Spencer’s notes on AI, chatGPT, and the photography world resonate strongly with what I’ve personally been feeling for a long time. For years before the advent of AI in our industry, I was concerned with the “value” side of photographs. What is it that makes an image really worthwhile?
Photography Life
The Leica DG Summilux 12mm f/1.4 ASPH lens from Panasonic is a fast, high-performance prime lens built for the micro four thirds system. With the full frame equivalent focal length of 24mm and a wide maximum aperture of f/1.4, this lens is built to capture low-light scenes and, if you focus close enough, a shallow depth of field.
Photography Life
One of my favorite expressions is a “sea change” moment. Even Miriam Webster’s entry for sea change is highly evocative: “Archaic. A change brought about by the sea.” You can imagine a time in the past when the ocean represented the ultimate unknown. To watch the sea, of all things, change, would be grand and terrifying.
Photography Life
Being at the top of the food chain doesn’t mean you’ve got it all figured out. Sure, it’s nice to slither through the woods, swim in the water, or lurk in a burrow, knowing that nothing can eat you. But like everything else in this world, being a predator has its bugs. Literally.
Photography Life
The first serious lens that I ever bought as a photographer was one of Nikon’s 105mm macro lenses. It might as well have been glued to my camera. Landscapes, cityscapes, and of course macro photos – 105mm was my go-to focal length for everything. Even though I’ve moved on from those days, it’s safe to say that 105mm macro lenses remain close to my heart. That’s why I was so excited to review the Nikon Z MC 105mm f/2.8 VR S Macro, one of two macro lenses so far for the Nikon Z mirrorless system, and a beauty of a lens.
Photography Life