Course link – http://www.photographycourses.biz/blocks To find the right camera settings you have to start thinking like a photographer. Every image and situ…
Course link – http://www.photographycourses.biz/blocks To find the right camera settings you have to start thinking like a photographer. Every image and situ…
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+Phil Booth Sorry i can’t reply direct to your comment. I think you need to
look at your Google + settings. The shutter speed thing is a rough rule of
thumb which will help prevent camera shake, it’s not hard and fast and will
vary from person to person so it applies generally whatever sensor. IS
generally lets you gain an extra stop slower – again it depends on how
steady your hand is. have a look at my sharp images videos at
http://www.photographycourses.biz/getting_sharp_images.html
Examples I think I would want but do not know what ranges to look for,
f/stop, ISO, shutter speed. Do all dslr’s have bulb mode, can attach things
like intervelometers and remote shutters (or is that sorta the same thing?)
wow, you alway go very small on the aperture side.
Shouldn’t the hyperfocal lenght take care of it?
Mr Browne,
Thank you for posting your videos, they are very informative and helpful! I
do have a question about strobes and off-sync lighting techniques. I ams
self teaching myself on how to properly use external light set ups ( two
point lighting etc..) and looking forward to doing portrait photography as
another skill. I work primarily on manual all the time. I wanted to know,
what would be a general rule of thumb of setting up my camera a long with
triggering external flashes? Typically, I would shoot w/ 135mm Lens @ f8 or
22 to really achieve that high sharpness. Yet, I still struggle with
syncing it with the appropriate flash fills. I’m not sure if measuring the
intensity of the light properly and wanted to find out if you could explain
these techniques. THANK YOU!
I am interested in purchasing my first digital camera, I cant decide
between the Sony A7 and the A7R, from everything I saw on youtube I am
inclined towards the A7, but my concern is the low pass filter, I don’t
understand it, will it make my photographs not as sharp? Thank you.
Hey Mike, have you thought about collaborating with other youtube
photographers? Gavin Hoey and you would be awesome together. Have you ever
met him?
I always enjoy your videos. You are just so sincere. Just today, I wrote a
“how to”-article for photographing children – along the same theme – camera
settings and approaches.
Hi Mike, just wanted to take the time to thank you for the time and effort
to help others such as my self take a step back to think what to do to
achieve what we want to frame. The advice, tips and the the way you make us
feel involved is really good! So thank you
useful tips as always Mike
thank you Mr mike for the great videos
Thanks +Mike Browne, if taking a portrait from side-on is it best to focus
on the closest eye to the camera or the one thats further away?
Yet another excellent video Mike, well done. I’m planning on buying ”7
building blocks of photography” this summer, just in time with purchasing
my very first DSLR. By the way, is this also available as a physical DVD or
is it only a digital download?
Mike Browne ! I watch SO many different photographers explaining how to
improve your skills, but NOBODY is even close to be as intertaining and
logically educational as you do it. Thank you VERY much!!!
Hi Mike, i bought my first DSLR a couple of months ago and your videos have
been extremely usefull! Greetings from Argentina
Great video Mike. All your videos are a lot of help to me. Was that first
version 70-200 you used
Love the swans … right on ‘cue’ … cudos to the animal handler, and your
videographer — doing a wonderful job. I enjoy your video lessons & even
though my photography is limited to a fine point & shoot (Canon G15) you
keep me sharp concerning the mechanics …. speaking of – I’ve got a shelf
of “old” lenses left over from the old ‘film’ days, in particular my “old”
Pentax-A zoom (70-200mm), and I’m wondering if it’s possible to “mount”
lenses such as this on me old ‘point & shoot’, or yours for that matter?
Probably not for all sort of ‘digital image’ reasons….. Anyone else with
an answer re “mounting” lenses, please feel free to contribute.
Thanks for another educational, no nonsense and entertaining video, Mike!
:-)
lovely video as usual. just wanted to ask if the wide angle lens was a
sigma 10-20mm f4-5.6?
Thanks Mike … as always clear and to the point information delivered in a
friendly and engaging manner.
Congratulations Mike,
You nailed it this time. Short, sweet and 100% pure gold.
Your longer, more entertaining videos are wonderful but this one is like….
“Here’s the essence of it all”. Eleven minutes and you have given the
nucleus of taking pictures. I’m going to steer anyone who asks me about
photography basics to this film. Hopefully appetites for more will be
whetted and they’ll become ‘hooked on Mike’.
(Didn’t even need to split your jeans like PJ Proby ;-)
Thanks
Hey Mike, hello i’m in Florida and i’m a newbie on this and i watch a lot
of your videos and they being teaching me a lot, i just want to point
something specific on this video, there are a lot a goose just passing by
when you were talking, but i think that is possible to make a shot with a
wide angle lens when the goose were passing by and the background just a
little bit blurry like an f6 or f8 just to see? Thanks
Is the idea to put the focus point on the person’s chest because the camera
is at a angle so that the focus plane is touching the person’s eye?
By the way your Photography videos are the best I’ve come across on the
internet.
I had a problem when I took a picture of a person with all their body in
the picture, I focused on the eyes but the legs were out of focus. I later
found out that that the focus plane is perpendicular to the camera and I
took the photo from a low position face on. How do I take the same photo
from the same low position but get all of the person in focus
Great video, Mike! But I still have one thing I never know where to put my
focus if my picture has two or more subjects in, plus do you always focus
on the subject if you want a big depth of field?