We take a look at how using a flash bracket and TTL cord with your on camera flash can improve your photos. Preventing Unwanted Shadows bit.ly/bhpreventunwan…
Video Rating: 4 / 5
We take a look at how using a flash bracket and TTL cord with your on camera flash can improve your photos. Preventing Unwanted Shadows bit.ly/bhpreventunwan…
Video Rating: 4 / 5
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Any decent photographer will tell you NOT to point the flash directly at
your subject. BOUNCE the flash. Not only does this produce better photos
and less unnatural shadows, it also does not blind your subject. But hey,
you’re in the business to sell products even if they are not needed, right?
Or, when shooting for hours at a time the frame gives you several ways to
hold it. I then place it all on my shoulder sling readily hanging right to
where my hand goes into the hand strap. Then I have a smaller strap as a
safety in case any of the hardware breaks or unscrews. I spend 4+ hours
whether landscape shooting or weddings. I like my alternative ways of how
holding and resting my hands. Different things work for different people.
If it works for you then do not care what others say
Why can’t you just get a Gary Fong Light Sphere for $25?
which is the best I see so many. I also see gary fong’s diffuser.
Thank you for the review, which helps when purchasing from you guys, but
this bracket is horrible IMHO because the shutter in vertical shooting is
at the bottom of the rig, which is wrong. It also renders a vertical grip
useless as it would then be on your left side.
I’m confused – why is this bracket necessary? Just bounce the flash, you
should never point it directly at them anyway.
I’ve tried shooting vertically with the shutter button down and it’s very
uncomfortable. I guess some people get used to it, but I can’t imagine
shooting vertically with the shutter button down.
There are several reason for getting the flash off the hot shoe: i. it
reduces red eye by changing the angle of incidence, critical for wedding
shots, ii. it helps shadows to fall out of the compositional frame as he
explained, iii.it allows you to be more compositionally creative with your
shadows, iv. in situations where bounce is not available, highly likely in
a wedding situation, it allows you to control your light.
Which of the Vello cord was that you were using? 1′ or 3′?
That is the 3′ Vello TTL cord. Thanks for watching.
For flat lighting ie the worst you can get, do what this guys is telling you
This is advertisement
@ukmitch86 I agree, small light sources like a flash mean hard shadows. By
bouncing it, whatever you bounce it off becomes a large light source and
gives much softer light. Just make sure you don’t bounce it off a brightly
coloured surface. Those flash frames look intimidating to the subject
matter and can mean you miss the emotion you require from your subject
unless you take ALL your photos statically like this example.
Im going to purchase one for capturing low light live performances.
Fantastic tutorials to all experience levels of photographers.
@DCUPtoejuice The FlexTT5 will support E-TTL functionality with a sole
430EX positioned off camera. One mounted on camera will control a second
FlexTT5 with your flash attached to it. Chuck
@mervie17 – brackets are old school… your better off bouncing your flash
off the ceiling or wall and raising your iso up to 400-800 (even higher
depending on how well your camera can handle noise).
This so FUNNY.. there are countless Youtube vids on the beauty of off
camera flash preventing the UGLY washed out look of straight on flash…
SMH.
I have a bracket(not this one but similar) It does improve the light but is
ridiculously uncomfortable especially used in portrait. Notice the
precariousness of the thing when he turns it on it’s side. The wobble from
the weight is obvious as well as his hands being twisted into a strange
proximity to focus and fire. I keep mine for some bizarre emergency one off
situation it might be essential for but other than that there a ton of
better lighter solutions.
I USE This Type of Bracket for All The Weddings I’ve Done,…& It Also
Helps Prevent “Red~Eye”….You Cant Go Wrong..!! Very Professional Results
Every Time ….!!
@ukmitch86 That’s great if your shooting indoors with a low neutral
ceiling, however, there are plenty of times where your outdoors or the
ceiling is 20+ feet above you, curved wrong, made of dark wood, etc. Sure
it isn’t needed in every situation but flash bracket is the way to go.
TTL is for noobs.
@ukmitch86 Not all flashes have tilting/rotating heads. You’d also use
these to change the position of the flash so you can control at which angle
the light is coming from on your subjects, relative to the camera’s
viewpoint.
A flash on the camera will almost always give you harsh shadows to the side
and behind your subjects. The bracket will allow you to have the flash off
of the camera, removing most of the shadows, provided you’re shooting from
the front. Also, the bracket gives you great flexibility when it comes to
tilt and over head lighting. It’s literally up to your imagination as to
how you can use it. If I tell you, you’re just using my imagination, not
yours.
You can’t bounce when the wall has colours.
Bouncing a flash off dark wooden walls will 1. not put out enough light 2.
often leave odd color casts, even after correction