitive and talent won’t just cut it. Educating yourself about business is the best gift you can give yourself if you want to make a living in the photography Business one day.

photo of boy dressed warm standing on sand by Megan Loeks

image by Meg Loeks

Elise Cellucci:
My advice would be to not worry about what others think about your work. In the beginning we are learning so much that it is overwhelming and you will constantly comparing your work to others. You will learn how to shot in manual, compose and edit a picture, and eventually find your style. It takes time, practice, and patience, but you will get there.

April Nienhuis:
Respect your fellow photographers. Don’t steal, don’t copy, and don’t trash talk. There’s plenty of room for everyone.

Kim Hildebrand:
I don’t think this has been said yet, but one thing that helped me was looking at photos I admired and first, figuring out what I was drawn to in the photo and why, then second, trying to figure out how the photographer got the shot by breaking down the photo. Ask questions like, “Where is the light coming from?” “What did they expose for?” “What is the subject composition and why?” “Did they use a wide-angle or telephoto lens?” “What about it catches your attention? (the light, the connection, the perspective, something else?)” Dissecting photos you are drawn to helps you figure out what you love, where you want to go with your work, and how to start accomplishing that.

Danielle Awwad:
Turn your camera to manual and at that moment begin a 365 project. Every few weeks then look back at your work from when you started to see your growth. Many times you might feel you are not growing and evolving but you truly are.

Marcie Reif:
My advice would be to get a mentor. No matter where you are in the game. Find someone who is an expert in the genre of photography that you are most interested in and learn everything you can from that person. The return on this investment is truly priceless.

Anita Perminova:
The first step towards taking good photos is understanding what your camera does. I encourage you to read your camera manual and study what your camera can and can not do. Get a solid understanding about exposure, white balance, lighting and editing programs. I would not suggest to invest a lot of money in presets and actions in the beginning of your journey. Presets are great timesaving tools, but you need to have a better understanding of what those presets do to your images if you want to enhance them. By educating yourself in all aspects of photography you will have more control over your images.

Nicole Sanchez:
Don’t obsess over getting the perfect shot. Just shoot. And keep shooting. Move around. Keep trying different angles and settings until you learn what works and what YOU like. Some days you may not like any of your images and others you may love so many it’s hard to choose a favorite. The only way to get better and to develop your eye and style is to keep shooting. A LOT!

Carri Peterson:
Take it slowly. Learn your camera inside and out. Make it an extension of you and what you see. Seek to make your audience see the beauty in what you are photographing. If you follow your heart, YOU will shine through.

What advice would you give to new photographers? We asked the Click Pros and they spilled their amazing knowledge!

The post 43 important tips for new photographers appeared first on Clickin Moms.


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Housewife Hanging Laundry Outdoors Durin Paper Framed Print 1 5/8″ Matte Black 30×35 Photo On Paper

Housewife Hanging Laundry Outdoors Durin Paper Framed Print 1 5/8″ Matte Black 30×35 Photo On Paper


Housewife hanging laundry outdoors durin” is an art print by Alfred Eisenstaedt from The Life Picture Collection. Get photo prints of “Housewife hanging laundry outdoors durin” in a variety of frames, styles, and materials. Photographer Bio Alfred Eisenstaedt (1898-1995), or Eisie to those who knew him, received his first camera as a gift from his uncle at 14, a few years after moving to Berlin from Poland with his family. At 17, he was drafted to the German army. His interest in photography blossomed while recovering from a shrapnel wound. He became a regular at museums, studying light and composition. By 31, he was a full-time photographer. In 1933 he was sent to Italy where he shot the first meeting between Hitler and Mussolini. Two years later, when Hitler came to power, Eisie immigrated to America. Soon after arriving in New York, he was hired along with three other photographers-Margaret Bourke-White, Thomas McAvoy and Peter Stackpole-by Time Inc. founder Henry Luce for a secret start-up venture known as “Project X.” Six months later, Life magazine premiered on November 23, 1936. The first issue sold for 10 cents and featured five pages of Eisie’s pictures. His most famous photo was the kiss in Times Square on V-J day, about which he said, “I was running along the street grabbing any and every girl in sight. Whether she was a grandmother, stout, thin, old, didn’t make any difference. None of the pictures that were possible pleased me. Then, suddenly in a flash I saw something white being grabbed. I turned and clicked the moment the sailor kissed the nurse.” Over his career, Eisie shot a total of nearly 100 covers for Life magazine and some 10,000 prints. The Life Picture Collection From one of the most iconic magazines ever to hit the shelves comes The Life Collection – an archive of some of the most recognizable imagery of the 20th Century. Documenting events in politics, culture, celebrity, the arts and the American experience, these compelling and provocative photographs include the works of some of the greatest photographers capturing some of the greatest moments in history.

