A journey of photography and friendship

In March 2013, a group of random strangers from around the globe started a workshop on Clickin Moms through Click Photo School.

We signed up to learn more about our cameras and photography in general. It was an amazing class, teaching the basic skills of manual mode, focus, aperture, shutter speed, ISO and more.

What we didn’t know was that we would become a close knit group of friends that still share so much together.

We bond over motherhood, relationships and everyday life. We’ve been there through personal ups and downs, and many photography related achievements and struggles.

Our passion for photography may have brought us together, but the support and friendship has made for an incredible network that I can only hope keeps us together as life long friends.

Over four years and it’s been fascinating to watch the skill and subjects of our photos grow. Children have aged, families have grown and our art continues to change. When you see photos almost daily from your friends, you certainly notice these things, but when you look back, it can be breathtaking to see how much we’ve evolved.

I don’t know where I’d be without these remarkable ladies, and I’m so thankful that we were able to come together in our first class on CM.

Photo by Amanda Morse (then)

Photo by Christie Goldstein in 2014

Photo by Colleen Patel in 2012

Photo by Dawn Dej in 2013

Photo by Amanda Morse (now)

Photo by Christie Goldstein in 2017

Photo by Colleen Patel in 2015

Photo by Dawn Dej in 2017

“I never expected to go into an online photography course and come out of it with so many true connections. It’s such a great supportive group of amazing women that I can depend on for so much more than just photography advice.” – Dawn Dej

Photo by Janet Holsinger in 2012

Photo by Katie Denne in 2013

Photo by Kaylie Drew in 2012

Photo by Janet Holsinger in 2016

Photo by Katie Denne in 2015

Photo by Kaylie Drew in 2016

“Who would have guessed that randomly signing up for an intro photography class would bring a group of ladies together and that we’d still be in contact with years later. We’ve grown in our photography together, peppered each other with questions of all kinds, and leaned on each other during some difficult times.

I’m convinced I wouldn’t be where I am at today in my photography if it hadn’t been for these ladies.” – Kaylie Drew

Photo by Kelly Smith in 2010

Photo by Kinsey Parham (then)

Photo by Lauren Henry (then)

Photo by Lauren Penland in 2011

Photo by Kelly Smith in 2015

Photo by Kinsey Parham (now)

Photo by Lauren Henry (now)

Photo by Lauren Penland in 2013

“This close group has inspired, motivated, and supported each other since day 1 and we still continue to do that even now. I love each and every member of this group.” – Lauren Penland

Photo by Liz Rodriguez in 2014

Photo by Liz Rodriguez in 2017

“I stumbled on Clickin Moms randomly as I searched the internet for online photography courses. What luck!

Of course CM has a great support forum, but what I didn’t know is that I would soon be a part of an intimate group of like-minded yet diverse women that years later, I still look to for support (sometimes non-photography related) and inspiration.

No matter what stage in photography (or life in general) we are at, we still have each other to this day.” – Liz Rdoriguez

Photo by Marybeth Del Rio in 2013

Photo by Natalie Reynolds in 2012

Photo by Marybeth Del Rio in 2017

Photo by Natalie Reynolds in 2017

“It’s been a true honor to be a part of this amazing group of women. We’ve gone through all of lifes ups and downs together: rejections, celebrations, family illness and huge successes.

Who knew stumbling upon that 101 class so long ago would have such an impact on my life? So thankful for every one of you.” – Natalie Reynolds

Photo by Nichole Kroening in 2011

Photo by Nichole Kroening

“This group has been such a great resource for photography and life advice. I’m so glad I joined the class and feel like I have gained lifelong frienships with fabulous women I hope to meet in person someday.” – Nichole Kroening

Photo by Paola Dias in 2011

Photo by Paola Dias in 2015

“This group has been a huge support on my journey.” – Paola Dias

Photo by Raegan Long in 2013

Photo by Raegan Long in 2017

Photo by Raegan Long in 2017

Photo by Rupa Sutton in 2012

Photo by Rupa Sutton in 2017

“The Inclickables and Clickin Moms played a large part in the growth of my photography as well as my confidence.

I will always be so grateful for the friendship, feedback and support we shared with one another in this amazing group of women and for the platform that brought us all together.” – Rupa Sutton

Photo by Sarah Campbell in 2013

Photo by Sarah Joos in 2013

Photo by Sarah Campbell in 2017

Photo by Sarah Joos in 2017

“It wasn’t the first time I started a course to learn a new skill. So I wasn’t expecting this one would be a life changer. Learning photography has brought me so many new opportunities, but more important it gave me a group of friends throughout the globe.

This group has helped my develop my skill and stick to it. They have been there sharing my joy and helping me through some of the toughest times. I’m really thankful these girls are a part of my life!” – Sarah Joos

Photo by Soraya Rudofsky in 2010

Photo by Soraya Rudofsky in 2017

Join the Clickin Moms photography forum

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6 Reasons I love taking photos of my kids in and around my car

If you’re anything like me, you’re in your car every day.

With school runs and trips to Target it’s very rare that I spend a whole day without driving somewhere. This alone makes my car a perfect photo location.

However, there are many other great reasons to take your camera along the next time you go for a drive.

1. Framing

Framing is a powerful compositional tool that helps draw the viewers’ attention to the subject of your photo.

Cars are jam-packed with framing opportunities. Open doors, windows or the space between the headrest and the seat all make perfect frames for your subject.

Being in my car for school runs and Target trips every day makes my car a perfect photo location. However, there are many other great reasons to take your camera along the next time you go for a drive.

