Tokyo Field Notes: Zooming with a Fisheye?

Coming to Tokyo, I knew I’d be shooting DSLR (D6) and lots of long glass. There’s certainly a role for wide glass at the Olympics, but for action and reach, if you are not a pool shooter and on the field of play, it’s pretty much telephoto city. I brought wide lenses with me, and for weight purposes, they are my (relatively) newly acquired Z lenses, for the Z 6 and Z 7II cameras. All good. “Pool” photographers, by the way, generally work for the larger agencies and newspapers, such as Getty, AFP, AP, or the NY Times. They have priority, given the huge audiences they serve and reach.

Almost as an afterthought, I brought the DSLR 8-15 zoom, which is a lens that when announced, caused me to scratch my head as in “Why?” But I’ve come to love it, on a selective basis, and was happy to have it in Tokyo. I shot the banner pic of the opening ceremonies with it, as a remote camera, while I worked long glass for the actors and dancers on the ground. Tech notes on below…monopod, 200-400mm, f4, 1/100th of a second.

Photo of opening ceremony at Tokyo 2020 Olympic Games. ZUMA PRESS
Opening Ceremonies Tokyo 2020 – ZUMA PRESS

The 8-15 was handy for an establishing pic at the Velodrome.

Photo of the men's cycling track omnium race at the Izu Velodrome Tokyo 2020. ZUMA PRESS
Men’s Track Cycling Izu Velodrome Tokyo 2020 – ZUMA PRESS

And, at volleyball, typical me, I got caught short. Didn’t bring my Z cameras with me, only D6. Which left me one option for wide–the 8-15.

When the Swiss team won bronze, and the Americans, April Ross and Alex Klineman won gold, there was jubilation galore, and a typical photo gaggle around the winners. Somebody once said the best lens you can use is the one you got, so I plunged into the press melee locked into an atypical point of view.

Photo of April Ross and Alix Klineman from Team USA celebrating with the crowd after winning the gold medal match in women's beach volleyball Tokyo 2020. ZUMA PRESS
Team USA Women’s Beach Volleyball Gold Medal Winners Tokyo 2020 – ZUMA PRESS

When they turned around, I went tighter, which admittedly, ain’t all that tight.

Photo of April Ross and Alix Klineman from Team USA after winning the gold medal match in women's beach volleyball Tokyo 2020. ZUMA PRESS
Team USA’s April Ross & Alix Klineman Tokyo 2020 – ZUMA PRESS

Which actually worked out ok. When Team Switzerland (Joana Heidrich and Anouk Verge-Depre) finished their celebration and started to walk back onto the sand, all of the press backed up (it was mandated we stay distant from the athletes) and I found myself with very little backpedal room. I made myself as small as possible, and kept shooting, albeit with the camera down by my chest, not looking through the lens.

AFC to the rescue! All I did was shrink and turn and try not to fall.

Photo of Joana Heidrich from Team Switzerland after winning the bronze medal match in women's beach volleyball Tokyo 2020. ZUMA PRESS
Joana Heidrich from Team Switzerland Tokyo 2020 – ZUMA PRESS
Photo of Anouk Verge-Depre from Team Switzerland after winning the bronze medal match in women's beach volleyball Tokyo 2020. ZUMA PRESS
Anouk Verge-Depre from Team Switzerland Tokyo 2020 – ZUMA PRESS

Even though I looked like a creature out of Dune, I was not allowed to go on the sand. They estimate the temp out there was in the +110 degree range.

The cameras got hot to touch. Everything was blasted by the sun. Tip of the hat to the athletes who played magnificently through it all.

More tk….

The post Tokyo Field Notes: Zooming with a Fisheye? appeared first on Joe McNally Photography.

Joe McNally Photography

Posted in Photograpy How To | Tagged , , , , | Leave a comment

The Levels of Perception in Photography

If you close your eyes, point your camera in any direction, and take a picture, I’m willing the bet the photo won’t be a success. Unless you’re doing some artsy “blindfolded photography” project, it completely lacks intent or any engagement with the scene in front of you.
Photography Life

Posted in Photograpy How To | Tagged , , | Leave a comment

Current Nikon Z Cameras, Lenses, and Accessories Explained

This article is a bird’s eye view of all Nikon Z products available at the moment, including cameras, lenses, and official accessories. My hope is that photographers considering a Nikon Z camera will find this a helpful guide to figure out what equipment is out there.
Photography Life

Posted in Photograpy How To | Tagged , , , , , | Leave a comment

Tokyo Field Notes: Lens Reach!

The “normal” glass for an Olympics is in the 400-600mm range. Planning for athletics, I knew a few things going in. I’m not pool, so I wouldn’t have an FOP (field of play) position, eyeballing the athletes. I had duties such as high jump, and triple jump, staged far apart from each other. What to do? Travel light, no backpack, two D6 cameras, a wide angle lens in my pocket, and an 800mm on a monopod, carrying the 180-400. Cards were cleared and downloaded so no extras needed to be brought. Batteries full, so no spares required. Credential, phone, Lysol, Advil, spare mask.

The mix of glass enabled me to reach the two events. I got as low as I’m allowed in the grandstand near the women’s triple jump, but could still reach with the 800 across the field to grab the men’s high jump. Below,
Woo Sanghyeok of South Korea, almost, almost clearing the bar.

Thankful for that, as the expressively terrific Gianmarco Tamberi shared the gold with Mutaz Essa Barshim of Qatar and I could cover it from my position. The events (high jump, triple jump) are running simultaneously, so you have to do a pretty quick two-step with your cameras.

I would set down the 800, and hand hold the 180-400 (with a built in TC 1.4) to track the oncoming women for the triple jump, which is just a really cool sport to shoot.

Photo of Yulimar Rojas jumping for gold in the triple jump Tokyo 2020

Above is the amazing Yulimar Rojas, who took the gold. A rangy 6’3″ athlete, who took flight like a beautiful giant bird of prey. Wonderful to watch.

I’ve repeated the same strategy throughout covering athletics. Reach.

More tk….

The post Tokyo Field Notes: Lens Reach! appeared first on Joe McNally Photography.

Joe McNally Photography

Posted in Photograpy How To | Tagged , , , , | Leave a comment

My New Favorite Method for Capturing High Dynamic Range

A technique I recently learned allows you to capture lots of dynamic range in photography with better results and fewer downsides than traditional HDRs. I call it “AHDR” for “Averaged High Dynamic Range” photography.
Photography Life

Posted in Photograpy How To | Tagged , , , , , | Leave a comment