Head to Photography Concentrate for the full blog post Film Photography Crash Course – http://www.photographyconcentrate.com/2011/nov/08/film-photography-cra…
Head to Photography Concentrate for the full blog post Film Photography Crash Course – http://www.photographyconcentrate.com/2011/nov/08/film-photography-cra…
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My only qualms with this video, 35mm isn’t an intro to film… maybe if you
had just had that beat up SLR but when you bust out the 2400 dollar Zeiss
rig it becomes a moot point. An RB67 can be had for like 280 bucks and
while the size sucks (physically) the 67 neg is beautiful and cheaper to
buy and process.
Everyone needs to keep film alive. It’s the true photographic medium and I
believe that you can’t really be a serious photographer unless you own or
have at least owned and shot a film camera.
Forget digital, forget computers and forget post processing, learn
photography and do everything in camera. It’s much more enjoyable and far
more rewarding. I’d recommend a Nikon FM2n.
nice usefull info
If you use wide angle lenses often, the Voigtländer Bessa R4M may interest
you. The viewfinder is just about as good as it gets for wide angle
rangefinder work.
also any pro wants to develop film themselves.
Why should they? Should a carpenter go out in the wood and chop his timber?
Should he dehidrate it, cut it to planks, etc? No, that are different
professions. In fact a lot of professional photographers did not develop
their film and did not make their prints themselves. Btw, the tehnician
making your X-ray is also a pro. You don’t want he puts your medical
diagnosis too, do you?
Plenty of notable photographers have sent their work to professional,
veteran film processing labs with fantastic results. I’d rather have a
person with 35+ years of E6 development skill working with my film. The
same goes with B&W negatives: Often for the same price, you can request
exactly what you want at legitimate labs. Also, with digital files you can
establish your favorite professional printer’s color settings and ask than
they be honored during your order’s printing session
HAHAHAHAHA Leica perhaps the iconic name in 35mm photography, used globally
with a phenomenal reputation, but you say they’re garbage. HAHAHA
any pro photographer wants to see through the lens. rangefinders are
basically garbage.
Hey I say that you have the zeiss ikon zm now I like the rangefinder
cameras but the leica M7 is way to rich for my blood but an m6 with a
voigtlander may come in around the same as the price of a kit from zeiss ..
the thing that I have read is the zm has a better viewfinder and faster
loading but the leica has better build quality .. i dont know which one to
go for zm or m6
What rangefinder was is that?
Great video. I really enjoyed it. I’ve been using film again since around
2007. Please check out my blog filmexplosion.blogspot.com I would like you
to post some of your views about film photography. Thanks!
Great videos
So HCB was no pro? I think he got his income from photography, that would
make him a pro.
Go for the m6 if you can ….Leicas like a lifetime investments into quality
If youre just gonna scan the negatives, its really cheap, easy and pretty
quick to develop your own negatives.
Following your statement you control your own skill. If I can pay somebody
who has more elaborate skills than mine than I prefer to control his skills
for better final results. In fact lots of professional photographers act
exactly as this and exactly for this reason.
Film is great in the sense that it makes you slow down, think and compose
your shot to perfection before you take the picture. Rather than, with a
digital camera just snapping away and not really thinking. However, this
has it’s drawbacks. I often compose my shot before winding the film (to
prevent me from accidently clicking shutter and wasting film), and due to
this i often miss split second moments where there is a perfect shot.
Digital has an advantage in this aspect.It’s a matter of opinion
@MarkTupper1959- Sounds like you know everything..you funny kid..