Price: $
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Nikon 24-70mm f/2.8E VR Review

It took Nikon nine years to finally release an update to its popular workhorse standard zoom lens in the form of the Nikon 24-70mm f/2.8E ED VR, which gained a few new features compared to its predecessor, including the much desired image stabilization. Nikon engineers have always put extra effort and emphasis on updated professional-grade lens designs, typically delivering outstanding performance. However, the release of the Nikon 24-70mm f/2.8E ED VR lens has been one of the most controversial in Nikon’s recent history, thanks to the negative attention it received from the photography community. Many reviewers criticized the lens heavily for its performance, claiming it to be a soft lens when compared to its predecessor, the Nikon 24-70mm f/2.8G. And some even put it as the winner in the “worst lens release of 2015” category. Did Nikon engineers really screw up in updating one of the most popular pro-grade lenses? That’s exactly what I wanted to find out when I started reviewing the 24-70mm f/2.8E VR lens.

Nikon 24-70mm f/2.8E ED VR

Before I talk about the optical properties of the lens, let’s take a quick look at what the Nikon 24-70mm f/2.8E VR is all about.

1) Lens Overview

A 24-70mm f/2.8 zoom lens is considered to be a workhorse lens for many professional photographers, since it can be used for many different kinds of photography needs – from wide-angle landscapes and panoramas, to portraits and events. Thanks to its constant aperture of f/2.8, fast autofocus motor and state of the art optics, the Nikon 24-70mm f/2.8E VR is not only designed to focus quickly and accurately in low-light environments, but also made to yield exceptional sharpness, color and microcontrast in images. With a complex optical design involving a total of 20 elements in 16 groups, the optical design of the Nikon 24-70mm f/2.8E VR is quite a bit more complicated compared to its predecessor (which only has a total of 15 elements in 11 groups). One of the biggest changes in the optical formula is the introduction of Nikon’s first ever Aspherical ED (Extra-low Dispersion) lens element, which according to Nikon, is supposed to deliver highest optical precision and performance.

Nikon 24-70mm f2.8E VR Image Sample (32)

NIKON D810 + 24-70mm f/2.8 @ 40mm, ISO 64, 13/10, f/8.0

The “E” designation on the Nikon 24-70mm f/2.8E VR indicates electromagnetic diaphragm mechanism, which not only eliminates the aperture lever on the back of the lens, but also provides very precise control of the lens diaphragm. Nikon started switching its modern lens designs on pro-level and enthusiast-level lenses to electromagnetic diaphragm, so it was expected that Nikon would add it to the 24-70mm update. Similarly, Nikon added the latest coating technologies on the lens, including Nano and fluorine coating (both on the front and the rear elements) to repel and easily remove potential dirt and moisture.

In addition, Nikon added Vibration Reduction (VR) image stabilization technology to the lens, allowing for up to four stops of compensation when shooting hand-held. This was a big change to the lens and something many photographers, including myself, were waiting for, as image stabilization can be very useful when shooting in low-light conditions. The introduction of image stabilization, along with the above-mentioned optical changes obviously resulted in a noticeably larger and heavier lens. Compared to its predecessor, the Nikon 24-70mm f/2.8E VR grew from 83 x 133mm to 88 x 155mm in barrel size and gained a total of 170 grams. The lens filter thread also grew from 77mm to 82mm.

All of the above, combined with a high-quality build and full weather sealing came at a pretty large price increase – Nikon set the MSRP of the lens $ 500 higher than its predecessor’s initial MSRP, to a whopping $ 2,399.95.

Nikon 24-70mm f2.8E VR Image Sample (26)

NIKON D810 + 24-70mm f/2.8 @ 50mm, ISO 64, 1/2, f/16.0

2) Summary of Optical Performance

Before putting the lens through its paces in my lab environment, I decided to take a photography tour with the lens and see how it would perform in real life in the field. To my surprise, I did not see any optical problems with the lens – it performed admirably, showing amazing sharpness, colors and micro-contrast, something we are used to seeing from such high-end lenses. Based on my field observations I wrote my first impressions, praising the lens for its overall performance and versatility. And yet after I got home and tested the lens, I could not believe what I was seeing – the Nikon 24-70mm f/2.8E VR just could not resolve all the fine detail that was present when shooting in the field.

At first, I was a bit confused by this phenomenon, thinking that perhaps I somehow managed to damage my lens sample (although I never dropped and bumped the lens anywhere). So I requested a few more copies of the lens to see how they would do. Over a period of the next 6-9 months, I tested three more lens samples, all of which showed very similar results – the lens would do quite well in the field, but when shooting test targets at close distances, it showed pretty average, sometimes even abysmal results, particularly in the center of the frame. It became clear that Nikon certainly changed something in the lens and it turned out that it was done for a good reason. Basically, Nikon decided to address the weak corners (the biggest shortcoming of its predecessor) by changing the balance of sharpness across the frame. Instead of concentrating all the resolving power to the center of the lens as it was done on the 24-70mm f/2.8G, the new optical design was aimed at distributing that sharpness all the way to the extreme edges. This came with its own set of problems, as the center of the frame was no longer as stellar as it used to be. In addition, the balance of sharpness was also pushed towards infinity, giving less priority to subjects at very close distances – which is probably why many early reviews indicated poor sharpness numbers. You can see this clearly in the Optical Features page of this review, where I show numbers measured by Imatest, along with 100% crops from extreme corners, all shot at infinity focus.