Being in my car for school runs and Target trips every day makes my car a perfect photo location. However, there are many other great reasons to take your camera along the next time you go for a drive.

2. Textures

I love including textures in my images. Texture has the ability to make a two-dimensional image seem three-dimensional and allows the viewer to access their sense of touch when viewing your image.

Car windows are great for incorporating texture. My very favorite technique is shooting through the car window, from inside or outside, when it is covered in dew or raindrops.

Being in my car for school runs and Target trips every day makes my car a perfect photo location. However, there are many other great reasons to take your camera along the next time you go for a drive.

3. Reflections

Including reflections in your photography is a simple and effective tool to make your images stand out. The surface of a car, both the paint and glass, are reflective and provide countless opportunities to capture reflections.

Adjust your position when you are taking photos until you are able to see the reflection clearly. When editing I increase contrast and clarity on the reflection to make it stand out even more.

Being in my car for school runs and Target trips every day makes my car a perfect photo location. However, there are many other great reasons to take your camera along the next time you go for a drive.

4. Leading lines

Leading lines are a key element of design. Lines help draw the eye to an important location or subject in an image.

You can use your car as one long leading line. I like to sit my subjects down next to one wheel and shoot at an angle allowing the car to lead straight to them.

Being in my car for school runs and Target trips every day makes my car a perfect photo location. However, there are many other great reasons to take your camera along the next time you go for a drive.

5. Flare

Interesting light can really make or break an image. One of my favorite ways to play with light is to incorporate lens flare. This is accomplished when shooting into the sun and backlighting.

Flare, however, can often be too overpowering and make an image look too hazy for my taste. Fabulous results can be achieved by using parts of the car to block some of the light entering the camera.

Try changing your position as you shoot and see how the amount and type of flare changes as you do. Having a subject that is entertained really helps here as it gives you time to experiment with the light.

Related: 5 Easy backlighting tips

Being in my car for school runs and Target trips every day makes my car a perfect photo location. However, there are many other great reasons to take your camera along the next time you go for a drive.

6. Contained subjects

I have two young children and they like to move! Sometimes this makes it difficult to take their photo, especially a portrait with eye contact.

My favorite perk about the car is that my subjects are contained, literally strapped down in car seats, which gives me lots of time to take multiple shots without having to worry about them moving. I frequently place my kids, and sometimes the dog, in the back of our SUV to take their photo.

The car acts as a frame while also keeping the subjects in one position with their attention on me. This would be much more difficult if they were just standing out in the open.

I also like to sit my girls on the hood of our car, especially at golden hour when the hood reflects the beautiful sunset colors and clouds in the sky.

Being in my car for school runs and Target trips every day makes my car a perfect photo location. However, there are many other great reasons to take your camera along the next time you go for a drive.

Being in my car for school runs and Target trips every day makes my car a perfect photo location. However, there are many other great reasons to take your camera along the next time you go for a drive.

My vehicle has definitely become more than just a means of transportation! Some of my very favorite photos of my girls were taken in and around my car.

Now it’s your turn to go out and make the most of the photographic opportunities in your car and your daily lives!

The post 6 Reasons I love taking photos of my kids in and around my car appeared first on Clickin Moms.


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Why Capture One Cannot Replace Adobe Lightroom

Capture One Pro 11

Many photographers, including our team at PL, have been frustrated with Adobe’s latest move to discontinue the standalone version of Lightroom, something Adobe said it would not do in the past. As a result, a number of us (including myself) have been looking for alternative post-processing tools that can replace Lightroom completely. For the past few years, I have owned Phase One’s Capture One Pro software, which I found to be very capable when it comes to post-processing images. Some of Capture One Pro’s capabilities (such as color adjustments, adjustment layers, etc) are light years ahead of Lightroom, and performance-wise, Lightroom has only been getting worse year after year, with things like adjustment brush slowing down even some of the most powerful desktop computers, whereas you can stack layers and layers of adjustments on images in Capture One without slowing anything down. Because of this, I have been running Capture One for some time now, hoping that I can fully transition to it at some point in the future. However, the biggest reason why I have not been able to fully transition, is the lack of Fuji GFX 50S camera support, something I was hoping I would see in the new version of Capture One 11 that was just announced today. After looking at the release notes of Capture One Pro 11, I came to conclusion that Phase One has no plans to support the GFX 50S or any other medium format camera on the market to protect its own medium format system. For this reason alone, Capture One could never replace Lightroom as post-processing software for many photographers out there.

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Why I Prefer Being a Lazy Post-Processor than a Lazy Photographer

PL lazy 1

It doesn’t seem that long ago when I wrote my 100th article for Photography Life, and here we are today with article number 150. I must confess that I mulled over what topic that this ‘mini-milestone’ article should cover. My ‘little voice’ told me that it needed to have a philosophical orientation. So, this article shares some of my philosophic approach to photography, and answers the question why I prefer being a lazy post-processor than a lazy photographer. And, make no mistake, I am a lazy post-processor. 

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An Easy Way to Compose Landscape Photos at Night

Milky Way landscape photo

When you’re out taking nighttime landscape photos — Milky Way photography, or photos of the Aurora Borealis — one of the most difficult tasks is to compose your photos exactly how you want. The reason? It’s simply too dark to see anything. Looking through the viewfinder on a DSLR, it can be tough to make out any of the scene’s important features. Live view might be even worse, often showing absolutely no detail at all. The most common solution is to guess at your composition, wait 20 or 30 seconds for the exposure to finish, and adjust afterwards via trial and error. It’s a slow process — but there’s another method. This is one of the few times when the best option is to use your camera’s highest ISO.

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