Nikon 24-70mm f2.8E VR Image Sample (1)

NIKON D810 + 24-70mm f/2.8 @ 58mm, ISO 64, 16/10, f/16.0

What does this all mean? With the updated optical design and optimizations, Nikon essentially made the new 24-70mm f/2.8E VR a much more balanced lens in terms of sharpness. This can certainly upset some portrait photographers who are used to seeing maximum sharpness in the eyes of their subjects when shooting at close distances with a high-resolution camera, but at the same time, the even spread of sharpness certainly does make many landscape and architectural photographers happy, as we no longer have to worry about soft corners in our images.

The above is a short explanation of the reasons behind the aforementioned controversy surrounding the new Nikon 24-70mm f/2.8E VR. Let’s take a look at the lens in more detail and see what else has changed.

3) Lens Specifications

Main Features:

  • Fast f/2.8 constant aperture with an electromagnetic diaphragm
  • Sensational image quality and sharpness with virtually no distortion
  • 4 stops of Vibration Reduction for handheld and low-light shooting
  • Nonstick glass makes it easier to wipe off water, dirt and smudges
  • Evolution of Nikon’s legendary 24-70mm workhorse

Technical Specifications:

  1. Mount Type: Nikon F-Bayonet
  2. Focal Length Range: 24-70mm
  3. Zoom Ratio: 2.9x
  4. Maximum Aperture: 2.8
  5. Minimum Aperture: 22
  6. Maximum Angle of View (DX-format): 61°
  7. Minimum Angle of View (DX-format): 22° 50′
  8. Maximum Angle of View (FX-format): 84°
  9. Minimum Angle of View (FX-format): 34° 20′
  10. Maximum Reproduction Ratio: 0.27x
  11. Lens (Elements): 20
  12. Lens (Groups): 16
  13. High Refractive Index Elements: 1
  14. Compatible Format(s): FX, DX, FX in DX Crop Mode, 35mm Film
  15. VR (Vibration Reduction) Image Stabilization: Yes
  16. Diaphragm Blades: 9
  17. Distance Information: Yes
  18. Nano Crystal Coat: Yes
  19. ED Glass (Elements): 2
  20. Fluorine Coat: Yes
  21. Aspherical (Elements): 3
  22. Super Integrated Coating: Yes
  23. Autofocus: Yes
  24. AF-S (Silent Wave Motor): Yes
  25. Internal Focusing: Yes
  26. Minimum Focus Distance: 1.2ft.(0.38m)
  27. Focus Mode: Manual, Manual/Auto
  28. E-type: Yes
  29. Filter Size: 82mm
  30. Accepts Filter Type: Screw-on
  31. Dimensions (Approx.): 3.4×6.0 in (Diameter x Length), 88.0×154.5mm (Diameter x Length)
  32. Weight (Approx.): 38.4 oz. (1070g)
  33. Supplied Accessories: LC-82 82m snap-on front lens cap, LF-4 rear lens cap, HB-74 Bayonet Hood, CL-M3 Semi-soft Case

Detailed specifications for the lens, along with MTF charts and other useful data can be found on the Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR page of our lens database.

Nikon 24-70mm f2.8E VR Image Sample (16)

NIKON D810 + 24-70mm f/2.8 @ 29mm, ISO 100, 1/40, f/8.0

The post Nikon 24-70mm f/2.8E VR Review appeared first on Photography Life.

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Q-See 3MP Super HD IP Dome Camera with 80′ Night Vision

Q-See 3MP Super HD IP Dome Camera with 80′ Night Vision


3 Megapixel Dome Take a step beyond 1080p with the clear, sharp video of Q-See’s QTN8038D 3 megapixel camera. More pixels equals more details and that’s exactly what you get above and beyond the already high quality of the 2MP resolution of 1080p. Wide dynamic range, automatic gain control, 3D noise reduction and variable shutter speed all combine to ensure the best video image possible under a wide variety of conditions See More The 3.6mm lens and 1/3″ sensor combine to cover a field of view between 65 and 70 degrees. The 24 infrared LEDs come on at low light levels to let the camera see up to 80′ away even in absolute darkness. In addition to working day and night, these cameras continue operating in temperatures ranging from freezing to boiling. These cameras not only look good, but they’re smart as well. Use the QTN8038D with an NVR, or locate it in another building, city or state. As long as it has a connection to the Internet, you can access it with the same free QC View app on your tablet or smartphone. An audio port is included so that you can connect a microphone to record sound with your video as well. Peace of Mind – Anywhere, Anytime. Q-See surveillance systems are designed to meet your home and business needs with easy installation and operation, so you can monitor your premises right away. Peace of Mind – Anywhere, Anytime. .content style ul{margin-left:25px;margin-top:2px;margin-bottom:20px;} .content style ul li{margin-bottom:2px;} .content style p{margin:10px 0;} .content style h3{font-size:13px;}

Price: $
Sold by Sam’s Club

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